" Brent] has produced a thoughtful, sometimes moving, and entirely accessible intellectual biography which is also, under the circumstances, indispensable." --The New York Review of Books "... a fine biography." --The New York Times Book Review "... an extraordinary, inspiring portrait of the largely forgotten Peirce, a progenitor of modern thought who devised a realist metaphysics and attempted to achieve direct knowledge of God by applying the logic of science." --Publishers Weekly In this expanded paperback edition of the critically acclaimed biography of a true American original, the philosopher-polymath Charles Sanders Peirce, Joseph Brent refines his interpretation of Peirce's thought and character based on new research, and has added a glossary and a detailed chronology.

Charles Sanders Peirce (1839-1914), the most important and influential of the classical American philosophers, is credited as the inventor of the philosophical school of pragmatism. The scope and significance of his work have had a lasting effect not only in several fields of philosophy but also in mathematics, the history and philosophy of science, and the theory of signs, as well as in literary and cultural studies. Largely obscure until after his death, Peirce's life has long been a subject of interest and dispute. Unfortunately, previous biographies often confuse as much as they clarify crucial matters in Peirce's story. Ketner's new biographical project is remarkable not only for its entertaining aspects but also for its illuminating insights into Peirce's life, his thought, and the intellectual milieu in which he worked.

The profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists, and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challenged and new values had yet to be created. In An American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopation, so this book's protagonists—who range from Emily Dickinson to Thorstein Veblen and from Henry and William James to Charles Mingus—interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.

A vibrant account of how measurement has invisibly shaped our world, from ancient civilizations to the modern day. From the cubit to the kilogram, the humble inch to the speed of light, measurement is a powerful tool that humans invented to make sense of the world. In this revelatory work of science and social history, James Vincent dives into its hidden world, taking readers from ancient Egypt, where measuring the annual depth of the Nile was an essential task, to the intellectual origins of the metric system in the French Revolution, and from the surprisingly animated rivalry between metric and imperial, to our current age of the “quantified self.” At every turn, Vincent is keenly attuned to the political consequences of measurement, exploring how it has also been used as a tool for oppression and control. Beyond Measure reveals how measurement is not only deeply entwined with our experience of the world, but also how its history encompasses and shapes the human quest for knowledge.

Christianity has been described as “a religion seeking a metaphysic”. Drawing on the philosophy of C. S. Peirce, Robinson develops a metaphysical framework centred around a ‘semiotic model’ of the Trinity. The model invites a fresh approach to the claim that Jesus was the incarnate Word of God and suggests a new way of understanding how nature may bear the imprint of the Triune Creator in the form of ‘vestiges of the Trinity in creation’. Scientific spin-offs include a new perspective on the problem of the origin of life and a novel hypothesis about the evolution of human distinctiveness. The result is an original contribution to Trinitarian theology and a bold new way of integrating philosophy, science and religion.

El proyecto de recuperación de películas históricas Unseen Cinema explora en detalle los logros, desconocidos hasta la fecha, de los cineastas pioneros que desarrollaron su labor dentro y fuera de las fronteras de Estados Unidos durante el periodo formativo del cine americano. Con la colaboración de innumerables instituciones, desde los archivos de la Academia de Cine de Hollywood, el Museo de Arte Moderno de Nueva York (MOMA), el British Film Institute, el Deustchen Film museum hasta el Gosfilmofond de Russia, la recuperación de estas películas y su posterior organización en 7 discos postula una visión innovadora del cine experimental. Un buen número de estas películas no había estado disponible desde su creación hace más de un siglo, algunas nunca se habían proyectado en público, y en casi todos los casos, hasta ahora, no se disponía de una copia prístina de proyección. En palabras de su compilador se trata de rectificar una pequeña parte de la negligencia con la que se ha tratado a los primeros cineastas y películas de vanguardia. Pese a la exhaustiva labor de busca y rastreo por parte de Posner y otros historiadores del cine para desenterrar las copias de los filmes incluidos en la colección, a día de hoy muchas no han sido recuperadas.

In this book, John W. Woell shows us how contemporary readings of American Pragmatism founded on mistakenly used categories of the Analytic tradition have led to misreadings of Peirce and James. By focusing on terms drawn largely from Descartes and Kant, contemporary debates between metaphysical realists, antirealists, Realists and Nonrealists, have, argues Woell, failed to shed great light on pragmatism in general and a pragmatic philosophy of religion in particular. Woell contends that paying close attention to the internal relationships among inquiry, belief, and their objects in the respective works of Peirce and James provides a means for fully appreciating pragmatism's richness as a resource for philosophy of religion. By taking account of a pragmatic point of view in philosophy of religion, this book incites a more productive discussion of the metaphysical status of religious objects and of the epistemic status of religious belief.

Maurice Lee's study illustrates how writers such as Poe, Melville, Douglass, Thoreau, Dickinson, and others participated in a broad intellectual and cultural shift in which Americans increasingly learned to live with the threatening and wonderful possibilities of chance.

Nature's Primal Self examines Corrington's thought, called "ecstatic naturalism," in juxtaposition to both C. S. Peirce's pragmatic and semiotic concept of the self and Karl Jaspers' existential elucidation of Existenz. Peirce's and Jaspers' anthropocentrism is thus corrected by Corrington's ecstatic naturalism. Ecstatic naturalism, as a new movement, is both a semiotic theoretical method and a metaphysics that probes deeply into the ontological divide between nature naturing and nature natured. Author Nam T. Nguyen attempts to achieve three goals: first, to present and elucidate the underlying philosophical concepts of Charles Peirce, Karl Jaspers, and Robert Corrington; second, to critique the anthropocentric self of Peirce's semiotic pragmatism and of Jaspers' existential anthropology (periechontology) from the standpoint of ecstatic naturalism; and third, to introduce the concept of nature's primal self, radically grounded in the perspective of ecstatic naturalism, as a judicious, more encompassing, and richer framework compared to Peirce's semiotic construction of the self and Jaspers' existential concept of Existenz.

Is nothingness found in nature or is it in some realm disconnected from nature? Nature and Nothingness: An Essay in Ordinal Phenomenology argues for the former and explores four types of nothingness as found in nature: holes in nature, totalizing nothingness in horror, naturing nothingness, and encompassing nothingness. Using ordinal phenomenology, Robert S. Corrington reveals the great perennial fissuring within the one nature that there is. The book includes a detailed analysis of religious violence as it correlates to the hoes in nature, such as anxiety, bereavement, loss, fear of fragmentation, and loss of identity. It also examines the various ways in which horror is encountered in a literary context, using the work of Edgar Allen Poe and H. P. Lovecraft. The analysis is comparative and makes use of feminist philosophy as well as Buddhist, Taoist, theosophical, and American philosophy. Using resources from ecstatic naturalism and deep pantheism, Corrington argues that though nothingness takes many forms, they are all guises of the same vast Nothingness.