A control and arrest system for Officers that follows a different style than most have seen. If you are the kind of Officer that goes hands on and don't let go this system will be right up your alley. I have found that most of us lock on and don't let go when the bad guys want to fight. This follows the reality I have seen in my time in Law Enforcement. I explain and show a few simple Catch Wrestling holds that will make you much more effective at your job. A little Cop humor is included to keep it light. If your someone that has an interest in Catch Wrestling here's a new book to dig your teeth into. If your an MMA fan this will give you a different look at some moves you have seen and some that come from the golden era of NHB. Warning: This book contains Gallows Humor common to Law Enforcement Officers.

Catch wrestling (or Catch As Can Wrestling) is a bit of an umbrella term that captures several similar grappling arts. Generally speaking, current forms of catch wrestling are jacketless (no gi) arts that allow a wide range of submissions and also honor pins as a way to win a match. It is an extremely effective form of grappling and helped to establish an early form of Mixed Martial Arts. Much like Judo, catch wrestling got its start in the Middle Ages when armored knights would fight one another. The heavy metal armor presented real problems for the attacker, and one solution was to take the knight down and use the extra force of gravity to help defeat the prostrate man. They turned to wrestling traditions that existed in their respective cultures, which included a great deal of techniques for combat situations. Knights were full time soldiers who spent their lives developing and honing martial skills, and as a result the Middle Ages were something of a golden age of European martial arts, and to this day we still have combat manuals written by masters of the time. Getting started in Catch Wrestling can be daunting. But training martial arts is one of the most beneficial things I've ever done, mentally and physically, but getting over the beginner's hump was where a chunk of those benefits come from. Thankfully the Internet now allows us to learn more easily from those who came before us. Here is what you will learn in Beginning Catch Wrestling What is catch wrestling? Where did catch wrestling originate? Who invented Catch wresting? How did Catch wrestling change into professional wrestling? How does catch wrestling differ from Judo? How does catch wrestling differ from Brazilian Jiu-jitsu? How does catch wrestling differ from Russian Sambo? What happens in the average Catch Wrestling class? Is Catch Wrestling right for Women? How often should I train CW, as a beginner? Is CW just a sport, or will it teach me self-defence? I'm really out of shape: Do I need to get fitter before starting CW? What are the belt ranks in CW? I'm getting frustrated with my lack of progress: how can I overcome this? Guide To Rolling/Sparring I get tired quickly when sparring: what can I do? I'm scared of sparring what should I do? How do I avoid injuries in CW? I'm worried about getting cauliflower ear: how do I avoid it? Effective Catch Wrestling techniques (With Videos) Would You Like To Know More? Download and begin your Catch As Catch Can journey.

After nine years as one of Chicago's finest, Erin McNeal had come to sleepy Logan Falls for a second chance, not to be watched over by a man as infuriatingly overprotective-and disarmingly attractive-as Nick Ryan. She was no damsel in distress, but someone wanted her dead, and Nick knew better than to entrust a guilt-driven daredevil with her own safety. It was his duty to protect her-whether she liked it or not. It seemed the only thing the chief of police and his newest deputy could agree on was the one thing they couldn't resist-each other. Could the cautious single father and the reckless beauty be cops...and lovers?

The art of living is more like wrestling than dancing . . . More Like Wrestling is the magnificent debut novel by one of the most acclaimed music journalists of her generation. It tells the story of Pinch and Paige, two sisters coming of age in Oakland, California, in the 1980s, a time when that beautiful, crumbling city is being transformed by tectonic shifts, both literal and figurative. The novel unfolds through the alternating narration of the two sisters: Pinch, quiet and observant, and Paige, louder and wilder but faltering under her facade. The sisters are teenage refugees from a violent home, living alone in a faded Victorian mansion where they survive by creating a closed world centered around each other and their new friends—a rowdy makeshift family of castoffs, dealers, and drama queens on the periphery of the burgeoning drug game, some looking for a way out, some looking for a way deeper in. As the sisters grow from girls into women, they are confronted with a series of surprising reversals—death, imprisonment, and, just maybe, love—that force them to come to grips with the truth about their choices, their friends, and their tangled roots. More Like Wrestling takes readers into fresh and surprising terrain, bringing a complex set of characters to vivid life with bracing honesty and sophistication. With a journalist’s eye for detail and a poet’s ear for language, Danyel Smith has written an unforgettable tale about memory, forgiveness, and love in a world built on fault lines.

An intelligent and athletic young man from an upper-middle-class family and an affluent suburban town in New Jersey abruptly leaves home. At the age of nineteen, he winds up alone in Las Vegas for the winter. In order to bootstrap himself off the floor of the economy, he enlists in the U.S. Army infantry for the enlistment bonus, the promise of college funds, and an adventure. Over the next four years, the young man serves in uniform on three continents. Initially, the new soldier struggles for a year to measure up. Eventually, he becomes a good endurance athlete, a credible young man, and an effective soldier. The Spartan environment and the draconian discipline of the infantry unit impacts the youth. Alarmed by the debauchery around him, he responds by throwing himself into a rigorous self-improvement program. As a coping mechanism, he develops an intellectual philosophy uniquely suited to the infantry. After the familiarity of the army, getting out and pursuing his goal of attending college is a gut check he passes. The solo adventurer travels the Pacific Rim and Western Europe. Then he goes off to a state university in a small rural town. College is not the utopia the high-minded idealist expected. The new veteran is met with considerable hostility in the classroom and animosity on the campus. After four years in the infantry, the man has become very martial, machine-like, and ideological. Issues of identity are manifold. Unforseen readjustment problems manifest. In the isolation of the infantry battalion he has lost contact with the civilian world, and he cannot fathom the values, thinking, and the lifestyles of the students around him. The new civilian possesses few social skills and less knoledge of domestic life. He is a sort of idiot savant living in a world of book, ideas, and concept. Eventually, his mind bends, and his health breaks. Over the next years, the man endures a spiritual struggle to come to terms with his past, accept his present, and plan for an unexpected sort of future. This story explains the following questions: Where does an extremist come from? What forms the mid of an extremist? How is an extremist defused?

My autobiography is about my life involved with gambling, sex, alcohol, drugs, prison, loansharking & court trials. My father was a cop, my mother a housewife. I am the middle of 3 sons. My uncle is Benny (The Hat) Sparano, the man who sued the h.b.o. Sopranos show. I talk about my 15 years as a fugitive, surrendering in 2009. My life now includes writing this book to defer other want-to-be wiseguys from this lifestyle. I began a Remembrance charity softball game to honor all the guys who died from my hometown area due to drugs, suicides, cancer, murders & accidents. Wasted talent is the epitome of a lifetime spent watching over my shoulder.

The Light People is a multi-genre novel that includes a series of nested stories about a tribal community in Northern Minnesota. Major themes include Oskinaway’s search for his parents and the legal wrangling over the possession of a leg that has been removed from a tribal elder. Each story is linked to previous and successive stories to form a discourse on identity and cultural appropriation, all told with humor and wisdom. Taking inspiration from traditional Anishinabe stories and drawing from his own family's storytelling tradition, Gordon Henry, Jr., has woven a tapestry of interlocking narratives in The Light People, a novel of surpassing emotional strength. His characters tell of their experiences, dreams, and visions in a multitude of literary styles and genres. Poetry, drama, legal testimony, letters, and essays combine with more conventional narrative techniques to create a multifaceted, deeply rooted, and vibrant portrait of the author's own tribal culture. Keenly aware of Eurocentric views of that culture, Henry offers a "corrective history" where humor and wisdom transcend the political. In the contemporary Minnesota village of Four Bears, on the mythical Fineday Reservation, a young Chippewa boy named Oskinaway is trying to learn the whereabouts of his parents. His grandparents turn for help to a tribal elder, one of the light people, Jake Seed. Seed's assistant, a magician who performs at children's birthday parties, tells Oskinaway's family his story, which gives way to the stories of those he encounters. Narratives unfold into earlier narratives, spinning back in time and encompassing the intertwined lives of the Fineday Chippewas, eventually revealing the place of Oskinaway and his parents in a complex web of human relationships.

"Classy" Freddie Blassie is universally acknowledged as one of the most hated heels in wrestling history. Freddie really knew how to antagonize the fans -- how to "get heat." Death threats were frequent, enraged fans stabbed him twenty-one times, and he was even doused with acid. Undeterred, Blassie just took the action up a level. He reveled in being the heel. It was almost commonplace to see him biting his opponents and then spitting out their blood. Blassie would routinely "file" his teeth during interviews. His matches in Los Angeles' Olympic Auditorium brought him to the attention of Hollywood. Freddie's style and unpredictability made him a natural for the medium and he became one of the biggest draws in the wrestling business. In the early '60s, this notorious heel was invited to wrestle in Japan. Blassie both horrified and mesmerized sedate Japanese society. It was reported that a number of Japanese television viewers suffered fatal heart attacks after seeing Blassie bloody an opponent in the ring. A child of immigrants, Freddie grew up in a working-class neighborhood in south St. Louis. At seventeen, Freddie made his wrestling debut in a carnival. Unhappy with his choice of occupation, his family persuaded him to keep his "real" job, and for a while he worked as a meatcutter. But after serving in the Navy in World War II, Freddie returned to the world of wrestling, which was at the time still something of a carnival sideshow. Here he picked up his catch phrase: "pencil neck geek." Early in his career, Blassie wrestled on cards promoted by Jess McMahon, and would later work for both his son, Vincent James McMahon, and his grandson, Vincent Kennedy McMahon, the current owner of World Wrestling EntertainmentTM. Even after his active days in the ring came to an end, he showed that he still had the power to generate heat: "Classy" Freddie Blassie became the manager of heels, transferring to a whole new generation of wrestlers the style and knowledge that had made him a legend of wrestling. Blassie is still provoking the public, with his autobiography -- Legends of Wrestling: "Classy" Freddie Blassie -- Listen, You Pencil Neck Geeks -- written with Keith Elliot Greenberg. Freddie weaves vibrant tales of his days in wrestling with the likes of Hollywood Hulk Hogan, The Rock, George "The Animal" Steele, Capt. Lou Albano, John Tolos, The Destroyer, Killer Kowalski, Nikolai Volkoff, and the Iron Sheik. He frankly chronicles his dealings with colorful members of the wrestling fraternity and the promoters, even recounting the controversies -- like the infamous "boxer vs. wrestler" match with Muhammad Ali, who was managed by Blassie. His out-of-the-ring stories are equally compelling. Freddie details his countless sexual exploits and his three marriages. He reflects on the cult status that he gained after his song "Pencil Neck Geek" rocketed to the top of the Dr. Demento Show playlist. He recounts his touching relationship with comedian Andy Kaufman, who cast him in Breakfast with Blassie -- an underground classic in which Blassie uttered: "What the hell ever happened to the human race?"

“The stakes are high, the characters rich, the action relentless” (Publishers Weekly) in this Lucas Davenport novel from #1 New York Times bestselling author John Sandford. The crime spree should have ended when Lucas Davenport killed the female bank robber during the shoot-out. But it’s just beginning, because the woman’s husband isn’t about to let Lucas—or anyone he loves—escape retribution. INCLUDES A NEW INTRODUCTION BY THE AUTHOR

Although the prevalence of police-citizen conflict has diminished in recent decades, police use of excessive force remains a concern of police departments nationwide. This timely book focuses on what is known and what still needs to be learned to understand, prevent, and remediate police abuse of force. The topics covered include: a theory of police abuse of force; the causes of police brutality; measures of its prevalence; the violence-prone police officer; public opinion about police abuse of force; the issue of race; officer selection, training, and attitudes; police unions and police culture; administrative review; procedural justice and the review of citizen complaints; the role of lawsuits; and a survey of police brutality abroad. In the final chapter Geller and Toch suggest new directions for research and practical innovations in law enforcement, from which both police and citizens can benefit. The contributors to this volume are scholars of criminology, criminal justice, social psychology, law, and public administration; former police managers; a police union leader; civilian oversight agency administrators and analysts; civil liberties advocates; police litigation expert witnesses; and media commentators. The combination of theoretical and practical perspectives makes this book ideal for students and scholars of democratic policing and for those in police departments, government, and the media charged with addressing and understanding the problem of improper exercise of force.