Taking up where the the chronicle of the monk Theophanes leaves off , the compilation known as Theophanes Continuatus was originally commissioned by the emperor Constantine VII (912-959) and marked the revival, or reinvention, of the genre of history in Byzantium, which also included the less successful text of Genesios, who worked with the same dossier of sources. A principal source for the second period of Iconoclasm and the Amorian dynasty, the tendentious narrative of Books I-IV of Theophanes Continuatus was intended to justify the murderous accession of Basil I (867-886), grandfather of Constantine VII and founder of the Macedonian dynasty, by presenting the emperors who preceded Basil as cruel heretics (Leo V, Michael II, Theophilus) or profligates (Michael III). But the facts here recorded and the often playful use of Classical learning give proof to the careful reader that the revival of Byzantine military power and culture from the Dark Age of the seventh and eighth centuries gained momentum under these same emperors. The present critical edition of Books I-IV replaces that of 1838 by I. Bekker. Accompanied by the first complete English translation and grammatical and historical indexes, the work is intended for specialists, students, and scholars in related fields.

The ninth-century Chronographia of George the Synkellos and Theophanes is the most influential historical text ever written in medieval Constantinople. Yet modern historians have never explained its popularity and power. This interdisciplinary study draws on new manuscript evidence to finally animate the Chronographia’s promise to show attentive readers the present meaning of the past. Begun by one of the Roman emperor’s most trusted and powerful officials in order to justify a failed revolt, the project became a shockingly ambitious re-writing of time itself—a synthesis of contemporary history, philosophy, and religious practice into a politicized retelling of the human story. Even through radical upheavals of the Byzantine political landscape, the Chronographia’s unique historical vision again and again compelled new readers to chase after the elusive Ends of Time.

This volume, the first ever of its kind in English, introduces and surveys Greek literature in Byzantium (330 - 1453 CE). In twenty-five chapters composed by leading specialists, The Oxford Handbook of Byzantine Literature surveys the immense body of Greek literature produced from the fourth to the fifteenth century CE and advances a nuanced understanding of what "literature" was in Byzantium. This volume is structured in four sections. The first, "Materials, Norms, Codes," presents basic structures for understanding the history of Byzantine literature like language, manuscript book culture, theories of literature, and systems of textual memory. The second, "Forms," deals with the how Byzantine literature works: oral discourse and "text"; storytelling; rhetoric; re-writing; verse; and song. The third section ("Agents") focuses on the creators of Byzantine literature, both its producers and its recipients. The final section, entitled "Translation, Transmission, Edition," surveys the three main ways by which we access Byzantine Greek literature today: translations into other Byzantine languages during Late Antiquity and the Middle Ages; Byzantine and post-Byzantine manuscripts; and modern printed editions. The volume concludes with an essay that offers a view of the recent past--as well as the likely future--of Byzantine literary studies.

This Element discusses the ancient statues once set up in Byzantine Constantinople, with a special focus on their popular reception. From its foundation by Constantine the Great in 324, Constantinople housed a great number of statues which stood in the city on streets and public places, or were kept in several collections and in the Hippodrome. Almost all of them, except a number of newly made statues of reigning emperors, were ancient objects which had been brought to the city from other places. Many of these statues were later identified with persons other than those they actually represented, or received an allegorical (sometimes even an apocalyptical) interpretation. When the Crusaders of the Fourth Crusade conquered the city in 1204, almost all of the statues of Constantinople were destroyed or looted.

Mobility and migration were not uncommon in Byzantium, as is true for all societies. Yet, scholarship is only beginning to pay attention to these phenomena. This book presents in English translation a wide array of relevant source texts from ca. 650 to ca. 1450 originally written in medieval Greek: from administrative records, saints’ lives and letters by churchmen to ego-documents by ambassadors and historical narratives by court historians. Each source text is accompanied by a detailed introduction, commentary and further bibliography, thus making the book accessible to both scholars and students and laying the groundwork for future research on the internal dynamics of Byzantine society.

"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--

The case studies presented in this volume help illuminate the rationale for the founding of libraries in an age when books were handwritten, thus contributing to the comparative history of libraries. They focus on examples ranging from the seventh to the seventeenth century emanating from the Muslim World, East Asia, Byzantium and Western Europe. Accumulation and preservation are the key motivations for the development of libraries. Rulers, scholars and men of religion were clearly dedicated to collecting books and sought to protect these fragile objects against the various hazards that threatened their survival. Many of these treasured books are long gone, but there remain hosts of evidence enabling one to reconstruct the collections to which they belonged, found in ancient buildings, literary accounts, archival documentation and, most crucially, catalogues. With such material at hand or, in some cases, the manuscripts of a certain library which have come down to us, it is possible to reflect on the nature of these libraries of the past, the interests of their owners, and their role in the intellectual history of the manuscript age.

The collected essays explore late antique and Byzantine Constantinople in matters sacred, political, cultural, and commercial.

Between c.250 and c.650, the way the past was seen, recorded and interpreted for a contemporary audience changed fundamentally. Only since the 1970s have the key elements of this historiographical revolution become clear, with the recasting of the period, across both east and west, as ‘late antiquity’. Historiography, however, has struggled to find its place in this new scholarly world. No longer is decline and fall the natural explanatory model for cultural and literary developments, but continuity and transformation. In addition, the emergence of ‘late antiquity’ coincided with a methodological challenge arising from the ‘linguistic turn’ which impacted on history writing in all eras. This book is focussed on the development of modern understanding of how the ways of seeing and recording the past changed in the course of adjusting to emerging social, religious and cultural developments over the period from c.250 to c.650. Its overriding theme is how modern historiography has adapted over the past half century to engaging with the past between c.250 and c.650. Now, as explained in this book, the newly dominant historiographical genres (chronicles, epitomes, church histories) are seen as the preferred modes of telling the story of the past, rather than being considered rudimentary and naïve.

Byzantium was a strange entity--a relic of classical antiquity which survived deep into the Middle Ages. Drawing on a lifetime's work in the field of Byzantine studies, James Howard-Johnston aims to explain Byzantium's longevity, first as a state geared to fighting a two-centuries long guerrilla war of defence, then as an increasingly confident regional power. It is only by analysing its economic, social, and institutional structures that this strange medieval afterlife of the rump of the Roman empire can be understood. This collection of linked essays outlines the fundamental features of Byzantium, with a focus on the seventh to eleventh centuries. The essays delve below the agitated surface of political, religious, and intellectual history to home in on (1) alterations in economic conditions; and (2) structural change in the social order and apparatus of government. The economic foundations of society and state are examined over the long term, with emphasis placed on mercantile enterprise throughout. Howard-Johnston identifies warfare as the prime driver of social and institutional change in a first phase (seventh to eighth centuries), when the peasant villager rose to a dominant position in the collective mindset and the administration was centralised and militarised as never before. A second phase of change is then highlighted, after the mid-ninth century when Byzantium's security was assured. Military and administrative arrangements were adapted as the empire expanded. The service aristocracy which had developed in the dark centuries began to assert itself to the detriment of the peasantry, but was, Howard-Johnston argues, countered reasonably effectively by new legislation. There was a renaissance in cultural life, most marked in the intellectual sphere in the eleventh century. Finally, the sharp decline in Byzantium's military fortunes from the mid-eleventh century is attributed to external factors rather than internal weakness.