'Here are many and boundless marvels; in this First India begins another world' Jordanus Catalani, the first bishop of the Church of Rome in India, introduced the northern part of the subcontinent to his readers in 14th century Europe in this manner. Two hundred years before the coming of Vasco da Gama, Western Christianity-which comprises the Catholic Church, the Anglican Communion and Protestant denominations today-had already arrived in India, finding among its diverse people and faiths the Church of the East already at home since the beginning of Christianity. This is an account of how global events, including the Crusades and the Mongol conquests, came together to bring Western Christianity to India. A gripping narrative of two diagonally opposite impulses in Christianity: of humble scholars trying to live the Christian ideal, and of ambitious ecclesiastical empire-builders with more earthly goals. Carpenters and Kings is a tale of Christianity, and equally, a glimpse of the India which has always existed: a multicultural land where every faith has found a home through the centuries.

A walrus and a carpenter encounter some oysters during their walk on the beach--an unfortunate meeting for the oysters.

A series of stories which each explore some individual aspect of life in a paralytically sleepy Central American town while each advancing some aspect of the larger plot and relating back one to another in a complex structure which slowly explicates its own background even as it painstakingly erects a town which is one of the most detailed literary creations of the period.In this book, O. Henry coined the term ""banana republic"". Set in a fictitious Central American country called the Republic of Anchuria, this is a classic tale that has been loved by many for generations, a great addition to the collection. William Sydney Porter (September 11, 1862 - June 5, 1910), known by his pen name O. Henry, was an American short story writer. O. Henry's short stories are known for their surprise endings. He was born in Greensboro, North Carolina. He changed the spelling of his middle name to Sydney in 1898. Get Your Copy Now.

Collects eighteen fables from the Jatakas of India.

A detailed history of churches and their association with Hindu temples, covering a distinctive number of Churches situated in India Highlights the significance of architecture Depicts different segregated groups of Christianity The Churches of India takes the reader on a fascinating journey through India to discover the history and architecture of the country's Christian churches. With fine illustrations and an informative, easy-to-read text the book reveals the diverse architectural styles that have evolved in different regions from the very beginnings of the Common Era identified with the birth of Christ. Churches have been built in greater numbers from the middle of the last millennium when settlers such as the Armenians and colonizers, Portuguese, French and British, brought their own branches of Christianity and religious architecture with them. Many churches were indigenized over time while others have retained their architecture in its pure form. Joanne Taylor's work gives the reader a deep feeling for the range of churches and their architecture, from the humble to the grand. It is also a fine history of the search by those who design or adapt buildings for a self-identity through the symbolism, explicit or implicit, expressed in built forms. Religious buildings give India its identity as a nation of diverse people with their own cultures. It is a country with one of the world's richest architectural traditions. Complemented by over 300 photographs, this absorbing book is the most comprehensive work on India's churches to date.

More than two decades ago, John Galliano and Alexander McQueen arrived on the fashions scene when the business was in an artistic and economic rut. Both wanted to revolutionize fashion in a way no one had in decades. They shook the establishment out of its bourgeois, minimalist stupor with daring, sexy designs. They turned out landmark collections in mesmerizing, theatrical shows that retailers and critics still gush about and designers continue to reference. Their approach to fashion was wildly different—Galliano began as an illustrator, McQueen as a Savile Row tailor. Galliano led the way with his sensual bias-cut gowns and his voluptuous hourglass tailoring, which he presented in romantic storybook-like settings. McQueen, though nearly ten years younger than Galliano, was a brilliant technician and a visionary artist who brought a new reality to fashion, as well as an otherworldly beauty. For his first official collection at the tender age of twenty-three, McQueen did what few in fashion ever achieve: he invented a new silhouette, the Bumster. They had similar backgrounds: sensitive, shy gay men raised in tough London neighborhoods, their love of fashion nurtured by their doting mothers. Both struggled to get their businesses off the ground, despite early critical success. But by 1997, each had landed a job as creative director for couture houses owned by French tycoon Bernard Arnault, chairman of LVMH. Galliano’s and McQueen’s work for Dior and Givenchy and beyond not only influenced fashion; their distinct styles were also reflected across the media landscape. With their help, luxury fashion evolved from a clutch of small, family-owned businesses into a $280 billion-a-year global corporate industry. Executives pushed the designers to meet increasingly rapid deadlines. For both Galliano and McQueen, the pace was unsustainable. In 2010, McQueen took his own life three weeks before his womens' wear show. The same week that Galliano was fired, Forbes named Arnault the fourth richest man in the world. Two months later, Kate Middleton wore a McQueen wedding gown, instantly making the house the world’s most famous fashion brand, and the Metropolitan Museum of Art opened a wildly successful McQueen retrospective, cosponsored by the corporate owners of the McQueen brand. The corporations had won and the artists had lost. In her groundbreaking work Gods and Kings, acclaimed journalist Dana Thomas tells the true story of McQueen and Galliano. In so doing, she reveals the revolution in high fashion in the last two decades—and the price it demanded of the very ones who saved it.

A new epic fantasy series from the New York Times bestselling author chosen to complete Robert Jordan's The Wheel of Time® Series

Essays on the connections between politics and society in the middle ages, showing their interdependence.