A celebration of the uniquely vibrant architecture and interiors of classic and new Spanish-style houses in the southwestern and southern United States, Mexico, and Spain. Casa Bohemia showcases a collection of some of the most beautifully preserved Spanish style houses, from restored haciendas in Mexico to early and recent 20th century California mission styles. Twenty-nine residences built between the late seventeenth century and the present day are featured in new, stunning color photography that captures architectural details inside and out and enchanting Spanish, Moorish, European and Mexican antique furnishings, artifacts, and crafts. Author Linda Leigh Paul traces the history of Spanish style architecture from its Iberian sources to the development of the Mission style in the Americas to the still-flourishing Spanish Revival and Mediterranean styles, and endlessly rich details, including ornate wrought-iron, wood balconies, crafted glass, colorful tiles and textiles, and graceful arches. But what all of the houses featured in Casa Bohemia have in common—though they range across centuries and places as diverse as San Miguel de Allende, Santa Barbara, San Francisco, Hollywood, Malibu, Texas, and Wyoming—is a visual richness and vitality that emerges from the distinctive approaches to preservation and decoration found in each.

Florida's architectural history can be traced to the Spanish colonial settlement of St Augustine in the mid-16th century. Casa Florida is an exhuberant, full-colour celebration of the enduring influence of the Spanish design upon Florida's resorts, private houses and gardens.

Domestic architecture and interior design.

Invite the rich colors, natural textures, and romantic beauty of Mexico into your home. With a vast architectural legacy spanning four centuries, Mexican haciendas express a rugged romantic beauty and compelling sense of history. Today, the hacienda's graceful arcaded silhouette, grand-scale proportions, carved-stone ornament, rich colors and natural textures have become an ever-increasing influence for architects and designers worldwide. Hacienda Style invites you into Mexico's artful, hacienda havens resplendent with private collections of colonial and contemporary art, antiques and found relics. Witynski and Carr's antiques and accents have appeared in national magazines, television programs and feature films, including Architectural Digest, Western Interiors, HGTV's Takeover My Makeover, The Oprah Winfrey Show, and The Alamo. Other books by the same authors: Mexican Country Style, The New Hacienda, Casa Adobe, Adobe Details, Casa Yucatan, and Mexican Details.

From 1925 to 1929, two young architectural draftsmen set out to record a select number of examples of the “minor domestic architecture” of Mexico due to a lack of measured drawings of rural ranch houses and Monterey-inspired dwellings. The result is a wonderful collection of houses from the days of Mexico's viceroys, elaborately presented in this handsomely illustrated book. Every aficionado of architecture or home design will find the patios, window designs, and floor plans a delight to look at. Over two-hundred illustrations, including forty-two pages of measured drawings and floor plans, make this a comprehensive reference guide as well as an elegant coffee table book.

The Ideal Ruler in Medieval Bohemia discusses the development of medieval concepts and ideas about just and unjust rulership in medieval Bohemia. This theme is examined in the context of the European political thinking between 6th and 14th centuries. Robert Antonín provides new insights into interpretations of medieval sources of various kinds and asks innovative questions regarding the legitimization of monarchic power, the importance of Saint Wenceslaus, the role of ancient and biblical motifs in the Czech sources, and the influence of chivalric ideals on concepts of power. The theme of the book revolves around medieval perceptions of ideal rulership, which is seen as one of the cultural-anthropological constants shaping the social reality of the contemporary world.

The day her fiancé died suddenly of a heart attack, Katie Swenson retreated to "Bohemia," the third-floor loft that the couple had renovated in their home in Wellesley, Massachusetts, and began to write. A visceral account of grief and the profound kindness that resonates around it, this is also the story of her hundred-year-old house, named the "Scarab" after the Egyptian symbol for rebirth, and the two courageous women who built it a century earlier--Wellesley College professors Katharine Coman and her partner Katharine Lee Bates, author of "America the Beautiful." Parallel lives unfold in the magical third-floor loft, where Coman died, where Bates mourned, and where Swenson wrote and wrote through that first searing year, held up by their spirits. Told with rare emotional power, In Bohemia is a meditation on love, family, and community and inspires us to be our best selves.

Cottages on the Coast: Fair Harbors and Secret Shores is a spectacular look at the extraordinary construction and interior design of coastal cottages on the shorelines of the Pacific, to the coasts of the Gulf of Mexico, to the beaches of the Atlantic. The 200 present-day and vintage full-color photographs of more than two dozen sea-loving residences illustrate the physical desire, wonder, and fear that draw visitors to make their home along these coastal views. Featured in this survey are Tennessee Williams’s Key West haven and the modern Puget Sound cabin of Thomas Bosworth. Design writer and editor Linda Leigh Paul is the author of Cottage and Cabin, Casa Bohemia: The Spanish-Style House, Ranches of the American West, and more.

Looks at portrayals of Havana in literature, music, and the visual arts in the post-Soviet era, as the city is reinvented as a destination for international tourists and business ventures.

Hector Amaya advances into new territory in Latin American and U.S. cinema studies in this innovative analysis of the differing critical receptions of Cuban film in Cuba and the United States during the Cold War. Synthesizing film reviews, magazine articles, and other primary documents, Screening Cuba compares Cuban and U.S. reactions to four Cuban films: Memories of Underdevelopment, Lucia, One Way or Another, and Portrait of Teresa. In examining cultural production through the lens of the Cold War, Amaya reveals how contrasting interpretations of Cuban and U.S. critics are the result of the political cultures in which they operated. While Cuban critics viewed the films as powerful symbols of the social promises of the Cuban revolution, liberal and leftist American critics found meaning in the films as representations of anti-establishment progressive values and Cold War discourses. By contrasting the hermeneutics of Cuban and U.S. culture, criticism, and citizenship, Amaya argues that critical receptions of political films constitute a kind of civic public behavior.