A collection of fifteen stories, eleven of which have never been previously published, from the early career of bestselling American master Elmore Leonard. Over his long and illustrious career, Elmore Leonard was recognized as one of the greatest crime writers of all time, the author of dozens of bestselling books—many adapted for the big screen—as well as a master of short fiction. A superb stylist whose crisp, tight prose crackled with trademark wit and sharp dialogue, Leonard remains the standard for crime fiction and a literary model for writers of every genre. Marked by his unmistakable grit and humor, the stories in Charlie Martz and Other Stories—produced early in his career, when he was making his name particularly with westerns—reveal a writer in transition, exploring new voices and locations, from the bars of small-town New Mexico and Michigan to a film set in Hollywood, a hotel in Southern Spain, even a military base in Kuala Lumpur. They also introduce us to classic Leonard characters, some who recur throughout the collection, such as aging lawman Charlie Martz and weary former matador Eladio Montoya. Devoted Leonard aficionados and fans new to his fiction will marvel at these early works that reveal an artist on the cusp of greatness.

When Elmore Leonard died in 2013, he left behind a 60-year legacy of crime novels that, through their trademark wit and grit, transcended genre fiction. He also left behind a treasure trove of unpublished early stories. Their razor-sharp dialogue and headlong pacing reveal a master who honed his craft from a young age. Largely written during his years as a copywriter at a Detroit advertising agency, these stories find Leonard exploring far-flung locations, from the bars of small-town New Mexico to a military base in Kuala Lumpur. They also introduce us to unforgettable Leonard characters, some of whom - like ageing lawman Charlie Martz and weary former matador Eladio Montoya - star in his other works but were born in these pages. Leonard's early work has all the hallmarks that made his later novels sparkle: gripping plots, an innovative and exhilarating approach to language, and a knowing appreciation for what makes everyone - from gangsters to gun molls, from detectives to damsels - tick. Whether embodying an extra on a movie set in Spain or a desperate man out for vengeance in Detroit, these stories are endlessly entertaining - finding humanity in hardscrabble places, and reminding us why Leonard is so sorely missed.

The hell called Yuma Prison can destroy the soul of any man. And it's worse for those whose damning crime is the color of their skin. The law says Chiricahua Apache Raymond San Carlos and black-as-night former soldier Harold Jackson are murderers, and they'll stay behind bars until they're dead and rotting. But even in the worst place on Earth, there's hope. And for two hard and hated inmates -- first enemies, then allies by necessity -- it waits at the end of a mad and violent contest ... on a bloody trail that winds toward Arizona's five most dangerous men.

Sailing mares and guns into Havana harbor in 1898—right past the submerged wreckage of the U.S. battleship Maine—isn't the smartest thing recently prison-sprung horse wrangler Ben Tyler ever did. Neither is shooting one of the local Guardia, though the pompous peacock deserved it. Now Tyler's sitting tight in a vermin-infested Cuban stockade waiting to face a firing squad. But he's not dying until he gets the money he's owed from a two-timing American sugar baron. And there's one smart, pistol-hot lady at the rich man's side who could help Tyler get everything he's got rightfully coming . . . even when the whole damn island's going straight to Hell.

“Almost unbearable suspense. Leonard has produced another winner.” —People A wild ride with “the coolest, hottest writer in America” (Chicago Tribune), Bandits has everything Elmore Leonard fans love: non-stop thrills, unexpected twists and turns, unforgettable characters, and the most razor-sharp dialogue being rapidly exchanged anywhere in the crime fiction genre. Leonard stands tall among the all-time greats (John D. MacDonald, Dashiell Hammett, James M. Cain) and towers far above most of the writers currently plying the noir fiction trade. The master who created U.S. Marshal Raylan Givens, currently of the hit TV series Justified, is at the top of his game, ensnaring readers in an ingenious plot hatched by a former jewel thief and a radical ex-nun to scam millions from a sadistic Nicaraguan colonel. In fact, the Philadelphia Inquirer says Bandits “may well be his best.” Read it and decide for yourself.

A collection of the New Yorker critic’s finest essays, which examine the books that reveal and record our world. Joan Acocella was “one of our finest cultural critics” (Edward Hirsch), and she had the rare ability to examine literature and unearth the lives contained within it—its authors, its subjects, and the communities from which it springs. In her hands, arts criticism was a celebration and an investigation, and her essays pulse with unadulterated enthusiasm. As Kathryn Harrison wrote in The New York Times Book Review, “Hers is a vision that allows art its mystery but not its pretensions, to which she is acutely sensitive. What better instincts could a critic have?” The Bloodied Nightgown and Other Essays gathers twenty-four essays from the final decade and a half of Acocella’s career, as well as an introduction that frames her simple preoccupations: “life and art.” In agile, inspired prose, she moves from J. R. R. Tolkien’s translation of Beowulf to the life of Richard Pryor, from surveying profanity to untangling the book of Job. Her appetite (and reading list) knew no bounds. This collection is a joy and a revelation, a library in itself, and Acocella is our dream companion among its shelves. Includes 25 black-and-white images

“Intense….A higher caliber of entertainment.” —New York Times Elmore Leonard’s Glitz is a killer…in the best possible way. “The King Daddy of crime writers” (Seattle Times) electrifies with this unputdownable noir tale of a mama’s boy psycho killer with a vendetta against a Miami cop. A cat-and-mouse tale with claws, Glitz is thrilling, frightening, explosive, surprising, everything a great thriller is supposed to be—superior crime fiction the genre’s late greats, John D. MacDonald, Dashiell Hammett, James M. Cain, et al, would have been proud to call their own. Elmore Leonard, the creator of magnificent mayhem and truly unforgettable characters—like U.S. Marshal Raylan Givens of the hit TV series Justified—is at his nail-biting, page-turning best with Glitz which Stephen King in the New York Times Book Review calls, “Smashing and satisfying.”

The unrivaled master of crime’s first collection of noir stories. . . . “If you thought you knew all the places Elmore Leonard could take you, think again.”—Mike Lupica In more than 30 books spanning half a century, Elmore Leonard has captured the imagination of millions as few writers can. A literary icon praised by the New York Times Book Review as “the greatest crime writer of our time, perhaps ever, ” he has influenced many contemporary writers and is known for both the quality and accessibility of his writing. In this first collection of short pieces, including two novella-length works, since his western anthology Tonto Woman, Leonard demonstrates the superb characterization, dead-on dialogue, vivid atmosphere, and driving plotting that have made him a household name.

“An enigmatic getaway driver chases, and is chased by, cops and mobsters” in this action-packed hard-boiled thriller debut (Kirkus Reviews). Meet Lennon, a mute Irish getaway driver who has fallen in with the wrong heist team on the wrong day at the wrong bank. Betrayed, his money stolen and his battered carcass left for dead, Lennon is on a one-way mission to find out who is responsible—and to get back his loot. But the robbery has sent a violent ripple effect through the streets of Philadelphia. And now a dirty cop, the Russian and Italian mobs, the mayor’s hired gun, and a keyboard player in a college rock band maneuver for position as this adrenaline-fueled novel twists and turns its way toward its explosive conclusion. One thing’s for sure: this cast of characters wakes up in a much different world by novel’s end—if they wake up at all. Praise for The Wheelman “If you are partial to fast-paced thrillers that present this world as an unforgiving, blood-soaked wasteland, you should love Duane Swierczynski’s first novel. Swierczynski’s novel, like those of [Elmore] Leonard, offers an undertow of humor beneath the churning sea of man’s inhumanity.” —The Washington Post “[A] promising debut. . . . The gripping tale of a heist gone wrong.” —Robert Wade, San Diego Union-Tribune “A great heist story in the rich tradition of Richard Stark’s Parker novels and Stanley Kubrick’s The Killing . . . keeps readers holding their breath to see what’s going to happen next. It is clearly the work of a maturing writer who is possessed of a keen style and abundant talent.” —Philadelphia Inquirer

“Sharp as an ice pick….You will love this excellent book.” —New York Times Book Review Elmore Leonard is the undisputed master, the “King Daddy of crime writers” (Seattle Times), in the august company of the all-time greats of mystery/noir/crime fiction genre: John D. MacDonald, Dashiell Hammett, James M. Cain, et al. The creator of such unforgettable classics as Stick, Out of Sight, and Get Shorty—not to mention the character of U.S. Marshal Raylan Givens, lately of TV’s hit series Justified—Leonard is in fine form with Mr. Paradise. A riveting Detroit-based thriller enlivened by Leonard’s trademark razor-sharp dialogue, Mr. Paradise follows a smart Victoria’s Secret model’s attempt to score big after surviving a double murder in a millionaire’s mansion…with a lonely cop acting as spoiler.