Der Open Call in Flandern (dem flämischsprachigen, nördlichen Teil Belgiens) ist mehr als nur ein weiterer Architekturwettbewerb: Jede Behörde oder öffentliche Einrichtung kann sich bei jedem Bauprojekt für einen Open Call entscheiden. Seit seiner Einführung durch den ersten Vlaams Bouwmeester bOb van Reeth im Jahr 2000 wurden mehr als 700 Bauaufgaben auf diese Weise ausgeschrieben und davon knapp 350 öffentliche Architektur- und Infrastrukturprojekte realisiert. Es ist an der Zeit, das Verfahren, seine Funktionsweise und die Resonanz, die es erfährt, ausführlich zu betrachten. Darüber hinaus ist die Beschäftigung mit der außergewöhnlichen Architektur öffentlicher Bauten in Flandern längst überfällig, bedenkt man ihren Vorbildcharakter für andere Länder. Celebrating Public Architecture dokumentiert anhand von 70 Beispielen aus ganz Flandern die erstaunlich hohe Qualität dieser Projekte. Die gebauten Beispiele zeigen eindrucksvoll, dass öffentliche Architektur tatsächlich zum Nachdenken anzuregen vermag und gleichzeitig gewagt, gemeinnützig und gut gemacht sein kann. Mit Bauten von 51N4E, Bovenbouw Architectuur, Dierendonckblancke, Zaha Hadid, KAAN, Maxwan, Hideyuki Nakayama, Ney & Partner, noAarchitecten, OFFICE Kersten Geers David Van Severen, RCR Arquitectes, Robbrecht en Daem, Sergison Bates, Eduardo Souto de Moura, Xaveer de Geyter und anderen

"On the occasion of its 150th anniversary, the American Institute of Architects asked more than 70 contributors to examine the complex and evolving of the America's architects in shaping our cities and communities. Through essays, vignettes, and profiles, illustrated with more than 560 photographs, Architecture provides a look at the breath and depth of the architecture profession and points to the significant contributions architects have made in all aspects of society. Most important, the book demonstrates the value of applying "architectural thinking" to the many serious issues - from global warming and homeland security to accessibility and diversity - facing our world today."--BOOK JACKET.

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.

Built Unbuilt revisits 16 years of Julien De Smedt’s work from the inception of the architectural practice PLOT with Bjarke Ingels in 2001 to the work of JDSA and the founding of the design studio Makers With Agendas with William Ravn in 2013. The Built section of this book gives an overview of De Smedt’s built work seen through the lens of photographer Julien Lanoo. The Unbuilt section is a selective narrative by De Smedt of projects that haven’t made it to the built world.

Much valued by design professionals, controversially discussed in the media, regularly misunderstood by the public and systematically regulated by public procurement; in recent years, architecture competitions have become projection screens for various and often incommensurable desires and hopes. Almost all texts on architectural competition engage it for particular reasons, whether these be for celebration of the procedure, or dismissal. Moving on from such polarised views, Architecture Competition is a revelatory study on what really happens when competitions take place. But the story is not just about architecture and design; it is about the whole construction process, from the definition of the spatial programme, to judgement and selection of projects and the realization of the building. This book explores the competition in the building process as it takes place, but also before and after its execution. It demonstrates that competitions are not just one step of many to be taken, but that competitive design procedures shape the entire process. Along the way the book exposes, among others, one of the key evolutions of design competitions – that competition procedures need to be regulated in order to respond to public awarding rules and need to integrate an increasing amount of given standards regarding, for example, efficiency, fire safety and thermal comfort. These notions force competing architects to respond to inflexible and overloaded competition programmes instead of focusing on genuinely crafting an architectural project. If the architecture competition wants to be more highly valued as a design tool, it should pay attention to the iterative nature of design and to the fact that perspectives on the problem often change in process.

- A vital book that explores the architectural, social, cultural and functional importance of public spaces within the urban fabric of India's vibrant cities. - Featuring nearly 180 visuals, comprising stunning photographs and detailed plans, this book presents a carefully curated list of vibrant landmarks across India. Celebrating Public Spaces of India is an attempt at understanding architecture as a defining feature in the identity of the 'public space' and its influence on evolving modes of urbanism in India. Through a carefully curated list of more than fifty vibrant landmarks across the length and breadth of India, this volume analyses and highlights the socio-cultural functional strength of public spaces within the urban fabric of cities. Featuring evocative photographs and drawings, this volume strives to understand the mechanics of these built and open structures, and their influences on urban cityscapes. With insightful original research, the book is an invaluable resource for anyone wishing to understand the nature of the Indian urban public space.

- First monograph from the award-winning New York-based architectural firm- Foreword by the Pulitzer Prize-winning architectural critic Paul GoldbergerSkolnick Architecture + Design Partnership: Public/Private presents the first monograph from the award-winning New York-based architectural firm. Covering over 40 years of work, the book - presented in a unique double-sided, two-cover format - exhibits projects in both the public and private sectors. Included in the public section is a sprawling center for entrepreneurial education, a science center built in an old turbine hall, a sky-lit synagogue, two colorful and bright public libraries, and a children's museum inspired by Leonardo da Vinci. The private side features a serenely spatial six-story townhouse, a sublimely linear beach house, a residence and matching studios for two painters, and luxurious twin villas in Anguilla. With text by principal architect Lee Skolnick, and a foreword by Pulitzer Prize-winning architectural critic Paul Goldberger; each chapter provides valuable insight into the extensive planning and highly intellectual process that goes into each project. Skolnick Architecture + Design Partnership: Public/Private celebrates the accomplishments of a firm still operating at the top of their game.

The interplay of psychology, design, and politics in experiments with urban open space As suburbanization, racial conflict, and the consequences of urban renewal threatened New York City with “urban crisis,” the administration of Mayor John V. Lindsay (1966–1973) experimented with a broad array of projects in open spaces to affirm the value of city life. Mariana Mogilevich provides a fascinating history of a watershed moment when designers, government administrators, and residents sought to remake the city in the image of a diverse, free, and democratic society. New pedestrian malls, residential plazas, playgrounds in vacant lots, and parks on postindustrial waterfronts promised everyday spaces for play, social interaction, and participation in the life of the city. Whereas designers had long created urban spaces for a broad amorphous public, Mogilevich demonstrates how political pressures and the influence of the psychological sciences led them to a new conception of public space that included diverse publics and encouraged individual flourishing. Drawing on extensive archival research, site work, interviews, and the analysis of film and photographs, The Invention of Public Space considers familiar figures, such as William H. Whyte and Jane Jacobs, in a new light and foregrounds the important work of landscape architects Paul Friedberg and Lawrence Halprin and the architects of New York City’s Urban Design Group. The Invention of Public Space brings together psychology, politics, and design to uncover a critical moment of transformation in our understanding of city life and reveals the emergence of a concept of public space that remains today a powerful, if unrealized, aspiration.

The book reveals a new understanding of the ways that design shapes our lives and gives professionals and interested citizens the tools to seek out and demand designs that dignify.

This valuable reference for today’s green building movement examines twentieth-century modern architecture, including buildings by Le Corbusier and Oscar Niemeyer, through the lens of sustainability. The hottest topics in contemporary architectural design and architectural history—the focus on sustainability and the evaluation of the modern movement—meet in Lessons from Modernism, a partnership with The Cooper Union that explores the ways in which the straightforward functional approach of modernist design creates environmentally sensitive solutions. Lessons from Modernism provides new insights into 25 buildings by a diverse selection of architects, including Frank Lloyd Wright, Paul Rudolph, Jean Prouvé, and Arne Jacobsen, and demonstrates how these architects integrated environmental concerns into their designs. Buildings are located across the United States, Central and South America, Cuba, Japan and more—and include houses, art centers, commercial buildings, and civic buildings. Lessons from Modernism is an affordable reference work for all interested in how architecture intersects with the green movement, pairing full descriptions of all buildings with analytical essays, featuring charts of climate zones and solar movement, and concluding with a comprehensive chronology that details how environmental consciousness evolved throughout the twentieth century.