From wide-ranging overviews of the entire region to close readings of specific works, this volume opens a fascinating window on the literatures and cultures of the Caribbean, covering texts in the multiplicity of languages used in the wider Caribbean: Spanish, English, French, Dutch, Portuguese, and the region’s many creoles. Authors and works discussed range from luminaries such as Derek Walcott to hitherto practically unknown works in Antillean creole languages. Underlying is the idea to foster the study of the Caribbean literary, artistic and visual text through a comparative lens, a firm proposal to think beyond the persisting linguistic barriers and scholarly divides in the field. As such, Caribbeing: Comparing Caribbean Literatures and Cultures brings a new approach to the Caribbean embracing the region’s linguistic multiplicity and complexity without eschewing the many theoretical challenges and obstacles such a scholarly endeavor entails. Because of its ample scope this book will appeal to scholars and students working on the Caribbean and Latin America, but also to those interested in the broader fields of postcolonial and cultural studies. “This book is much more than a book on the Caribbean: it underlines the global dimensions and relevance of Caribbean Studies in the twenty-first century. Following carefully the crossroads of literatures and cultures, it shows new routes allowing us to rethink our world(s) in a transarchipelagic mode. An eye-opener: accelerated globalization is unthinkable without the Caribbean.” (Ottmar Ette, University of Potsdam) “Rarely have the multiple flows and enduring traumas of Caribbean culture been explored from such a boldly wide-ranging and profoundly comparative set of perspectives. An indispensable work that sets a new standard for Caribbeanist scholarship.” (Maarten van Delden, Universtiy of California, Los Angeles)

This book focuses on Derek Walcott’s literary and artistic wor(l)d. Western postcolonial critique has depicted the Nobel Prize laureate as one of the greatest poets of the 20th century world. This, however, devalues his fundamental contribution to the realm of Caribbean theatre and art. The text examines Walcott’s multimodal production, a combination of West Indian folkloric forms and Western-oriented structures and themes, by discussing three of his works—two plays, The Joker of Seville and Pantomime, and a long poem, Tiepolo’s Hound. These epitomise respectively a response to Spanish, English, and French cultural legacies in the New World as postcolonial re-writings of Don Juan, Robinson Crusoe, and Camille Pissarro’s stories. Following Quijano and Mignolo’s decolonial approaches and Riane Eisler’s partnership perspective, the book uncovers the strategies used by Walcott to respond to the colonial matrix of power.

If literature has often informed the creation of a national imaginary—a sense of common history and destiny—it has also complicated, even challenged, the unifying vision assumed in the formation of a national literature and sense of nation. National Literature in Multinational States questions the persistent association of literature and nation-states, contrasting this with the reality of multinational and ethnocultural diversity. The contributors to this collection interrogate concepts and manifestations of nationalism in the context of literary production while evaluating the place of national literatures in multinational states at a time when social unity and political agreement have never been more elusive. The volume strives for synoptic analysis via the complementary, multifaceted treatment of literary creation in several geo-cultural contexts: Canada, the Caribbean, Europe, India, and Nigeria. Contributors: Sabujkoli Bandopadhyay, Albert Braz, Matthew Cormier, Doris Hambuch, Clara A.B. Joseph, Paul D. Morris, Asma Sayed, Matthew Tétreault, Uchechukwu Peter Umezurike, Jerry White

The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world. Each of the forty chapters provides a survey of a topic, explaining why the issue or area is important, and critically discussing the leading views in the area. Designed as a dynamic forum for forty-three world-leading scholars, this companion contains significant expertise and insight and is dedicated to challenging complacent views of hegemonic film cultures and replacing outmoded ideas about production, distribution and reception. It offers both a survey and an investigation into the condition and activity of contemporary filmmaking worldwide, often challenging long-standing categories and weighted—often politically motivated—value judgements, thereby grounding and aligning the reader in an activity of remapping which is designed to prompt rethinking.

This book is the second publication originating from the conference Legacy of Slavery and Indentured Labour: Past, present and future, which was organised in June 2013, by the Institute of Graduate Studies and Research (IGSR), Anton de Kom University of Suriname. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka

The best thing a creative person can have is a crew of friends, allies, and mentors to support them. Packed with inspiration and ideas from author-illustrator Andrea Pippins, this is a one-of-a-kind handbook for doers and makers looking to expand and nourish their creative community. Drawing on her own network of talented artists, designers, and friends, Pippins offers tips on how to: reach out to your heroes; use your art or work to empower your community; learn about a new culture and shake up your perspective; take a class, join a team, plan brunch—have fun! And she delivers her advice in style. Colorful pages feature patterns, portraits, and hand-lettered quotes alongside tips for fostering genuine connections and supportive relationships.

A collaboration between well-established and rising scholars, Futures of Dance Studies suggests multiple directions for new research in the field. Essays address dance in a wider range of contexts--onstage, on screen, in the studio, and on the street--and deploy methods from diverse disciplines. Engaging African American and African diasporic studies, Latinx and Latin American studies, gender and sexuality studies, and Asian American and Asian studies, this anthology demonstrates the relevance of dance analysis to adjacent fields"--

The Routledge Companion to World Literature and World History is a comprehensive and engaging volume, combining essays from historians and literary academics to create a space for productive cross-cultural encounters between the two fields. In addition to the 27 essays, the Companion includes general introductions from two of the leading scholars of history and literature, David Damrosch and Patrick Manning, as well as personal testimonies from artists working in the area, and editorials asking provocative questions. The volume includes sections on: People – with essays looking at World Literature, Intellectual Commerce, Religion, language and war, and Indigenous ethnography Networks and methods – examining maps, geography, morality and the crises of world literature Transformations – including essays on race, colonialism, and the non-human Interdisciplinary and groundbreaking, this volume brings to light various ways in which scholars of literature and history analyse, assimilate or reveal the intellectual heritage of the past, at the same moment as they try consciously to deal with an unending amount of new information and an awareness of global connections and discrepancies. Including work from leading academics in the field, as well as newer voices, the Companion is ideal for students and scholars alike.

This book deals with creolization and pidginization of language, culture and identity and makes use of interdisciplinary approaches developed in the study of the latter. Creolization and pidginization are conceptualized and investigated as specific social processes in the course of which new common languages, socio-cultural practices and identifications are developed under distinct social and political conditions and in different historical and local contexts of diversity. The contributions show that creolization and pidginization are important strategies to deal with identity and difference in a world in which diversity is closely linked with inequalities that relate to specific group memberships, colonial legacies and social norms and values.