This anthology collects developing scholarship that outlines a new decentred history of global modernism in architecture using postcolonial and other related theoretical frameworks. By both revisiting the canons of modernism and seeking to decolonize and globalize those canons, the volume explores what a genuinely "global" history of architectural modernism might begin to look like. Its chapters explore the historiography and weaknesses of modernism's normative interpretations and propose alternatives to them. The collection offers essays that interrogate transnationalism in new ways, reconsiders the agency of the subaltern and the roles played by infrastructures, materials, and global institutions in propagating a diversity of modernisms internationally. Issues such as colonial modernism, architectural pedagogy, cultural imperialism, and spirituality are engaged. With essays from both established scholars and up-and-coming researchers, this is an important reference for a new understanding of this crucial and developing topic.

This unparalleled and wide-ranging book surveys the history of applied arts and industrial design from the eighteenth century to the present day, exploring the dynamic relationship between design and manufacturing, and the technological, social and commercial contexts in which this relationship has developed. In this extensively revised and expanded third edition, David Raizman addresses international questions more fully with the addition of six Global Inspiration sections that examine the contributions of non-Western traditions, rendering the very notion of a 'national' design debatable. The text also pays closer attention to issues of gender, race, and climate change, and their impact on design. With over 580 illustrations, mostly in colour, History of Modern Design is an inclusive, well-balanced introduction to a field of increasing scholarly and interdisciplinary research, and provides students in design with historical perspectives of their chosen fields of study.

Chandigarh, built in the 1950s to a scheme by Le Corbusier and Pierre Jeanneret with their team of international and Indian architects, until the present day is regarded an icon of modernist urban design. Austrian artist Werner Feiersinger has recently travelled to the legendary capital of India s federal state Punjab. Inspired by Ernst Scheidegger s book "Chandigarh 1956"," " he has put together a vast pictorial account of the city s famous architecture today. This new book features some 300 of Feiersinger s photographs. With the artist s view and based on his own creative experience as a sculptor, he shows the expressive sculptural qualities of the buildings. He captures the place s vivid atmosphere and virtuosity and illustrates its continuous topicality. This artistic approach clearly distinguishes this book from previous publications on Chandigarh, most of which are of merely documentary character. The essay by Austrian architect Andreas Vass reflects on Chandigarh s history, its architectural qualities, and its future development. The title "Chandigarh Redux "refers to Francis Ford Coppola s Apocalypse Now Redux, the 2001 extended version of his epic war film of 1979. "

First published in 2004, this book is the inaugural volume of the Indian Ocean Research Group (IORG) and is based on a selection of papers presented at the IORG launch in Chandigarh in November 2002. The volume emphasizes the complexity and historical and contemporary geopolitical significance of the Indian Ocean Region (IOR). It also propagates the necessity for increased intra-regional cooperation, especially in terms of economic and environmental security, maritime boundaries, sea lane security and ocean management, in the spirit of open regionalism, in order to ensure a more secure IOR. In addition, the volume initiates an agenda for future social science policy-orientated research. The book should be of particular interest to policy-makers, business people and academics, as well as citizens of the IOR.

A POWERFUL BOOK THAT DETAILS THE DEATH AND THE SUBSEQUENT INVESTIGATION OF THE MURDER OF ONE OF THE RISING SUPERSTARS OF PUNJABI HIP-HOP. On 29 May 2022, Punjabi rapper Sidhu Moosewala left his haveli in Moosa for a quick ride to his aunt’s house in the neighbouring village. He was never to return home. The singer was ambushed and gunned down by six assailants. He was only twenty-eight. The news of his death spread like wildfire; fans thronged to his village in Mansa district to pay their last respects. Others mourned him on social media. An icon for many, the rebellious young man had also been a controversial figure. There were allegations that he promoted gun culture and violence, and rumours that he had ties with certain gangs. With his sudden and violent death, the questions about his life became louder—as also those around his death. Who had killed Moosewala? Everyone wanted to know. As the police made arrests and the investigation started in earnest, a story began to emerge—one of old enmities, uncomfortable truths, disgruntled youths and the violence that simmers in Punjab, just below the surface of everyday life. In this gripping and fast-paced book, seasoned crime reporter Jupinderjit Singh closely follows the investigation into Moosewala’s death and also offers us glimpses into the man he was behind the mask of celebrity. The story of the slain singer and those behind his murder, this book is also a rumination on the growing unrest in Punjab.

The essays collected in Cultivating the Colonies demonstrate how the relationship between colonial power and nature revealsthe nature of power. Each essay explores how colonial governments translated ideas about the management of exoticnature and foreign people into practice, and how they literally “got their hands dirty” in the business of empire. The eleven essays include studies of animal husbandry in the Philippines, farming in Indochina, and indigenous medicine in India. They are global in scope, ranging from the Russian North to Mozambique, examining the consequences of colonialismon nature, including its impact on animals, fisheries, farmlands, medical practices, and even the diets of indigenouspeople. Cultivating the Colonies establishes beyond all possible doubt the importance of the environment as a locus for studyingthe power of the colonial state.

In this book a fresh look at the central issues of architecture is assembled and recast into a fully integrated narrative, based on two foundational and complementary aspects of architectural design: those that give shape and those that give focus—forming and centering.