From one of China’s most acclaimed writers: a unique, intimate look at the Chinese experience over the last several decades. Framed by ten phrases common in the Chinese vernacular, China in Ten Words uses personal stories and astute analysis to reveal as never before the world’s most populous yet oft-misunderstood nation. In "Disparity," for example, Yu Hua illustrates the expanding gaps that separate citizens of the country. In "Copycat," he depicts the escalating trend of piracy and imitation as a creative new form of revolutionary action. And in "Bamboozle," he describes the increasingly brazen practices of trickery, fraud, and chicanery that are, he suggests, becoming a way of life at every level of society. Witty, insightful, and courageous, this is a refreshingly candid vision of the "Chinese miracle" and all of its consequences.

From one of China’s most acclaimed writers, his first work of nonfiction to appear in English: a unique, intimate look at the Chinese experience over the last several decades, told through personal stories and astute analysis that sharply illuminate the country’s meteoric economic and social transformation. Framed by ten phrases common in the Chinese vernacular—“people,” “leader,” “reading,” “writing,” “Lu Xun” (one of the most influential Chinese writers of the twentieth century), “disparity,” “revolution,” “grassroots,” “copycat,” and “bamboozle”—China in Ten Words reveals as never before the world’s most populous yet oft-misunderstood nation. In “Disparity,” for example, Yu Hua illustrates the mind-boggling economic gaps that separate citizens of the country. In “Copycat,” he depicts the escalating trend of piracy and imitation as a creative new form of revolutionary action. And in “Bamboozle,” he describes the increasingly brazen practices of trickery, fraud, and chicanery that are, he suggests, becoming a way of life at every level of society. Characterized by Yu Hua’s trademark wit, insight, and courage, China in Ten Words is a refreshingly candid vision of the “Chinese miracle” and all its consequences, from the singularly invaluable perspective of a writer living in China today.

Do you want more free book summaries like this? Download our app for free at https://www.QuickRead.com/App and get access to hundreds of free book and audiobook summaries. Author Yu Hua presents ten essays based on the ten words he feels best sum up the modern state of his country, and his own life experience. How do you define a country? Writer Yu Hua chooses to describe his country with an analysis of ten words. Words like “revolution”, “people”, “grassroots”, and “writing”. These words become the central theme of ten essays exploring the cultural identity and changing landscape of his country. Hua draws on sociology, economics, and his own experiences as a dentist, novelist, and participant in the 1989 Tiananmen Square Protests to paint a picture of China larger in scope and depth than we might usually see in the west.

Originally banned in China but later named one of that nation’s most influential books, a searing novel that portrays one man’s transformation from the spoiled son of a landlord to a kindhearted peasant. “A work of astounding emotional power.” —Dai Sijie, author of Balzac and the Little Chinese Seamstress From the author of Brothers and China in Ten Words: this celebrated contemporary classic of Chinese literature was also adapted for film by Zhang Yimou. After squandering his family’s fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of gritty authenticity, buoyed by his appreciation for life in this narrative of humbling power.

From the acclaimed author of Brothers and China in Ten Words: here is Yu Hua’s unflinching portrait of life under Chairman Mao. A cart-pusher in a silk mill, Xu Sanguan augments his meager salary with regular visits to the local blood chief. His visits become lethally frequent as he struggles to provide for his wife and three sons at the height of the Cultural Revolution. Shattered to discover that his favorite son was actually born of a liaison between his wife and a neighbor, he suffers his greatest indignity, while his wife is publicly scorned as a prostitute. Although the poverty and betrayals of Mao’s regime have drained him, Xu Sanguan ultimately finds strength in the blood ties of his family. With rare emotional intensity, grippingly raw descriptions of place and time, and clear-eyed compassion, Yu Hua gives us a stunning tapestry of human life in the grave particulars of one man’s days.

From one of China’s most famous contemporary writers, who celebrated novel To Live catapulted him to international fame, here is a stunning collection of stories, selected from the best of Yu Hua’s early work, that shows his far-reaching influence on a pivotal period in Chinese literature. In the late 1980s and early 1990s, Yu Hua and other young Chinese writers began to reimagine their national literature. Departing from conventional realism in favor of a more surreal and subjective approach inspired by Kafka, Faulkner, and Borges, the boundary-pushing fiction of this period reflected the momentous cultural changes sweeping the world’s most populous nation. The stories collected here show Yu Hua masterfully guiding us from one fractured reality to another. “A History of Two People” traces the paths of a man and a woman who dream in parallel throughout their lives. “In Memory of Miss Willow Yang” weaves a spellbinding web of signs and symbols. “As the North Wind Howled” carries a case of mistaken identity to absurd and hilarious conclusions. And the title story follows an unforgettable narrator determined to unearth a conspiracy against him that may not exist. By turns daring, darkly comic, thought-provoking, and profound, The April 3rd Incident is an extraordinary record of a singular moment in Chinese letters.

Yu Hua’s beautiful, heartbreaking novel Cries in the Drizzle follows a young Chinese boy throughout his childhood and adolescence during the reign of Chairman Mao. The middle son of three, Sun Guanglin is constantly neglected ignored by his parents and his younger and older brother. Sent away at age six to live with another family, he returns to his parents’ house six years later on the same night that their home burns to the ground, making him even more a black sheep. Yet Sun Guanglin’s status as an outcast, both at home and in his village, places him in a unique position to observe the changing nature of Chinese society, as social dynamics — and his very own family — are changed forever under Communist rule. With its moving, thoughtful prose, Cries in the Drizzle is a stunning addition to the wide-ranging work of one of China’s most distinguished contemporary writers.

To travel through these stories is to cross a landscape of stunning beauty and terrific cruelty, where expectations are subverted, where moral certainties are shattered, where gorgeously wrought surfaces beguile at the same time that acts of incredible brutality horrify. It is no wonder that Yu Hua’s stories caused a sensation when they first appeared in the 1980s. His work represents a sophisticated and often disturbing revolution in the Chinese literary tradition, reminiscent of the fiction of modernists like Kafka, Kawabata, Borges, and Robbe-Grillet, but drawing inspiration from several strains of traditional Chinese narrative as well. This is the first collection of short fiction by Yu Hua to appear in English. It takes us on a haunting and harrowing journey from classical China through the Cultural Revolution and into the new era of economic reform, exploding along the way our preconceived notions of what Chinese literature and culture are all about in the 1990s.

Two leading experts on China evaluate its rise throughout the past one hundred fifty years, sharing portraits of key intellectual and political leaders to explain how China transformed from a country under foreign assault to a world giant.

From the acclaimed author of Brothers and To Live: thirteen audacious stories that resonate with the beauty, grittiness, and exquisite irony of everyday life in China. Yu Hua’s narrative gifts, populist voice, and inimitable wit have made him one of the most celebrated and best-selling writers in China. These flawlessly crafted stories—unflinching in their honesty, yet balanced with humor and compassion—take us into the small towns and dirt roads that are home to the people who make China run. In the title story, a shopkeeper confronts a child thief and punishes him without mercy. “Victory” shows a young couple shaken by the husband’s infidelity, scrambling to stake claims to the components of their shared life. “Sweltering Summer” centers on an awkward young man who shrewdly uses the perks of his government position to court two women at once. Other tales show, by turns, two poor factory workers who spoil their only son, a gang of peasants who bully the village orphan, and a spectacular fistfight outside a refinery bathhouse. With sharp language and a keen eye, Yu Hua explores the line between cruelty and warmth on which modern China is—precariously, joyfully—balanced. Taken together, these stories form a timely snapshot of a nation lit with the deep feeling and ready humor that characterize its people. Already a sensation in Asia, certain to win recognition around the world, Yu Hua, in Boy in the Twilight, showcases the peerless gifts of a writer at the top of his form.