Welcome to the most spectacular, heart racing, entertaining, and deadliest show you'll ever see.Ever want to see what happens after you leave the circus and the show is over? Ever wonder what goes on behind the scenes? Have you ever wanted to see the darkest side of human nature? Then step right up, enter, and be prepared to have your breath taken away, literally.Victor, Jug, the Fortune Teller, Shilo, and Olivia. A horrifying, graphic, and pulse-pounding five-part novel from five different points of view in one interconnecting story surrounding one circus.Welcome to the Carnival of Terror.

Welcome to Rupa s carnival of terror, where Ruskin Bond s compilation of grisly tales will give you nightmares. As he takes you to the depths of the Sargasso Sea and William Hope Hodgson s telling of a ship caught in a treacherous world. Also included here are stories from Jerome .K. Jerome, A .E. Coppard, Margery Allingham and one from Bond himself

Reader beware--you choose the scare! GIVE YOURSELF GOOSEBUMPS! Late one night you and your friends visit the old fairgrounds. They're putting up rides and booths for the annual carnival. But this year things look really different. Really odd. Really scary. The place is lit up by a hundred fiery torches. And spooky music is coming from the main tent. Then you meeting Big Al, the creepy carnival manager. He's invited you in to test some of the rides. Will you brave the terrifying Supersonic Space Coaster? Risk the horrors of the Reptile Petting Zoo? Slice through the oily waters of Booger Bog? Or confront the evil Snake Lady? The choice is yours in this scary GOOSEBUMPS adventure that's packed with over 20 super-spooky endings!

The ultimate evil lurks below… Ghost hunter and retired Marine, Shane Ryan, is on a mission. One by one, he has faced the ringleaders of the Endless Night. Now, the trail of carnage has led to Devil Rock… A hidden vault, buried deep within the bowels of the earth. A terrible secret lurks within the dark shadows of this abandoned facility. But to reveal the depth of the cult’s evil machinations, Shane must face an army of deadly spirits, each more powerful than the last. And to fight these diabolical wraiths, even Shane Ryan will need a little help. Calling on a trusted ally, Shane soon discovers that the underground base is home to the cult’s founder, a paranormal entity who is far more than meets the eye. And unless Shane can solve the riddle of Devil Rock, a terrifying destructive force will be unleashed. But the worst part is, Shane himself may be the one who triggers humanity’s annihilation…

In 1468, on the final night of Carnival in Rome, Pope Paul II sat enthroned above the boisterous crowd, when a scuffle caught his eye. His guards had intercepted a mysterious stranger trying urgently to convey a warning—conspirators were lying in wait to slay the pontiff. Twenty humanist intellectuals were quickly arrested, tortured on the rack, and imprisoned in separate cells in the damp dungeon of Castel Sant’Angelo. Anthony D’Elia offers a compelling, surprising story that reveals a Renaissance world that witnessed the rebirth of interest in the classics, a thriving homoerotic culture, the clash of Christian and pagan values, the contest between republicanism and a papal monarchy, and tensions separating Christian Europeans and Muslim Turks. Using newly discovered sources, he shows why the pope targeted the humanists, who were seen as dangerously pagan in their Epicurean morals and their Platonic beliefs about the soul and insurrectionist in their support of a more democratic Church. Their fascination with Sultan Mehmed II connected them to the Ottoman Turks, enemies of Christendom, and the love of the classical world tied them to recent rebellious attempts to replace papal rule with a republic harking back to the glorious days of Roman antiquity. From the cosmetic-wearing, parrot-loving pontiff to the Turkish sultan, savage in war but obsessed with Italian culture, D’Elia brings to life a Renaissance world full of pageantry, mayhem, and conspiracy and offers a fresh interpretation of humanism as a dynamic communal movement.

Roll up, roll up! Welcome to the carnival! Enjoy the sweet smells of the cotton candy and candy apples. Listen to the calliope music as you wander among the many stalls, to the screams of children enjoying the various rides. It's all been designed to take your money, but you already know that. What you are not aware of, however, are the strange goings-on of the carnival world after dark. Do the carnies want more than your money? Does the fortune teller know more than she tells you? Are some of the games more dangerous than others? Explore your worst fears, and perhaps gain some new ones, in these twisted tales of what really goes on at the carnival after dark!Table of Contents:Mark Fleming - LifebloodLex H. Jones - For One Night OnlyAndrew Lennon - House of IllusionJason M. Light - AbandonlandDavid J. Fielding - Wobbly BobIke Hamill - The PinchChristina Bergling - ZoltaraGary A. Braunbeck - In a Hand or FaceJohn Dover - Frimby's Big DayDavid Owain Hughes - The Last Freakshow on Earth H.R. Boldwood - Mister Weasels and the Cosmic CarnivalJoe X. Young - The Frog Prince Guy N. Smith - Blood Show at the CarnivalSteven Stacy - The Voodoo ManJ.C. Michael - What a Price to Pay for a Fucking Teddy Bear Selene MacLeod - SweetheartKevin J. Kennedy - VampiroEdited by Brandy Yassa & Lisa Lee Tone

One July week in 1900 an obscure black laborer named Robert Charles drew national headlines when he shot twenty-seven whites—including seven policemen—in a series of encounters with the New Orleans police. An avid supporter of black emigration, Charles believed it foolish to rely on southern whites to uphold the law or to acknowledge even minimal human rights for blacks. He therefore systematically armed himself, manufacturing round after round of his own ammunition before undertaking his intentionally symbolic act of violent resistance. After the shootings, Charles became an instant hero among some blacks, but to most people he remained a mysterious and sinister figure who had promoted a “back-to-Africa” movement. Few knew anything about his early life. This biography of Charles follows him from childhood in a Mississippi sharecropper’s cabin to his violent death on New Orleans’s Saratoga Street. With the few clues available, William Ivy Hair has pieced together the story of a man whose life spanned the thirty-four years from emancipation to 1900—a man who tried to achieve dignity and self-respect in a time when people of his race could not exhibit such characteristics without fear of reprisal. Hair skillfully penetrates the world of Robert Charles, the communities in which he lived, and the daily lives of dozens of people, white and black, who were involved in his experience. A new foreword by W. Fitzhugh Brundage sets this unique and innovative biography in the context of its time and demonstrates its relevance today.

In Minstrelsy and Murder, Andrew Silver locates the foundation of the South’s dark humor in the great and violent cultural upheavals of the nineteenth century. Examining the connection between comic victimization and real acts of aggression, Silver shows southern humor to be a product not of America’s wholeness and national unity but of its internal fears, divisiveness, and perpetual civil strife. He focuses on the work of southern writers Augustus B. Longstreet, George Washington Harris, Charles Chesnutt, and Mark Twain, exploring a strain of regional humor that runs counter to the more familiar American comic tradition. A profound distress about class emerges clearly in Silver’s reading of Longstreet’s Georgia sketches, just as Harris’s post–Civil War stories reveal an escalating anger toward Yankees, emancipated African Americans, and upstart women. Twain and Chesnutt, however, mark a turning point for southern humor, Silver argues. By resisting entrenched comic elements of racist acts of violence and instead using narratives that turn upon and expose the destructive power of racist typing, they created humor that both wounds and dares to speak of wounds. With engaging critical discussion of race, class, and gender, Silver investigates the cultural fears that southern popular comedy of the 1800s addresses—as well as the various forms and “voices” it employed: Yankee humor, minstrelsy, sentimental fiction, political broadsides, Ku Klux Klan sketches, frontier humor, and sadistic slapstick. He shows how southern humor, as the product of middle-class authors who were at once outraged and eminently practical, revolutionary and conformist, anti-authoritarian and craving the approval of authorities, evolved into a genre at war with itself, stifling laughter by unearthing the trauma at the core of the comic.

'I'm going to camp out on the land ... try and get my soul free'. So sang Joni Mitchell in 1970 on 'Woodstock'. But Woodstock is only the tip of the iceberg. Popular music festivals are one of the strikingly successful and enduring features of seasonal popular cultural consumption for young people and older generations of enthusiasts. From pop and rock to folk, jazz and techno, under stars and canvas, dancing in the streets and in the mud, the pleasures and politics of the carnival since the 1950s are discussed in this innovative and richly-illustrated collection. The Pop Festival brings scholarship in cultural studies, media studies, musicology, sociology, and history together in one volume to explore the music festival as a key event in the cultural landscape - and one of major interest to young people as festival-goers themselves and as students.

The Halloween carnival seemed like the perfect way to spend a Friday night, but when a group of teenagers find themselves trapped in the haunted mansion, they learn the awful truth about the carnival, and the demons that run it. Now they're trapped, fighting their way through a maze of torturous attractions where vampires, werewolves, aliens, and other monsters come to life, eager for human blood. As the body count rises, friendships are made and lost, and unlikely heroes emerge. The final showdown takes place in Hell, where the ultimate battle between good and evil will determine their fate. The Carnival of Fear - the price of admission is your soul!