-A catalog to accompany the first museum exhibition devoted to the Indian influences in Francesco Clemente's work and relation to the artistic practices and traditions of various regions in India. Features approximately 20 works, including paintings from the last 30 years and four new sculptures created especially for the exhibition. In contrast to leading conceptual art practices of the 1970s, Clemente refocused attention on representation, narrative, and the figure, and explored traditional, artisanal materials, and modes of working. Since his first trip to India in the 1970s, Francesco Clemente immersed himself in the country's rich cultures as well as the everyday life and artistic practices of local people. Transforming ancient symbols, myths, and ideas, he has created a personal visual language of dreamlike landscapes, animals, and human figures drawn from recollections of his travels. Themes of sexuality, mythology, and spirituality, along with imaginary narratives of violence, intrigue, fragmentation, love, separation, and jealousy are seen throughout his oeuvre.---

This book combines a theoretical study of Japan's economic structures and multinational enterprises with a post-modern analysis of the contemporary multinational enterprise. The author considers the appropriateness of the post-modern approach for discussing economic activities, in particular the New Economy, and also Japanese society and culture. Kensy analyses Japan's economic structure, interpreting its methods, strategies and results in a post-modern context and presents a survey of socio-economic development in Japan since the beginning of westernization. He goes on to discuss Japanese models for the transformation of society in the future, with particular reference to the Keiretzu. Finding Japan to be a truly postmodern society, Kensy shows that Japan is prepared to be a leader in the New Economy. Kensy takes an innovative and stimulating approach that will be of interest to those seeking to better understand the development and future of the economic structures of Japan.

"This catalog is published in conjunction with an exhibition organized and presented by the Rubin Museum of Art, New York, April 24 through September 7, 2015, and curated by David P. Jackson."

As one of the finest holdings of Indian art in the West, the Kronos Collections are particularly distinguished for paintings made between the sixteenth and early nineteenth centuries for the Indian royal courts in Rajasthan and the Punjab Hills. These outstanding works, many of which are published and illustrated here for the first time, are characterized by their brilliant colors and vivid, powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. They also present a new way of seeking the divine through a form of personal devotion—known as bhakti—that had permeated India’s Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and mystical symbols that are central to literature and worship, this publication celebrates the diverse styles and traditions of Indian painting. Divine Pleasures features an informative entry for each work and two essays by scholar Terence McInerney that together outline the history of Indian painting and the Rajput courts, providing fresh insights and interpretations. Also included are a personal essay by expert and collector Steven M. Kossak and an examination of Hindu epic and myth in Mughal painting, which lays important foundations for Rajput painting, by curator Navina Najat Haidar. Through their research and observations, the authors deepen our understanding and underscore the significance of Indian painting. Divine Pleasures presents a nuanced view of a way of life intimately tied to the seasons, the arts, and the divine.

Biographie de Lo chen bsod nams rgya mtsho (1424-1482) d'après le texte rédigé par le 4e Karmapa Chos kyi grags pa ye shes (1453-1524), ainsi que la retranscription de quatre de ses lettres en tibétain et en sanskrit, suivie de leur traduction.

Presents and describes 187 Hindu and Buddhist artworks of the Himalayas from the sixth through the nineteenth centuries; geographically themed essays; and translations and interpretations of several Nepali, Kashmiri, and Tibetan inscriptions.

The Tenth Karmapa (1604-1674) lived through dramatic changes in Tibet, including the rise to political supremacy of the Fifth Dalai Lama and the Gelug sect following a Mongol invasion. Regarded as a remarkable bodhisattva and artist, the Karmapa has largely escaped the close attention of modern scholars. In this book, Shamar Rinpoche, the Fourteenth Shamarpa, introduces the Tenth Karmapa through his translations of the Karmapa's autobiographical writings and an eighteenth century biography of him. As a direct lineage-descendant from the Sixth Shamarpa--the Karmapa's guru--the Shamar Rinpoche shares his unique knowledge and experience through extensive annotations and a historical overview of Tibet from the thirteenth through seventeenth century. The text of A Golden Swan in Turbulent Waters: The Life and Times of the Tenth Karmapa Choying Dorje is complemented by maps and color illustrations depicting places where the Karmapa lived and his prolific artistic work, with some object images being published for the first time.