Tap into the mythic power of the Celtic goddesses, gods, heroes, and heroines to aid your spiritual quests and magickal goals. Human and divine energies complement each other; when joined, they become a potent catalyst for true magick and change. Celtic Myth & Magick describes the energies of over 300 cross-referenced Celtic deities and heroic figures so you can quickly determine which one can best help you in attaining specific goals through magick—such as greater prosperity (Cernunnos), glowing health (Airmid), or a soul partner (Aengus MacOg). This guidebook explains how to use creative Pagan ritual and pathworking to align yourself with the energy of these powerful archetypes. Undertake three magickal quests to the inner plane—where you'll join forces with Cuchulain, Queen Maeve, and Merlin the Magician to bring their energies directly into your life. This inspiring, well-researched book is written especially for solitary Pagans who seek to expand the boundaries of their practice to form working partnerships with the divine.

The Celtic World is a detailed and comprehensive study of the Celts from the first evidence of them in the archaeological and historical record to the early post-Roman period. The strength of this volume lies in its breadth - it looks at archaeology, language, literature, towns, warfare, rural life, art, religion and myth, trade and industry, political organisations, society and technology. The Celtic World draws together material from all over pagan Celtic Europe and includes contributions from British, European and American scholars. Much of the material is new research which is previously unpublished. The book addresses some important issues - Who were the ancient Celts? Can we speak of them as the first Europeans? In what form does the Celtic identity exist today and how does this relate to the ancient Celts? For anyone interested in the Celts, and for students and academics alike, The Celtic World will be a valuable resource and a fascinating read.

After an irate young woman confronts her father and his mistress, the entire family suffers disastrous consequences. Set in Northern Ireland, between two world wars, and amidst violent religious tension, the family deals with personal tragedy, death, betrayal, lust and forbidden love. Their hard-won triumph remains not only a testimony to their love, sacrifice, loyalty, and courageous defiance in the face of religious persecution-the story is above all a testimony of the indestructible Irish will to survive.

These ten essays by scholars from a number of disciplines, are part of a major research project that investigates the notion of the Celts and suggests new directions for future study. The essays discuss Celtic music, representation of Celts in film and TV, folklore, spirituality, festivals, education and tourism.

This book is a survey of the relationship between the two Celtic and Roman traditions in Merovingian Gaul, Lombard Italy, and the British Isles during the period of the Easter controversy. It looks at baptismal liturgy, the style of tonsure, and the correct dating of Easter.

“Finely researched and lucidly written . . . details the rise, ebb, and flow of the idea of a common Celtic identity linking Ireland and Wales.” —The New York Review of Books Who are the Celts, and what does it mean to be Celtic? In this book, Caoimhín De Barra focuses on nationalists in Ireland and Wales between 1860 and 1925, a time period when people in these countries came to identify themselves as Celts. De Barra chooses to examine Ireland and Wales because, of the six so-called Celtic nations, these two were the furthest apart in terms of their linguistic, religious, and socioeconomic differences. The Coming of the Celts, AD 1860 is divided into three parts. The first concentrates on the emergence of a sense of Celtic identity and the ways in which political and cultural nationalists in both countries borrowed ideas from one another in promoting this sense of identity. The second part follows the efforts to create a more formal relationship between the Celtic countries through the Pan-Celtic movement; the subsequent successes and failures of this movement in Ireland and Wales are compared and contrasted. Finally, the book discusses the public juxtaposition of Welsh and Irish nationalisms during the Irish Revolution. De Barra’s is the first book to critique what “Celtic” has meant historically, and it sheds light on the modern political and cultural connections between Ireland and Wales, as well as modern Irish and Welsh history. It will also be of interest to professional historians working in the field of “Four Nations” history, which places an emphasis on understanding the relationships and connections between the four nations of Britain and Ireland.

Celtic mythology is a rich and intricate diverse world, a captivating realm where deities and humans interact amidst mystical environments and celestial conflicts. Rooted predominantly in the ancient cultures of Ireland and Wales, this mythology serves as a compendium of stories, a cultural and spiritual mirror reflecting the Celtic people's values, traditions, and laws. By delving into the extensive range of Celtic myths, particularly the mythological, Ulster, and Fenian cycles in Ireland and the Mabinogion in Wales, we can uncover the profound influence these myths have had on European literary and cultural development. The primary method of transmitting these stories was oral, posing a significant challenge to studying Celtic myths. The religious perspectives of the scribes, particularly Christian monks, have left a significant imprint on these texts, but they remain crucial for our understanding. Irish literature draws from significant sources such as 'The Book of Invasions' and 'The Book of Leinster,' while Welsh literature relies on an important source known as 'Mabinogion.' Roman historians provide additional external narratives that contribute to understanding the Celts in a wider context of ancient European history. Unravelling these sources requires a nuanced approach to differentiate the authentic pagan elements from the Christian additions. The Celtic pantheon features diverse deities who govern various aspects of existence and the natural realm. In Irish mythology, the Dagda embodies paternal dominion and jurisdiction over the cycles of life and death, whereas Morrigan signifies the supremacy and inevitability of warfare. According to Welsh mythology, Arawn is the sovereign of the Otherworld, and Bran the Blessed is a colossal king with deep ties to the land and its well-being. The Celts' gods frequently engage with humans, often directly intervening in their destinies, highlighting the Celts' perception of the cosmos as a profoundly interconnected domain. The Mythological Cycle in Ireland narrates the tales of ancient deities and their conflicts, including the Tuatha Dé Danann, celestial beings who eventually assimilate into Irish civilisation as the forefathers of the contemporary Irish people after being conquered by the Milesians. The purpose of this cycle is twofold: to document Ireland's legendary history and to assert a divine entitlement to the land and its governance.

"Uniquely Celtic: The Soul and the Spirit"" is the second book from Frank Rafters. On this occasion however, the author changes tack, focusing predominantly on players who were somewhat overshadowed by other legends in their eras at Parkhead. Included is one of the longest pieces ever penned on the life of Willie Fernie (with help from his family), the tales of numerous talented players, faithful supporters, and much more. In all, this book aims to give the reader a greater insight into the stories of some of the individuals who have helped to make Celtic Football Club so very special."

This interdisciplinary volume of essays examines the real and imagined role of Classical and Celtic influence in the history of British identity formation, from late antiquity to the present day. In so doing, it makes the case for increased collaboration between the fields of Classical reception and Celtic studies, and opens up new avenues of investigation into the categories Celtic and Classical, which are presented as fundamentally interlinked and frequently interdependent. In a series of chronologically arranged chapters, beginning with the post-Roman Britons and ending with the 2016 Brexit referendum, it draws attention to the constructed and historically contingent nature of the Classical and the Celtic, and explores how notions related to both categories have been continuously combined and contrasted with one another in relation to British identities. Britishness is revealed as a site of significant Celtic-Classical cross-pollination, and a context in which received ideas about Celts, Romans, and Britons can be fruitfully reconsidered, subverted, and reformulated. Responding to important scholarly questions that are best addressed by this interdisciplinary approach, and extending the existing literature on Classical reception and national identity by treating the Celtic as an equally relevant tradition, the volume creates a new and exciting dialogue between subjects that all too often are treated in isolation, and sets the foundations for future cross-disciplinary conversations.

Centuries before W. B. Yeats wove Indian, Japanese, and Irish forms together in his poetry and plays, Irish writers found kinships in Asian and West Asian cultures. This book maps the unacknowledged discourse of Irish Orientalism within Ireland's complex colonial heritage.