This collection, the first such work on Caxton and his contemporaries, consists of ten original essays that explore early English culture, from Caxton's introduction of the press, through questions of audience, translation, politics, and genre, to the modern fascination with Caxton's books.

In this fascinating read, William Kuskin argues that the development of print production is part of a larger social network involving the political, economic, and literary systems that produce the intangible constellations of identity and authority.

Reprint of the original, first published in 1877.

"In this biography I have described and discussed every known Caxton document and edition, both intrinsically and in relation to the events, persons, and movements of contemporary history in which Caxton was so intimately involved. I have tried to rectify the disconcertingly many established and hitherto unsuspected errors of fact or inference in the work of WIlliam Blades, E.G. Duff, W.J.B. Crotch and others, to bring new light and truth to all aspects of Caxton's career from independent study of the primary sources, and to write for the general reader, the student, and the specialist scholar alike. New conclusions are reached on Caxton's family connections, his early activities as apprentice in London and cloth-trader at Bruges, his appointment and fall as Governor of the English merchants in the Low Countries, his diplomatic missions in the protracted trade negotiations of the 1460s, his discovery of his vocation for writing anf printing, his relationships with his instructor Johann Veldener and Colard Mansion his associate, and the foundation and chronology of his first press at Bruges. I show that it was from Mansion and the Bruges scribal tradition that Caxton borrowed and adapted his practices, otherwise unique among fifteenth-century printers, of writing his own translations for publication, obtaining commissions for these and other works from royal or noble patrons, and introducing them with original prologues and epilogues as a vehicle for political or personal propaganda on behalf of his clients. Caxton's hitherto unrealised function as a Yorkist and Tudor propagandist is explored in detail as a major key to his entire career as a printer. New information is given on the sources and authorship of Caxton texts previously misattributed, and dates are supplied on new typographical and other evidence for many of Caxton's undated editions."--Foreword.

In this magisterial collection, Frank Muir guides the reader on a journey of discovery and delight through five centuries of humorous prose in the English language.Starting in London with William Caxton and a Preface written and printed in 1477, and ending with P. G. Wodehouse whose last novel was published in 1977, the route is meandering: from England to Ireland and Scotland, back to England again, on to America, Canada, Australia, and New Zealand. There areexamples chosen from humorous fiction, letters, and journalism written by over 200 authors and ranging from medieval jests to the New Yorker and Beachcomber; from Thomas Nashe and Tom Brown's galloping bawdy to Jane Austen and on to Garrison Keillor and Arthur Marshall; from the jokes in SamuelJohnson's Dictionary to Kingsley Amis's Lucky Jim and his hangover. The great humorous writers such as Charles Dickens, Mark Twain, and P. G. Wodehouse are given a kind of mini-anthology of their own so that the range and versatility of their work can be appreciated.The extracts are embedded in a commentary that sets the writers in their historical context with items of contemporary gossip and anecdotal biography.As tour leader of this enjoyable enterprise, there could be no one better than Frank Muir to entertain, inform, and above all amuse the reader in his own distinctive fashion.