Portrait de cet architecte, acteur du renouveau de l'architecture française. Rassemble ses travaux (plans et dessins) et décrit finement l'homme et son travail.

At the pinnacle of his profession and powers, Christian de Portzamparc is a shining star in the firmament of high design. Pritzker Prize–winning architect Christian de Portzamparc is renowned for bold yet artful architecture that is at once sensitive to its context while at the same time being novel, adventurous, and frequently exciting. One57, the soaring residential skyscraper in New York, with unparalleled views of Central Park, is perhaps his most famous building in the United States, but his work ranges widely across the globe, from an extraordinary handkerchief puff–shaped boutique for Christian Dior in Seoul to a low-winged arabesque of a building for the wine producer Cheval Blanc to a mysterious temple of the modern for Casarts in Casablanca. This volume, the first major comprehensive book on Portzamparc’s work in more than three decades, is a revelation and a comprehensive survey of the work of one of the world’s most innovative and exciting architects at the height of his powers.

This book considers the post-68 French city as a prism through which to understand the contemporary world and France's specificity within it. The reader is invited to join in a series of exploratory strolls through texts, buildings, and neighborhoods, and thereby share in a process of discovery. Zeroing in on international architectural debates, a range of key Parisian exhibitions, and major urban design decisions in Paris, Montpellier, and Lille, Yaari unravels an often-acerbic French critique of both modern and postmodern positions on culture, technology, and the city. This critique-stemming from the competing claims of national identity, the ethics of architecture and display, and an anthropologically informed revision of prevailing views on the city-has sparked in France a passionate search for a third path, which the author proposes to term apres-moderne. Breaking new ground in the field of French Studies through cultural analysis of the contemporary city, this study brings new insight to scholars and professionals in architecture and urbanism, and will interest all others for whom France and cities in general hold special appeal. Monique Yaari is a specialist of twentieth-century French literary and cultural studies. For the past decade, her research has focused on the contemporary city. The author of Ironie paradoxale et ironie poetique: sur les traces de Gide dans Paludes (Summa Publications, 1988) as well as numerous articles on contemporary French art and architecture, Professor Yaari teaches in the Culture and Civilization option of the Department of French and Francophone Studies at The Pennsylvania State University.

Une introduction à l'architecture du créateur de la Cité de la musique à Paris, lauréat du Pritzker prize en 1994.

As we enter the 21st century, the third industrial revolution and the new forms of globalisation that accompany it are radically reshaping our societies, and posing many new challenges. The world appears richer, more complex and interdependent, but also more uncertain than ever. This volume presents a compilation of the contributions made to an international conference organised by UNESCO in 1998 to discuss the issues which are likely to pose the greatest challenges in the new millennium.

The author here presents an architectural history of Paris, stretching from the 3rd century BC up until the end of the 20th century.

This pamphlet brings together the contributions of architects, researchers and artists from all over the world. The common ground of discussion is the city analyzed in its less explored "folds" becoming the ground for experimentation and research. These materials together do not want to give solutions but they want to ask new questions, being conscious that curisioty remains neces- sary for any kind of progress.

A critical examination of metropolitan planning in Paris—the “Grand Paris” initiative—and the building of today's networked global city. In 2007 the French government announced the “Grand Paris” initiative. This ambitious project reimagined the Paris region as integrated, balanced, global, sustainable, and prosperous. Metropolitan solidarity would unite divided populations; a new transportation system, the Grand Paris Express, would connect the affluent city proper with the low-income suburbs; streamlined institutions would replace fragmented governance structures. Grand Paris is more than a redevelopment plan; it is a new paradigm for urbanism. In this first English-language examination of Grand Paris, Theresa Enright offers a critical analysis of the early stages of the project, considering whether it can achieve its twin goals of economic competitiveness and equality. Enright argues that by orienting the city around growth and marketization, Grand Paris reproduces the social and spatial hierarchies it sets out to address. For example, large expenditures for the Grand Paris Express are made not for the public good but to increase the attractiveness of the region to private investors, setting off a real estate boom, encouraging gentrification, and leaving many residents still unable to get from here to there. Enright describes Grand Paris as an example of what she calls “grand urbanism,” large-scale planning that relies on infrastructural megaprojects to reconfigure urban regions in pursuit of speculative redevelopment. Democracy and equality suffer under processes of grand urbanism. Given the logic of commodification on which Grand Paris is based, these are likely to suffer as the project moves forward.

Modern Architecture in Historic Cities illustrates why France has been so successful in combining conservation and modernity, and points to important lessons for other countries which can be drawn from the French experience. Beginning with an empirical review of particular events which have affected attitudes towards heritage in France, this book highlights the continuity in French thinking and the longstanding role of the French government as patron and leader. Planning, conservation and design control legislation are examined, highlighting the range of instruments available to government in order to influence results and enhance the role of the architectural profession.