A wide variety of organizations are both creating and retaining digital data from archaeological projects. While current methods for preservation and access to data vary widely, nearly all of these organizations agree that careful management of digital archaeological resources is an important aspect of responsible archaeological stewardship. This guide provides information on the best way to create, manage, and document digital data files produced during the course of an archaeological project and aims to improve the practice of depositing and preserving digital information safely within an archive for future use. It is structured in three main parts: Digital Archiving - looks at the fundamentals of digital preservation and covers general preservation themes within the context of archaeological investigations, research, and resource management, with an overview of digital archiving practice and guidance; The Project Lifecycle - looks at common project lifecycle elements such as file naming, metadata creation, and copyright and covers general, broad themes that should be considered at the outset of a project; Basic Components - looks at selected technique and file type-specific issues together with archive structuring and deposit. This section covers common file types that are frequently present in archaeological archives, irrespective of a project's primary technique or focus.

A wide variety of organizations are both creating and retaining digital data from archaeological projects. While current methods for preservation and access to data vary widely, nearly all of these organizations agree that careful management of digital archaeological resources is an important aspect of responsible archaeological stewardship. The Archaeology Data Service and Digital Antiquity have produced this guide to provide information on the best way to create, manage, and document digital data files produced during the course of an archaeological project. This guide aims to improve the practice of depositing and preserving digital information safely within an archive for future use and is structured in three main parts: Digital Archiving - looks at the fundamentals of digital preservation and covers general preservation themes within the context of archaeological investigations, research, and resource management, with an overview of digital archiving practice and guidance.The Project Life cycle - looks at common project life cycle elements such as file naming, meta-data creation, and copyright and covers general, broad themes that should be considered at the outset of a project.Basic Components - looks at selected technique and file type-specific issues together with archive structuring and deposit. This section covers common file types that are frequently present in archaeological archives, irrespective of a project's primary technique or focus.The accompanying online Guides to Good Practice take these elements further and address the preservation of data resulting from common data collection, processing and analysis techniques such as aerial and geophysical survey, laser scanning, GIS and CAD.

The French fur trade post of Fort Ouiatenon was founded more than 300 years ago on the Wabash River in what is now Tippecanoe County, Indiana. The History and Archaeology of Fort Ouiatenon is a multidisciplinary exploration of the fort, from its founding in 1717, through its historical significance over the years, and up to its present-day use. Covering a variety of historical, archaeological, Indigenous, and living history perspectives on Fort Ouiatenon, as well as the fur trade and New France, this collection is the first volume dedicated to this important site. The volume is written with a wide audience in mind, ranging from academics to historical reenactors, Indigenous communities, and those interested in local history.

The advancement of modern technology has allowed for impressive developments in manufacturing processes. Out of these developments, 3D printing has emerged as a new method. 3D Printing: Breakthroughs in Research and Practice is a comprehensive reference source for the latest research and advances on 3D printing processes, technologies, and methods. Highlighting emerging perspectives on manufacturing and industrial applications, this book is ideally designed for professionals, practitioners, students, and researchers interested in the latest developments and uses of 3D printing.

Proceedings of a conference session held at CIfA 2014. The session focused on ways in which it is possible to engage with a wider audience in the course of maritime archaeological work. Papers offer a series of case studies exhibiting best practice with regard to individual maritime projects and examples of outreach to local communities.

Care-giving is an activity that has been practiced by all human societies. From the earliest societies through to the present, all humans have faced choices regarding how people in positions of dependency are to be treated. As such, care-giving, and the form it takes, is a central experience of being a human and one that is culturally mediated. Archaeology has tended to marginalise the study of care, and debates surrounding our ability to recognise it within the archaeological record have often remained implicit rather than a focus of discussion. These 12 papers examine the topic of care in past societies and specifically how we might recognise the provision of care in archaeological contexts and to open up an inter-disciplinary conversation, including historical, bioarchaeological, faunal and philosophical perspectives. The topic of ‘care’ is examined through three different strands: the provision of care throughout the life course, namely that provided to the youngest and oldest members of a society; care-giving and attitudes towards impairment and disability in prehistoric and historic contexts, and the role of animals as both recipients of care and as tools for its provision.

In Digital Archaeology, expert practitioner Michael Graves has written the most thorough, realistic, and up-to-date guide to the principles and techniques of modern digital forensics. He begins by providing a solid understanding of the legal underpinnings and critical laws affecting computer forensics, including key principles of evidence and case law. Next, he explains how to systematically and thoroughly investigate computer systems to unearth crimes or other misbehavior, and back it up with evidence that will stand up in court. Drawing on the analogy of archaeological research, Graves explains each key tool and method investigators use to reliably uncover hidden information in digital systems. Graves concludes by presenting coverage of important professional and business issues associated with building a career in digital forensics, including current licensing and certification requirements.

Digital Contagions is the first book to offer a comprehensive and critical analysis of the culture and history of the computer virus phenomenon. The book maps the anomalies of network culture from the angles of security concerns, the biopolitics of digital systems, and the aspirations for artificial life in software. The genealogy of network culture is approached from the standpoint of accidents that are endemic to the digital media ecology. Viruses, worms, and other software objects are not, then, seen merely from the perspective of anti-virus research or practical security concerns, but as cultural and historical expressions that traverse a non-linear field from fiction to technical media, from net art to politics of software. Jussi Parikka mobilizes an extensive array of source materials and intertwines them with an inventive new materialist cultural analysis. Digital Contagions draws from the cultural theories of Gilles Deleuze and Félix Guattari, Friedrich Kittler, and Paul Virilio, among others, and offers novel insights into historical media analysis.

Museum curators enter the profession with a specialist subject qualification and yet at some point in their career, many curators find themselves in charge of a range of collections outside of their expert knowledge. Interpreting, curating and caring for mixed collections demands of curators a wide range of knowledge and understanding. The Curation and Care of Museum Collections is designed to give curators the fundamental information and confidence they need to manage and care for all of the collections within their responsibility, regardless of their previous training and experience. Comprising two sections – Museum Collections, and Collection Development and Care – the chapters cover archaeology, art, history, military and natural sciences collections, as well as heritage properties. Every chapter in the book is focused on one type of collection, but all chapters in the collection management section contain advice on topics such as organisational philosophy, documentation, legal issues and materials in order to provide a useful and comprehensive guide to managing collections. The collection care section is structured in the same way, considering the issues of storage; display; handling; moving; packing; housekeeping; health and safety; emergency preparedness; and pest, pollution, environmental, light and vibration management. The contributors to this book are experienced museum professionals, each with their own specialism and a deep understanding of what it means to work in the context of mixed collections. Providing a highly practical guide, The Curation and Care of Museum Collections is essential reading for curators working in all types of museums, galleries and heritage sites, and for students of museology courses around the world.