"Discusses the iconic photograph of revolutionary Che Guevara taken in 1960 by Cuban photographer Alberto Korda"--

An intimate look at the man behind the icon, from the Guevara family's private archives. Includes extraordinary unpublished short stories and poems written to his wife and children as well as photos from the Guevara family album, showing a surprisingly sensitive and artistic side to the legendary revolutionary. Che's self-portrait photography are a key feature of the selection, presented alongside other material finally released for publication from his family's archives.

Ziff offers a revealing look at the incredibly varied ways a 1960s photo and Che Guevara have been appropriated. The image has become an ideal of abstraction, and this text vividly demonstrates the diverse ways in which it has been used.

FONTOVA/EXPOSING THE REAL CHE GUEVA

Viva la revolución! Find out how Che Guevara--a doctor turned communist leader and much more than a face on a T-shirt--ended up paying the ultimate price for his cause. His very image has become associated with a spirit of rebellion, but Ernesto Guevara--known around the world simply as Che--didn't dream of becoming a revolutionary. Author Ellen Labrecque takes readers on a journey through Che's life starting with his childhood in Argentina, to his travels through South and Central America as a young physician, and ending with his final years as a key player in the Cuban revolution. His legacy--as the author of The Motorcycle Diaries, a champion of the poor, and a force for change in Cuba--is both personal and political.

On 9 October 1967, Ernesto Che Guevara, Marxist guerrilla leader and hero of the Cuban Revolution, was captured and executed by Bolivian forces. When the Guevara family learned from the front pages that Che was dead, they decided to say nothing. Fifty years on, his younger brother, Juan Martin, breaks the silence to narrate his intimate memories and share with us his views of the character behind one of history's most iconic figures. Juan Martin brings Che back to life, as a caring and protective older brother. Alongside the many practical jokes and escapades they undertook together, Juan Martin also relates the two extraordinary months he spent with the Comandante in 1959, in Havana, at the epicentre of the Cuban Revolution. He remembers Che as an idealist and adventurer and also as a committed intellectual. And he tells us of their parents - eccentric, cultivated, bohemian - and of their brothers and sisters, all of whom played a part in his political awakening. This unique autobiographical account sheds new light on a figure who continues to be revered as a symbol of revolutionary action and who remains a source of inspiration for many who believe that the struggle for a better world is not in vain.

Although Che Guevara was murdered almost sixty years ago, the famous red-and-black image of him is still widely seen around the world: at leftist political demonstrations and, ironically - given his strong opposition to capitalism - on many commercial products. However, he was a controversial figure during his lifetime - and remains so today. On both the political left and the political right, attitudes to him vary widely: while some see him as a romantic, highly-principled and legendary fighter for the world’s poor and exploited masses, others depict him either as an unrealistic and thus irrelevant adventurer, or even as a ruthless and cold-blooded butcher. Consequently, biographies about him over the decades have ranged from the overly sympathetic, to the extremely hostile. As well as covering aspects of his family life and his loves - and his early, sometimes less-than-revolutionary, attitudes - this biography, as expected, deals with those areas for which Che is best known. These include his adventurous explorations, as a young man on a motorbike, of Latin and Central America; his leadership and bravery during Cuba’s Revolutionary War; his practical and theoretical contributions to the conduct of guerrilla warfare; and his emergence as an international revolutionary legend who inspired radical young people in the 1960s, and who continues to inspire rebellious people around the world today. However, this biography also explores other aspects of Che’s life which are not so well-known. From an early age, he developed a keen love of reading, covering an eclectic mix of adventure stories, poetry, history and philosophy - and, from his teens, he began a lifetime habit of making notes on what he read. He also became a strong chess player, able enough to draw with one of the world’s leading grandmasters. Even during guerrilla campaigns, he managed to maintain those loves. Since his murder, he has emerged as an original contributor to Marxist economics and philosophy. It was his wide-ranging studies that led him to become an outspoken opponent of the ‘orthodox’ communism followed in the Soviet Union - and of its Cold War foreign policy of ‘peaceful coexistence’. His tolerance of, and willingness to work with, those having different views saw him accused of Maoism - and even Trotskyism. More accurately, Che has bequeathed the unique strand of revolutionary socialism known as ‘Guevarism’.

Alberto Korda's famous photograph of Che Guevara titled the "Guerrillero Heroico" has been reproduced, modified and remixed countless times since it was taken on March 5, 1960, in Havana, Cuba. This book looks again at this well-known mass-produced image to explore how an image can take on cultural force in diverse parts of the globe and legitimate varying positions and mass action in unexpected global political contexts. Analytically, the book develops a comparative analysis of how images become attached to a range of meanings that are absolutely inseparable from their contexts of use. Addressing the need for a fluid and responsive approach to the study of visual meaning-making, this book relies on multiple methodologies such as semiotics, research-creation, multimodal discourse analysis, ethnography and phenomenology and shows how each method has something to offer toward the understanding of the social and cultural work of images in our globally oriented cultures.

In this “evocative first novel,” an elderly woman looks back on the world of revolutionary Cuba as she recalls her intimate, secret love affair with Ernesto “Che” Guevara (Publishers Weekly). A young Cuban woman has been searching in vain for details of her birth mother. All she knows of her past is that her grandfather fled the turbulent Havana of the 1960s for Miami with her in tow, and that pinned to her sweater—possibly by her mother—were a few treasured lines of a Pablo Neruda poem. These facts remain her only tenuous links to her history, until a mysterious parcel arrives in the mail. Inside the soft, worn box are layers of writings and photographs. Fitting these pieces together with insights she gleans from several trips back to Havana, the daughter reconstructs a life of her mother, her youthful affair with the dashing, charismatic Che Guevara and the child she bore by the enigmatic rebel. Loving Che is a brilliant recapturing of revolutionary Cuba, the changing social mores, the hopes and disappointments, the excitement and terror of the times. It is also an erotic fantasy, a glimpse into the private life of a mythic public figure, and an exquisitely crafted meditation on memory, history, and storytelling. Finally, Loving Che is a triumphant unveiling of how the stories we tell about others ultimately become the story of ourselves. “A moving novel from a writer to watch.” —Publishers Weekly “Inventive and hypnotic . . . [An] artful and restless examination of the exile soul.” —Los Angeles Times “[Menendez] captures Cuba’s potential, its desperation and decay, and also its dark humor.” —The New York Times “The writing is consistently beautiful. Highly recommended.” —Library Journal