Charlotte Perriand (24 October 1903 - 27 October 1999) was a French architect and designer. Her work aimed to create functional living spaces in the belief that better design helps in creating a better society. In her article "L'Art de Vivre" from 1981 she states, "The extension of the art of dwelling is the art of living-living in harmony with man's deepest drives and with his adopted or fabricated environment." Charlotte liked to take her time in a space before starting the design process. Her approach to design includes taking in the site and appreciating it for what it is. Perriand connected with any site she was working with or just visiting she enjoyed the living things and would reminisce on a site that was presumed dead. She is well known for the playful way in which she mixed and superposed materials and styles in most of the furniture she created during her career. Nonetheless, one of the most essential influence on her entire work has been the Japanese craftmanship that kept on inspiring her.

An affordable, concise survey on the influential modernist designer's interiors, buildings, furniture and more, from a sawtooth ski resort to sculptural chaises longues From the onset of her career, Charlotte Perriand was a maverick who believed in good design as a force for the betterment of society. Many young designers would be devastated by a rejection from Le Corbusier's studio, but when the great architect told her they had no use for a female furniture designer, Perriand only became more determined to prove her mettle as an artist. Under Le Corbusier, and long after she left his studio, Perriand's contributions to both furniture design and architecture demonstrated a unique attention to the organic artistry of nature as well as the egalitarian possibilities of the machine age. Her leftwing populist politics motivated much of her work, from modular furniture systems to major architectural projects. This monograph explores Perriand's most famous interiors, original furniture and architectural projects, as well as her never-before-seen sketchbooks, shedding new light on her creative process and place in design history. Charlotte Perriand (1903-99) experienced the first breakthrough in her career with Le Bar sous le toit, a 1927 interior design piece that predicted the elegant minimalism and utilitarian nature of her future work. Although today she is perhaps best known for her early chaise longue designs, Perriand also created the plans for a number of major buildings across Europe and contributed interior designs to Le Corbusier's Unit d'habitation. She worked in places as diverse as Tokyo, Rio de Janeiro and London in her pursuit of accessible design.

What is this 'new world' imagined by architect and designer Charlotte Perriand (1903-1999)? How did she reconceive our relationship with the natural world and the role of art in everyday life? The answers provided by this pioneer of modernity seem astonishingly relevant to us today. Published on the occassion of the Fondation Louis Vuitton's major retrospective dedicated to Charlotte Perriand and her links with the artists and architects of her era, this book offers a fresh interpretation of her work, which was characterized by commitment and freedom. Edited by Sébastien Cherruet and Jacques Barsac, with contributions from international authors, it presents an approach that is both chronological and thematic, inviting us on a journey of creativity through the twentieth century.

In 1927, when 24-year-old Charlotte Perriand (1903–1999) walked into Le Corbusier's studio and asked him to hire her as a furniture designer, he responded, "We don't embroider cushions here." After seeing her remarkable designs, however, Le Corbusier enjoyed a long collaboration with Perriand, who would go on to work as an architect, town planner, and political activist. This revelatory book is the first to show Perriand's photography, an important tool in her creative process and intellectual development, and a reflection of her political views. Made from the late 1920s through 1941, these striking images, many previously unpublished, testify to the collaborative spirit of the avant-garde movement, in which painters, architects, and photographers worked together to achieve creative breakthroughs.

Perriand's career embraced Art Deco, machine-age modernism, the organic rusticity of the 1930s, serially produced metal and wood furniture in the '50s and '60s, and plastic and prefabricated units in the '70s. This volume contains texts by leading scholars covering many facets of her work and life.

The acclaimed French designer Charlotte Perriand (1903 1999) worked in the studio of Le Corbusier in the late 1920s together with Le Corbusier and Pierre Jeanneret. The famous Corbusier furniture pieces are the result of this unique collaboration. A facsimile reproduction of Charlotte Perriand's 140 page Livre de Bord, her sketchbook during the years 1927-1933, is the centrepiece of this publication. Arthur R egg's introductory essay brings to life in text and image those pioneering years. His precise and detailed commentaries inspire an appreciation and understanding of the richness of each drawing. A 16 page dossier of illustrations recreates the famous 1929 Salon d'Automne and the original furnishings of Villa Church.

"A major figure of modernism in the 1930s and inextricably linked with the name of Le Corbusier, Charlotte Perriand was also a major protagonist of the organis forms of the 1950s. She was not only a pioneer of design in the twentieth century, but also a free spirited, generous woman with a fascinating story. We owe her credit for her design contributions promoting a very functional way of everyday life. Today, she has been rediscovered for much of her vital energy as for the simple, precise, natural shapes of her furniture and integrated spaces." --Publisher description.

A reevaluation of "the designer from a European perspective using the works of Finn Juhl, Carlo Mollino, Alexandre Noll, Charlotte Perriand, Gio Ponti, and Jean Prové."--P. 8.

Illustrated with photographs dating from the time period to the present, this book documents the architectural project and the production of the furniture, offering a definitive summary of this epic modernist enterprise. A further chapter is dedicated to the work of Lucien Hervé, the famous architectural photographer who depicted the city extensively. The architect, urban planner, painter, writer, designer and theorist Charles-Edouard Jeanneret, known as Le Corbusier, was born in Switzerland in 1887. In 1922 Le Corbusier and his cousin Pierre Jeanneret opened an architectural studio in Paris, inaugurating a partnership that would last until 1940. They began experimenting with furniture design after inviting the architect Charlotte Perriand to join the studio in 1928. After World War II, they sought efficient ways to house large numbers of people in response to the urban housing crisis.