For Fans of Something is Killing The Children! From the artist of the hit SIKTC spinoff series The House of Slaughter! “It is not difficult to be happy under a blue sky. But it takes a lot of courage to be strong even under a black sun.” Over the years, a black sun has risen twice. A dark dawn whose rays have done terrible things to people's minds, driving them to all sorts of horror. Twelve years have passed since the last time and the world still fears the return of that inexplicable phenomenon. But fear is not the only legacy of those terrible days. All the women who got pregnant under the influence of the black sun have given birth to babies with some... peculiarities. White hair, ashy skin, abnormal proportions, and eyes as red as fire: the Children of the Black Sun. Brightvale is a small town like many others. Here, the Children of the Black Sun are treated with particular contempt, especially during the days leading up to the anniversary of the two disasters. The hatred of their fellow villagers, terrified of a possible return of that horror, will push these kids to unite and embark on a hallucinatory journey to discover themselves and their true nature. But is the black sun really about to return? Collecting the first volume of the hit series, along with cover gallery and bonus material.

Is it fear or another impending black sun that has turned the town into a murderous mob? The children go into hiding with the hopes another dark dawn will come and save them, but the astrological event could spell doom for everyone."

The older children of the black sun continue to initiate their younger counterparts into their way of thinking and incorporate them into their plan for Brightvale. But even before all of the elements of what they have in store are revealed, the town’s descent into madness is already taking hold and turning the world on its head.

A complex, adult epic fantasy from a new Australian author ... original, dramatic, unputdownable ... Sierra has a despised and forbidden gift - she raises power from the suffering of others. Enslaved by the king's torturer, Sierra escapes, barely keeping ahead of Rasten, the man sent to hunt her down. Then she falls in with dangerous company: the fugitive Prince Cammarian and his crippled foster-brother, Isidro. But Rasten is not the only enemy hunting them in the frozen north and as Sierra's new allies struggle to identify friend from foe, Rasten approaches her with a plan to kill the master they both abhor. Sierra is forced to decide what price she is willing to pay for her freedom and her life ... Original, dramatic and unputdownable, Winter Be My Shield is the first in an epic fantasy trilogy from brilliant new Australian talent Jo Spurrier. 'Unlikely heroes, villains you will cheer for, and cold that eats your bones. Winter Be My Shield will take you to an unforgiving place, but you won't want to leave it.' Robin Hobb

CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.

Black Authors and Illustrators of Books for Children and Young Adults is a biographical dictionary that provides comprehensive coverage of all major authors and illustrators – past and present. As the only reference volume of its kind available, this book is a valuable research tool that provides quick access for anyone studying black children’s literature – whether one is a student, a librarian charged with maintaining a children’s literature collection, or a scholar of children’s literature. The Fourth Edition of this renowned reference work illuminates African American contributions to children’s literature and books for young adults. The new edition contains updated and new information for existing author/illustrator entries, the addition of approximately 50 new profiles, and a new section listing online resources of interest to the authors and readers of black children’s literature.

Voracious Children explores food and the way it is used to seduce, to pleasure, and coerce not only the characters within children's literature but also its readers. There are a number of gripping questions concerning the quantity and quality of the food featured in children's fiction that immediately arise: why are feasting fantasies so prevalent, especially in the British classics? What exactly is their appeal to historical and contemporary readers? What do literary food events do to readers? Is food the sex of children's literature? The subject of children eating is compelling but, why is it that stories about children being eaten are not only horrifying but also so incredibly alluring? This book reveals that food in fiction does far, far more that just create verisimilitude or merely address greedy readers' desires. The author argues that the food trope in children's literature actually teaches children how to be human through the imperative to eat good food in a proper controlled manner. Examining timely topics such as childhood obesity and anorexia, the author demonstrates how children's literature routinely attempts to regulate childhood eating practices and only award subjectivity and agency to those characters who demonstrate normal appetites. Examining a wide range of children's literature classics from Little Red Riding Hood to The Lion, the Witch and the Wardrobe , this book is an outstanding and unique enquiry into the function of food in children's literature, and it will make a significant contribution to the fields of both children's literature and the growing interdisciplinary domain of food, culture and society.

Contributions by María V. Acevedo-Aquino, Consuella Bennett, Florencia V. Cornet, Stacy Ann Creech, Zeila Frade, Melissa García Vega, Ann González, Louise Hardwick, Barbara Lalla, Megan Jeanette Myers, Betsy Nies, Karen Sanderson-Cole, Karen Sands-O’Connor, Geraldine Elizabeth Skeete, and Aisha T. Spencer The world of Caribbean children’s literature finds its roots in folktales and storytelling. As countries distanced themselves from former colonial powers post-1950s, the field has taken a new turn that emerges not just from writers within the region but also from those of its diaspora. Rich in language diversity and history, contemporary Caribbean children’s literature offers a window into the ongoing representations of not only local realities but also the fantasies that structure the genre itself. Young adult literature entered the region in the 1970s, offering much-needed representations of teenage voices and concerns. With the growth of local competitions and publishing awards, the genre has gained momentum, providing a new field of scholarly analyses. Similarly, the field of picture books has also deepened. Caribbean Children's Literature, Volume 1: History, Pedagogy, and Publishing includes general coverage of children’s literary history in the regions where the four major colonial powers have left their imprint; addresses intersections between pedagogy and children’s literature in the Anglophone Caribbean; explores the challenges of producing and publishing picture books; and engages with local authors familiar with the terrain. Local writers come together to discuss writerly concerns and publishing challenges. In new interviews conducted for this volume, international authors Edwidge Danticat, Junot Díaz, and Olive Senior discuss their transition from writing for adults to creating picture books for children.

Volumes for 1898-1968 include a directory of publishers.

A marathon dance mix consisting of thousands of mashed up text and image samples, In the House of the Hangman tries to give a taste of what life is like there, where it is impolite to speak of the noose. It is the third part of the life project Zeitgeist Spam. If you can't afford a copy ask me for a pdf.