The medieval world comes alive in this indispensable hands-on resource to life as it was actually lived--with authentic recipes, clothing patterns, songs, dances, and games. The first book on medieval England to arise out of the living history movement, it recreates the daily life of ordinary people, not just the aristocracy, by combining a hands-on approach with the best of current research. The how-to sections are all based on original sources and much of the material is made available here for the first time. The most basic facts of life are systematically covered in a readily accessible format organized for easy reference. Clearly illustrated with over 125 drawings, patterns, and diagrams, plus sheet music, it provides a treasure trove of information for classroom and library use and for those interested in recreating aspects of medieval life. The work is organized into sections on Chaucer's World (social, religious, and economic aspects of life), The Course of Life (birth, childhood, and adolescence, education, marriage, and old age), The Cycles of Time (which concludes with a calendar of the medieval year describing the festivals and events of each month), The Living Environment (including houses, villages, towns, and travel), Clothing and Accessories (including instruction for making complete medieval male and female outfits and braiding authentic medieval lace), Arms and Armor (which describes medieval armor from the point of view of the wearer), Food and Drink (featuring a selection of recipes), and Entertainments (songs with sheet music and instructions for authentic games and dances of the period). A chronology of medieval England, a glossary, appendixes with information and ideas on organizing a medieval event, and suggestions for further reading complete the work. This is an indispensable resource for classroom and school and public libraries because it gives readers a true understanding of what it would actually be like to live in 14th-century England.

Represents the first time that disciples of history and English literature have joined forces to present new interpretations of late fourteenth-century English society.

Challenging the view that the fifteenth century was the "Drab Age" of English literary history, Seth Lerer seeks to recover the late-medieval literary system that defined the canon of Chaucer's work and the canonical approaches to its understanding. Lerer shows how the poets, scribes, and printers of the period constructed Chaucer as the "poet laureate" and "father" of English verse. Chaucer appears throughout the fifteenth century as an adviser to kings and master of technique, and Lerer reveals the patterns of subjection, childishness, and inability that characterize the stance of Chaucer's imitators and his readers. In figures from the Canterbury Tales such as the abused Clerk, the boyish Squire, and the infantilized narrator of the "Tale of Sir Thopas," in the excuse-ridden narrator of Troilus and Criseyde, and in Chaucer's cursed Adam Scriveyn, the poet's inheritors found their oppressed personae. Through close readings of poetry from Lydgate to Skelton, detailed analysis of manuscript anthologies and early printed books, and inquiries into the political environments and the social contexts of bookmaking, Lerer charts the construction of a Chaucer unassailable in rhetorical prowess and political sanction, a Chaucer aureate and laureate.

Employs Chaucer as a lens to argue that Anglo-French translation of formes fixes poetry helped rebuild cultural ties between England and Continental Europe during the Hundred Years' War.

More than six hundred years ago, the Archbishop of Canterbury was murdered by King Henry II’s knights. Before the Archbishop’s blood dried on the Cathedral floor, the miracles began. The number of pilgrims visiting his shrine in the Middle Ages was so massive that the stone floor wore thin where they knelt to pray. They came seeking healing, penance, or a sign from God. Chaucer’s The Canterbury Tales, one of the greatest, most enduring works of English literature, is a bigger-than-life drama based on the experience of the medieval pilgrim. Power, politics, friendship, betrayal, martyrdom, miracles, and stories all had a place on the sixty mile path from London to Canterbury, known as the Pilgrim’s Way. Walking to Canterbury is Jerry Ellis’s moving and fascinating account of his own modern pilgrimage along that famous path. Filled with incredible details about medieval life, Ellis’s tale strikingly juxtaposes the contemporary world he passes through on his long hike with the history that peeks out from behind an ancient stone wall or a church. Carrying everything he needs on his back, Ellis stops at pubs and taverns for food and shelter and trades tales with the truly captivating people he meets along the way, just as the pilgrims from the twelfth century would have done. Embarking on a journey that is spiritual and historical, Ellis reveals the wonders of an ancient trek through modern England toward the ultimate goal: enlightenment.

Presents an overview of life in fourteenth-century England as historical context for Geoffrey Chaucer's "Canterbury Tales," covering the social hierarchy and social mobility, views of the Church, warfare and rebellion, the Black Death, the Earth-centered universe and science, medicine, food, work, clothing, courtship, family, schooling, and recreation.

"More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life--yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer's adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer's travels, private life, and the early circulation of his writings, this innovative biography documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer's experiences as a prisoner of war in France, as a father visiting his daughter's nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer's writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant's son became the poet of The Canterbury Tales." -- Publisher's description.

Geoffrey Chaucer’s Canterbury Tales, the most celebrated literary work of medieval England, portrays the culture of the late Middle Ages as a deeply commercial environment, replete with commodities and dominated by market relationships. However, the market is not the only mode of exchange in Chaucer’s world or in his poem. Chaucer’s Gifts reveals the gift economy at work in the tales. Applying important recent advances in anthropological gift theory, it illuminates and explains this network of exchanges and obligations. Chaucer’s Gifts argues that the world of the Canterbury Tales harbours deep commitments to reciprocity and obligation which are at odds with a purely commercial culture, and demonstrates how the market and commercial relations are not natural, eternal, or inevitable – an essential lesson if we are to understand Chaucer’s world or our own.

The Middle Ages re-created through the cast of pilgrims in The Canterbury Tales. Among the surviving records of fourteenth-century England, Geoffrey Chaucer’s poetry is the most vivid. Chaucer wrote about everyday people outside the walls of the English court—men and women who spent days at the pedal of a loom, or maintaining the ledgers of an estate, or on the high seas. In Chaucer’s People, Liza Picard transforms The Canterbury Tales into a masterful guide for a gloriously detailed tour of medieval England, from the mills and farms of a manor house to the lending houses and Inns of Court in London. In Chaucer’s People we meet again the motley crew of pilgrims on the road to Canterbury. Drawing on a range of historical records such as the Magna Carta, The Book of Margery Kempe, and Cookery in English, Picard puts Chaucer’s characters into historical context and mines them for insights into what people ate, wore, read, and thought in the Middle Ages. What can the Miller, “big…of brawn and eke of bones” tell us about farming in fourteenth-century England? What do we learn of medieval diets and cooking methods from the Cook? With boundless curiosity and wit, Picard re-creates the religious, political, and financial institutions and customs that gave order to these lives.