A deadly virus, a vicious killer and a long - buried mystery push Brock & Kolla to the limit. When Nancy Haynes, an elderly American tourist, is brutally murdered in a seemingly senseless attack after visiting the Chelsea Flower Show, DI Kathy Kolla suspects there is more to the case than first appears. When another occupant of the palatial ...

An immersive photographic tour of the legendary Hotel Chelsea, whose residents share their spaces, their stories, and a delirious collective history of this landmark. Jackson Pollock, Robert Mapplethorpe, Patti Smith, Dylan Thomas, Arthur Miller, Bob Dylan, Arthur C. Clarke, Andy Warhol, William S. Burroughs, Janis Joplin, Eugene O'Neill, Rufus Wainwright, Betsey Johnson, R. Crumb, Thomas Wolfe, Jasper Johns—these are just a few of the figures who at one time occupied one of the most alluring and storied residences ever: the Chelsea Hotel. Born during the Gilded Age and once the tallest building in New York, the twelve-story landmark has long been a magnet for artists, writers, musicians, and cultural provocateurs of all stripes. In this book, photographer Colin Miller and writer Ray Mock intimately portray the enduring bohemian spirit of the Chelsea Hotel through interviews with nearly two dozen current residents and richly detailed photographs of their unique spaces. As documented in Miller's abundant photographs, these apartments project the quirky decorating sensibilities of urban aesthetes who largely work in film, theater, and the visual arts, resulting in deliriously ornamental spaces with a kitschy edge. Weathering the overall homogenization of New York and the rapid transformation of the hotel itself—amid recent ownership changeovers and tenant lawsuits—residents remain in about seventy apartments while the rest of the units are converted to rentals (and revert to a hotel-stay basis, which had ceased in 2011). For the community of artists and intellectuals who remain, the uncertain status of the hotel is just another stage in a roller-coaster history. A fascinating portrait of a strand of resilient bohemian New Yorkers and their creative, deeply idiosyncratic homes, Hotel Chelsea is a rich visual and narrative document of a cultural destination as complicated as it is mythical.

“Wins my Oscar for the craftiest murder method cooked up (literally) this month” from the author of the classic mystery Dead Men Don’t Ski (Sunday Telegraph). Rich, aristocratic, and at the heart of swinging London, “Pudge” Coombe-Peters has everything except a decent nickname. And in fact, he has two special attributes: He owns the narration—the drawling, deliciously snobbish, all-but-impossibly irritating narration—of Falling Star, and he has a chum named Henry Tibbett, who comes in just awfully handy when people start dying on the set of the film that Pudge is producing. Tibbett is especially welcome because, by the second death, it’s clear that we’re not dealing merely with murder but with Impossible Crime, the kind of fiendishly clever puzzle that is killingly hard to write and even more difficult to solve. The twisty plot and gorgeously retro setting on their own would make for a splendid read, but adding Pudge to the mix puts it over the top. Praise for Patricia Moyes “The author who put the ‘who’ back in whodunit.” —Chicago Daily News “A new queen of crime . . . her name can be mentioned in the same breath as Agatha Christie and Ngaio Marsh.” —Daily Herald “An excellent detective novel in the best British tradition. Superbly handled.” —Columbus Dispatch “Intricate plots, ingenious murders, and skillfully drawn, often hilarious, characters distinguish Patricia Moyes’ writing.” —Mystery Scene

From the Agatha Award-winner for Lifetime Achievement: “An excellent detective novel in the best British tradition . . . superbly handled.” —Columbus Dispatch Scotland Yard’s Henry Tibbett and his beloved Emmy have been traveling and are now headed back to England, where Henry is on the ferry out of Harwich. It’s a trip Emmy’s been looking forward to—but her excitement flags when it becomes clear that the cabins are all spoken for, and she and Henry will have to bed down in the “sleeping lounge” with a motley collection of their fellow travelers. By morning, one traveler has lost both his life and his fortune in Dutch diamonds. That’s bad enough, but a few days later, when Emmy’s unpacking at home, she makes a discovery that puts both Tibbetts in real danger. It will take the combined analytical skills of the CID Chief Superintendent and his sharp-witted wife to get them free of that terrible boat ride . . . “The author who put the ‘who’ back in whodunit.” —Chicago Tribune “A new queen of crime . . . her name can be mentioned in the same breath as Agatha Christie and Ngaio Marsh.” —Daily Herald “Intricate plots, ingenious murders, and skillfully drawn, often hilarious, characters distinguish Patricia Moyes’ writing.” —Mystery Scene