Short stories, including the adapted-to-film original Cecil and Jordan in New York Gabrielle Bell splits her cartooning time between creating wry sketchbook autobiographical comics, such as those included in her 2006 graphic novel, Lucky, and working on more detailed fictional short stories. This collection represents her short comics work that has been published in various anthologies over the past five years, including Kramer's Ergot, Mome, and The D+Q Showcase Book Four. The surrealist title story, in which a young woman turns herself into a chair so as not to be too much of a bother to those around her, is being adapted into a short film, Interior Design, by director Michel Gondry (Eternal Sunshine of the Spotless Mind and The Science of Sleep) as part of the forthcoming Tôkyô! trilogy set for fall 2008 release.

"One of the best things going in auto-bio inflected comics these days." -- Art Spiegelman, Maus

The first full-length Graphic Memoir from one of the masters of the form.

A literary scholar explains how eighteenth-century novels were manufactured, sold, bought, owned, collected, and read alongside Protestant religious texts. As the novel developed into a mature genre, it had to distinguish itself from these similar-looking books and become what we now call “literature.” Literary scholars have explained the rise of the Anglophone novel using a range of tools, from Ian Watt’s theories to James Watt’s inventions. Contrary to established narratives, When Novels Were Books reveals that the genre beloved of so many readers today was not born secular, national, middle-class, or female. For the first three centuries of their history, novels came into readers’ hands primarily as printed sheets ordered into a codex bound along one edge between boards or paper wrappers. Consequently, they shared some formal features of other codices, such as almanacs and Protestant religious books produced by the same printers. Novels are often mistakenly credited for developing a formal feature (“character”) that was in fact incubated in religious books. The novel did not emerge all at once: it had to differentiate itself from the goods with which it was in competition. Though it was written for sequential reading, the early novel’s main technology for dissemination was the codex, a platform designed for random access. This peculiar circumstance led to the genre’s insistence on continuous, cover-to-cover reading even as the “media platform” it used encouraged readers to dip in and out at will and read discontinuously. Jordan Alexander Stein traces this tangled history, showing how the physical format of the book shaped the stories that were fit to print.

This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.

Once again Nicole Jordan thrills and enchants with this fabulously seductive Regency romance, the next installment in the Paradise series. She is the woman of his dreams . . . and he will pay any price to possess her. From the moment he met the lovely Lady Eve, soldier of fortune Alex Ryder set his sights on winning the spirited beauty. But fate intervened, making Eve another man’s wife then a widow. Now, despite Eve’s ardent vow never to marry again, Ryder aims to use every seductive weapon in his arsenal to woo her. A renowned matchmaker for the ton, Eve defies Ryder’s wicked allure but cannot resist his challenge to find him a suitable bride–never dreaming that she is the only woman he will ever desire for his bride, or that his breathtaking sensuality will awaken her to soul-searing passion. But as their delicious mating dance begins, an assailant threatens Eve’s life. Now Ryder must protect Eve while striving to convince his beloved that he alone is her perfect match in the tantalizing game of love.

Gabrielle Bell returns with a brilliant new collection of hilarious short stories. From a revisionist Red Riding Hood, to uncomfortable role reversals, Gabrielle Bell revels in skewering modern mores with razor-sharp humor and wry observations. Culled from The New Yorker, Paris Review, and Medium, including several brand new previously unpublished gems, Inappropriate collects Bell's best short comics form the last couple of years.

In the 1960s Brooklyn’s Bedford-Stuyvesant neighborhood was labeled America’s largest ghetto. But its brownstones housed a coterie of black professionals intent on bringing order and hope to the community. In telling their story Michael Woodsworth reinterprets the War on Poverty by revealing its roots in local activism and policy experiments.

Who knew Gabrielle Bell could be so funny!