Illustrated cardstock terrain tiles for use with the Dungeons & Dragons(R) Roleplaying Game. This accessory for the Dungeons & Dragons Roleplaying Game contains six double-sided sheets of illustrated, die-cut terrain tiles printed on heavy cardstock. These tiles feature twisting caverns that include underground rivers, chasms, treacherous rope bridges, and the aftermath of bloody battles.

THE SUNDAY TIMES MUSIC BOOK OF THE YEAR A DAILY TELEGRAPH BEST MUSIC BOOK OF THE YEAR A TELEGRAPH BEST MUSIC BOOK OF THE YEAR A NEW STATESMAN BEST BOOK OF THE YEAR Faith, Hope and Carnage is a book about Nick Cave’s inner life. Created from over forty hours of intimate conversations with Seán O’Hagan, it is a profoundly thoughtful exploration, in Cave’s own words, of what really drives his life and creativity. The book examines questions of faith, art, music, freedom, grief and love. It draws candidly on Cave’s life, from his early childhood to the present day, his loves, his work ethic and his dramatic transformation in recent years. From a place of considered reflection, Faith, Hope and Carnage offers ladders of hope and inspiration from a true creative visionary.

Illustrated cardstock terrain tiles for use with theDungeons & Dragons(R) roleplaying game. This product adds a new dimension toD&Dgames and gives Dungeon Masters an easy-to-use and inexpensive way to include great-looking terrain in their games. This set provides ready-to-use, configurable dungeon and cavern tiles of various shapes. This accessory for theD&Dgame contains six double-sided sheets of illustrated, die cut terrain tiles printed on heavy cardstock.

A SUNDAY TIMES BESTSELLER Stranger Than Kindness is a journey in images and words into the creative world of musician, storyteller and cultural icon Nick Cave. This highly collectable book invites the reader into the innermost core of the creative process and paves the way for an entirely new and intimate meeting with the artist, presenting Cave’s life, work and inspiration and exploring his many real and imagined universes. It features full colour reproductions of original artwork, handwritten lyrics, photographs and collected personal artefacts along with commentary and meditations from Nick Cave, Janine Barrand and Darcey Steinke. Stranger Than Kindness asks what shapes our lives and makes us who we are, and celebrates the curiosity and power of the creative spirit. The book has been developed and curated by Nick Cave in collaboration with Christina Back. The images were selected from ‘Stranger Than Kindness: The Nick Cave Exhibition’, opening at the Royal Danish Library in Copenhagen in June 2020.

The Sick Bag Song chronicles Cave’s 22-city journey around North America in 2014. Racked by romantic longing and exhaustion, Cave teases out the significant moments – the people, the books and the music – that have influenced and inspired him, and drops them into his sick bag. The book began its life scribbled onto airline sick bags and later evolves into a restless contemporary epic, exploring love, loss, inspiration and memory.

National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry

‘I am damned,’ thinks Bunny Munro in a sudden moment of self-awareness reserved for those who are soon to die. He feels that somewhere down the line he has made a grave mistake, but this realisation passes in a dreadful heartbeat and is gone—leaving him in a room at the Grenville Hotel, in his underwear, with nothing but himself and his appetites. Bunny Munro drinks too much, smokes too much and thinks of sex all the time. Following his wife’s suicide, he takes his nine-years-old son on a trip to recover from the tragedy. But he is about to discover that his days are numbered. Dark, funny and raunchy, The Death of Bunny Munro is the story of a man full of emotional atyachar. Written in the high octane, charged prose that has made Nick Cave one of the world’s most acclaimed lyricists, it is an unforgettable book.

Nick Cave is now widely recognized as a songwriter, musician, novelist, screenwriter, curator, critic, actor and performer. From the band, The Boys Next Door (1976-1980), to the spoken-word recording, The Secret Life of the Love Song (1998), to the recently acclaimed screenplay of The Proposition (2005) and the Grinderman project (2008), Cave's career spans thirty years and has produced a comprehensive (and sometimes controversial) body of work that has shaped contemporary alternative culture. Despite intense media interest in Cave, there have been remarkably few comprehensive appraisals of his work, its significance and its impact on understandings of popular culture. In addressing this absence, the present volume is both timely and necessary. Cultural Seeds brings together an international range of scholars and practitioners, each of whom is uniquely placed to comment on an aspect of Cave's career. The essays collected here not only generate new ways of seeing and understanding Cave's contributions to contemporary culture, but set up a dialogue between fields all-too-often separated in the academy and in the media. Topics include Cave and the Presley myth; the aberrant masculinity projected by The Birthday Party; the postcolonial Australian-ness of his humour; his interventions in film and his erotics of the sacred. These essays offer compelling insights and provocative arguments about the fluidity of contemporary artistic practice.

When Captain Irid Tragar’s merchant ship gets caught in a storm, he comes across a mysterious uncharted island. While circumnavigating, he discovers a towering black castle nestled high above in the cliffs and reports his findings to his superior in the Empire, a ruthless kingdom that conquers and enslaves neighbouring countries. Warships are sent to investigate, and tyrannical King Dolmar claims he wants to seize this castle as his own. The brave and kind-hearted royalty of Trolan, along with the loyal townspeople, must use their wits and use their unique natural resources to defend their home from the merciless outsiders. As the final battle looms, deception swirls, and men and women from both sides must face their deepest fears, open their hearts to new loves, confront their dark pasts and ask themselves the question: Can one man make a difference in the lives of thousands?

A collection of lyrics that spans the author's entire career, from his writing for "The Birthday Party" through the highly acclaimed "Murder Ballads" and "The Boatman's Call" to new albums "No More Shall We Part", "Nocturama", "Abattoir Blues" and "The Proposition".