The book examines Charlie Chaplin's evolving perspective on dark comedy in his three war films, Shoulder Arms (1918), The Great Dictator (1940), and Monsieur Verdoux (1947). In the first he uses the genre in a groundbreaking manner but yet for a pro-war cause. In Dictator dark comedy is applied in an antiwar way. In Monsieur Verdoux Chaplin embraces the genre as an individual in defense against a society out to destroy him. All three are pivotal films in the development of the genre in film, with the latter two movies being very controversial for their time.

Charlie Chaplin's A Woman of Paris (1923) was a groundbreaking film which was neither a simple recycling of Peggy Hopkins Joyce's story, nor quickly forgotten. Through heavily-documented "period research," this book lands several bombshells, including Paris is deeply rooted in Chaplin's previous films and his relationship with Edna Purviance, Paris was not rejected by heartland America, Chaplin did "romantic research" (especially with Pola Negri), and Paris' many ongoing influences have never been fully appreciated. These are just a few of the mistakes about Paris.

Charlie Chaplin was a skilled comedian, filmmaker and composer, and the mission of this book is to educate readers on the wide variety of Chaplin’s artistry: the subtlety of his mimetic satire, the sophistication of his film direction, and his prodigious musical skill that resulted in some of film’s greatest orchestral arrangements. This encyclopedia also emphasizes the singular nature of Chaplin’s biography: his unprecedented renown, the wide list of notables in art and culture with whom he fraternized, and the controversies that seemed to dog each stage of his life, perhaps most notably in his run-ins with the FBI and the House UnAmerican Activities Committee, both of whom suspected him of communist leanings. Charlie Chaplin: A Reference Guide to His Life and Works captures his life, and legacy. It features a chronology, an introduction that offers a brief account of his life, and a dictionary section listing entries on Chaplin’s childhood, career, family, and associates. The bibliography is one of the largest available of works concerning Chaplin.

The 1950s were a transitional period for film comedians. The artistic suppression of the McCarthy era and the advent of television often resulted in a dumbing down of motion pictures. Cartoonist-turned-director Frank Tashlin contributed a funny but cartoonish effect through his work with comedians like Jerry Lewis and Bob Hope. A new vanguard of comedians appeared without stock comic garb or make-up--fresh faces not easily pigeonholed as merely comedians, such as Tony Randall, Jack Lemmon and Tony Curtis. Some traditional comedians, like Charlie Chaplin, Red Skelton and Danny Kaye, continued their shtick, though with some evident tweaking. This book provides insight into a misunderstood decade of film history with an examination of the "personality comedians." The talents of Dean Martin and Bob Hope are reappraised and the "dumb blonde" stereotype, as applied to Judy Holliday and Marilyn Monroe, is deconstructed.

Charlie Chaplin the actor is universally synonymous with his beloved Tramp character. Chaplin the director is considered one of the great auteurs and innovators of cinema history. Less well known is Chaplin the composer, whose instrumental theme for Modern Times (1936) later became the popular standard "Smile," a Billboard hit for Nat "King" Cole in 1954. Chaplin was prolific yet could not read or write music. It took a rotating cast of talented musicians to translate his unorthodox humming, off-key singing, and amateur piano and violin playing into the singular orchestral vision he heard in his head. Drawing on numerous transcriptions from 60 years of original scores, this comprehensive study reveals the untold story of Chaplin the composer and the string of famous (and not-so-famous) musicians he employed, giving fresh insight into his films and shedding new light on the man behind the icon.

Three screen plays and commentary on films made by Rossellini about World War II.

On the face of it, Winston Churchill and Charlie Chaplin—two icons of the twentieth century—couldn’t be more different. One is the grand statesman whose resolve led a nation in the struggle against Nazi Germany, the other the world-famous actor and comedian behind The Great Dictator, whose owns roots were in poverty and hardship. But in this moving novel, they are bound by a dark secret: both suffer from depression. When a chance encounter reveals what they share, an unusual and unlikely friendship ensues. A series of therapeutic meetings across the world, in Germany, England, and America, sees each become the other’s confidant as they talk of their “black dog days.” With the eye of a masterfully subtle narrator, Michael Köhlmeier imagines a startling friendship of unique understanding between this extraordinary pair: a friendship of the twentieth century between art and politics, humor and seriousness, but which at heart remains an understanding between two men—the poor tramp and the grand statesman—who bring together the history of the century.

With “shattering prose,” the New York Times–bestselling author of From Here to Eternity captures the intense combat in the battle of Guadalcanal (San Francisco Chronicle). In August of 1942 the first American marines charged Guadalcanal, igniting a six-month battle for two thousand square miles of jungle and sand. In that gruesome stretch sixty thousand Americans made the jump from boat to beach, and one in nine did not return. James Jones fought in that battle, and The Thin Red Line is his haunting portrait of men and war. The soldiers of C-for-Charlie Company are not cast from the heroic mold. The unit’s captain is too intelligent and sensitive for the job, his first sergeant is half mad, and the enlisted men begin the campaign gripped by cowardice. Jones’s moving portrayal of the Pacific combat experience stands among the great literature of World War II. This ebook features an illustrated biography of James Jones including rare photos from the author’s estate.

It is 1955 and a fifteen-year-old girl, seeking adventure, escapes the greyness of post-war London for the cobbles, sunshine and romance of an ancient Catalan city. When she falls in love with the place she also falls for its charismatic leader. As the years pass and the girl becomes a woman, she returns again and again to Girona and to her lover, the enigmatic José Tarres. She meets captivating characters and hears about visions, a strangely wealthy priest, a fabulous garden owned by a Frenchwoman… Cast as the detective in her own story, she finds herself caught up in a world she barely knew existed. The rich priest was none other than the Abbé Saunière of Rennes-le-Château, and the mysteries surrounding him are at the very heart of the modern Grail legend – the stuff of bestselling novels and movies, historical analysis and esoteric intrigue. The people she has known for so many years, including José, belong to a secret society that guards Saunière’s legacy. Now they ask her to be their messenger. It is time, they say, to present some of their closely guarded secrets to the world. The astonishing result is City of Secrets. Patrice Chaplin’s modern classic is a page-turning, true-life adventure, rich with photographs, remarkable letters and antique documents. This new edition features an Afterword in which Patrice reviews the impact of the book’s publication on her life, on Girona and its mysteries.

The book examines Charlie Chaplin's evolving perspective on dark comedy in his three war films, Shoulder Arms (1918), The Great Dictator (1940), and Monsieur Verdoux (1947). In the first he uses the genre in a groundbreaking manner but yet for a pro-war cause. In Dictator dark comedy is applied in an antiwar way. In Monsieur Verdoux Chaplin embraces the genre as an individual in defense against a society out to destroy him. All three are pivotal films in the development of the genre in film, with the latter two movies being very controversial for their time.