This comprehensive book contains over 100 Celtic tunes arranged for solo fingerstyle guitar. This edition is derived from a collection of nearly 300 arrangements Glenn Weiser has created over the last twenty years. the book is divided into 4 sections: 1) airs, marches and waltzes 2) hornpipes, jigs and reels 3) tunes from the Bunting collection 4) harp tunes of Turlough O'Carolan. All are in either standard or dropped-D tuning, and can be played on either nylon or steel string guitars. All of these melodies are accompanied with brief historical notes. Written in standard notation and tablature. Intermediate in difficulty.

Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.

This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman, this book includes arrangements by Pierre Bensusan, El McMeen, Martin Simpson, Pat Kirtley, Duck Baker, Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle, pipes, button accordion, flutes and whistles, in solo and ensemble settings, but never guitar, even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve the unique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droning instruments, ß la the bagpipes, and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand, there are guitar tunings which lend themselves easily to the melodic steps and fullness found in the diatonic Celtic harp, such as DGDGBD (open G tuning) and the CGDGAD. DVD is region 0, playable worldwide.

This comprehensive book contains over 100 Celtic tunes arranged for solo fingerstyle guitar. This edition is derived from a collection of nearly 300 arrangements Glenn Weiser has created over the last twenty years. The book is divided into 4 sections: 1) airs, marches and waltzes 2) hornpipes, jigs and reels 3) tunes from the Bunting collection 4) harp tunes of Turlough O'Carolan. All are in either standard or dropped-D tuning, and can be played on either nylon or steel string guitars. All of these melodies are accompanied with brief historical notes. Written in standard notation and tablature. Intermediate in difficulty.

(Guitar). This unique publication features 45 harp tunes beautifully arranged for solo guitar. It also includes an introduction to the book's origins, info on the Celtic harp and biographical information on the author and Turlough O'Carolan. Most songs are arranged at an intermediate-level of difficulty and use standard tunings so that classical guitarists can enjoy them as well as steel-string fingerstylists.

Johnny Rector has been recognized for years as one ofAmerica's top jazz guitar writers. Here, for the first time, he presents an analysis of modern chord progressions, extensions, alternations, substitutions and a hands-on series of exercises designed to utilize and apply theseimportant concepts to the guitar fingerboard. This book was written as a self-study guide to the intermediate, advanced and professional guitarist who has not had the opportunity to study material of this kind with a first-class competent teacher-artist, although such a teacher can be of greatassistance in learning to apply the material. It shows unusual chord forms and progressions beyond the basics.Written in standard notation

Presenting 45 melodies composed by the blind Irish bard and harpist Turlough O'Carolan arranged by such guitar greats as Dave Evans, Davey Graham, El McMeen, Duck Baker and many others. As these melodies lend themselves particularly well to guitar settings, O'Carolan's compositions have captured the imagination of guitarists world-wide. This compilation divides the tunes into three categories: Airs and Dance Tunes, Tunes for Patronage, and Laments. Written in standard notation and tablature.

This book teaches the most crucial function of a chord instrument in the Celtic seisún (session)- that of playing tasteful, interesting, imaginative, and supportive improvised accompaniment. Celtic Back-Up presents accurate and directly applicable information on the theory, conception, stylistic considerations, procedures, and resources for accompaniment. Every facet of seisún accompaniment is thoroughly explored. with this book you will come to understand why many of our Celtic authors are reluctant to suggest chord accompaniment with their melodies in the first place; the idea is to be open to fresh ideas and improvise the accompaniment as you go.

Craig Dobbins has tastefully arranged this beautiful collection of hymns to be easily playable and yet worthy of concert and solo recital performance. All the music is written in standard notation and tablature, and performed beautifully on the included recording. Selections include: Amazing Grace * In the Garden * O for a Thousand Tongues to Sing * The Old Rugged Cross * Sweet Hour of Prayer * There Is a Fountain and more

A unique collection of traditional Northumbrian music arranged for fingerstyle guitar. Selections include Salmon Tails Up the Water; Johnny Armstrong; Jimmy Allen; Felton Lonnen; Sir John Fenwick; Bonny Gallowgate Lad; Buy Broom Besoms; Elsie Marley; Sweet Hesleyside; Chevy Chase; Lea Riggs; Noble Squire Dacre; Dolia; Are You My Hinny Burd; and more. Each piece is written in standard notation and tablature and includes brief technical and performance notes.