Five full years before the momentous meeting of EATWOT in Dar-es-Salaam in 1976, Caribbean thinkers had met in Trinidad to register the region's need of a contextual theology. Caribbean Theology scrutinizes the gradual but crucial development of theology within the context of the Caribbean since 1971. It examines the charge that the gradualness of the process is due to the insidiousness of missionary theology from which Caribbean theology seeks disengagement. The book further assesses the viability of this indigenization by drawing its many seminal and abridged offerings for interpretation and serious reflection into a systematic whole.

The Caribbean, awash with sun and water, is a meeting place of many races, religions, and cultures. There North and South, Latin and Anglo, native Carib, African black, French and English white races and cultures meet. In a religious melting pot, Protestant and Catholic Christian, Afro-Caribbean, Hindu, and secularist faiths, intertwine, cross-pollinate, and go their ways, separate yet together, in the divine milieu. Such a place has a rich and revealing story to tell: of history, nature, and humanity; of the understanding of freedom; of the meaning and scope of theology itself. The key in Caribbean society, with its experiences of slavery, colonialism, neocolonialism, and structural dependence, is emancipation: the pursuit, proclamation, and practice of human freedom. Emancipation is the key to Caribbean theology as well. This is the focal point of Kortright Davis's work. He introduces the complex tapestry of this unique society: its social and cultural pluralism, its particular strengths and weaknesses: poverty, dependence, alienation, and divisiveness. Davis explores many aspects of Caribbean religion and spirituality, especially the complexities of carnival and its uniquely African soul. He notes too a theological dependency, and posits again a unique, Caribbean emancipatory theology to establish a theological self-reliance. In emancipatory theology, as in Latin American liberation theology, the source for praxis and reflection is faith linked to historical experience. And the Caribbean experience, of continual struggle for identity, distinguishes and yet unites Caribbean Christians with Christians everywhere.

Kristen Block examines the entangled histories of Spain and England in the Caribbean during the long seventeenth century, focusing on colonialism’s two main goals: the search for profit and the call to Christian dominance. Using the stories of ordinary people, Block illustrates how engaging with the powerful rhetoric and rituals of Christianity was central to survival. Isobel Criolla was a runaway slave in Cartagena who successfully lobbied the Spanish governor not to return her to an abusive mistress. Nicolas Burundel was a French Calvinist who served as henchman to the Spanish governor of Jamaica before his arrest by the Inquisition for heresy. Henry Whistler was an English sailor sent to the Caribbean under Oliver Cromwell’s plan for holy war against Catholic Spain. Yaff and Nell were slaves who served a Quaker plantation owner, Lewis Morris, in Barbados. Seen from their on-the-ground perspective, the development of modern capitalism, race, and Christianity emerges as a story of negotiation, contingency, humanity, and the quest for community. Ordinary Lives in the Early Caribbean works in both a comparative and an integrative Atlantic world frame, drawing on archival sources from Spain, England, Barbados, Colombia, and the United States. It pushes the boundaries of how historians read silences in the archive, asking difficult questions about how self-censorship, anxiety, and shame have shaped the historical record. The book also encourages readers to expand their concept of religious history beyond a focus on theology, ideals, and pious exemplars to examine the communal efforts of pirates, smugglers, slaves, and adventurers who together shaped the Caribbean’s emerging moral economy.

Religion is one of the most important elements of Afro-Caribbean culture linking its people to their African past, from Haitian Vodou and Cuban Santeria—popular religions that have often been demonized in popular culture—to Rastafari in Jamaica and Orisha-Shango of Trinidad and Tobago. In Afro-Caribbean Religions, Nathaniel Samuel Murrell provides a comprehensive study that respectfully traces the social, historical, and political contexts of these religions. And, because Brazil has the largest African population in the world outside of Africa, and has historic ties to the Caribbean, Murrell includes a section on Candomble, Umbanda, Xango, and Batique. This accessibly written introduction to Afro-Caribbean religions examines the cultural traditions and transformations of all of the African-derived religions of the Caribbean along with their cosmology, beliefs, cultic structures, and ritual practices. Ideal for classroom use, Afro-Caribbean Religions also includes a glossary defining unfamiliar terms and identifying key figures.

This collection looks at Caribbean religious history from the late 18th century to the present including obeah, vodou, santeria, candomble, and brujeria. The contributors examine how these religions have been affected by many forces including colonialism, law, race, gender, class, state power, media represenation, and the academy.

In this book three main things have been accomplished. First, it locates the emergence of religious pluralism as a problem for Christian theology. Secondly, it shows the critical weaknesses in the approaches to pluralism that we find in the works of Gavin D'Costa, George Lindbeck and John Hick, all major players in the field of religious pluralism. Retrieving theological material from seventeenth-century Comenius and eighteenth-century Zinzendorf, the book shows that the Protestant tradition has suitable theological material that can better serve the development of a theology of religious pluralism. Thirdly, the book enters into dialogue with Islam and highlights exciting new approaches to addressing the issues of salvation, the Qur'an and Christology. One critical outcome of the book is that it breaks new ground in showing the limitations of liberation theology and proposes a fascinating, new, pluralism-sensitive hermeneutical approach to contextual theology.

Dealing with the ongoing interaction of rich and diverse cultural traditions from Cuba and Jamaica to Guyana and Surinam, Nation Dance addresses some of the major contemporary issues in the study of Caribbean religion and identity. The book’s three sections move from a focus on spirituality and healing, to theology in social and political context, and on to questions of identity and diaspora. The book begins with the voices of female practitioners and then offers a broad, interdisciplinary examination of Caribbean religion and culture. Afro-Caribbean religions, Hinduism, Judaism, Islam, and Christianity are all addressed, with specific reflections on Santería, Palo Monte, Vodou, Winti, Obeah, Kali Mai, Orisha work, Spiritual Baptist faith, Spiritualism, Rastafari, Confucianism, Congregationalism, Pentecostalism, Catholicism, and liberation theology. Some essays are based on fieldwork, archival research, and textual or linguistic analysis, while others are concerned with methodological or theoretical issues. Contributors include practitioners and scholars, some very established in the field, others with fresh, new approaches; all of them come from the region or have done extensive fieldwork or research there. In these essays the poetic vitality of the practitioner’s voice meets the attentive commitment of the postcolonial scholar in a dance of "nations" across the waters.

In Plantation Church, Noel Leo Erskine investigates the history of the Black Church as it developed both in the United States and the Caribbean after the arrival of enslaved Africans. Typically, when people talk about the "Black Church" they are referring to African-American churches in the U.S., but in fact, the majority of African slaves were brought to the Caribbean. It was there, Erskine argues, that the Black religious experience was born. The massive Afro-Caribbean population was able to establish a form of Christianity that preserved African Gods and practices, but fused them with Christian teachings, resulting in religions such as Cuba's Santería. Despite their common ancestry, the Black religious experience in the U.S. was markedly different because African Americans were a political and cultural minority. The Plantation Church became a place of solace and resistance that provided its members with a sense of kinship, not only to each other but also to their ancestral past. Despite their common origins, the Caribbean and African American Church are almost never studied together. This book investigates the parallel histories of these two strands of the Black Church, showing where their historical ties remain strong and where different circumstances have led them down unexpectedly divergent paths. The result will be a work that illuminates the histories, theologies, politics, and practices of both branches of the Black Church. This project presses beyond the nation state framework and raises intercultural and interregional questions with implications for gender, race and class. Noel Leo Erskine employs a comparative method that opens up the possibility of rethinking the language and grammar of how Black churches have been understood in the Americas and extends the notion of church beyond the United States. The forging of a Black Christianity from sources African and European, allows for an examination of the meaning of church when people of African descent are culturally and politically in the majority. Erskine also asks the pertinent question of what meaning the church holds when the converse is true: when African Americans are a cultural and political minority.

Theologizing in Black is a creative and rigorous comparative study on black theological musings and liberative intellectual contemplations engaging the theological ethics and anthropology of both continental African theologians (Tanzania, Kenya, Democratic Republic of the Congo) and black theologians in the African Diaspora (Haiti, Trinidad, Jamaica, Antigua and Barbuda, United States). Using the pluralist approach to religion promoted by the philosopher of religion and theologian John Hick, the book is also an attempt to bridge an important gap in the comparative study of religion, Africana Studies, and Liberation theology, both in Africa and its diaspora. The book provides an analytical framework and intellectual critique of white Christian theologians who deliberately disengage with and exclude black and Africana theologians in their theological writings and conversations. From this vantage point, Africana critical theology is said to be a theology of contestation as it seeks to deconstruct white supremacy in the theological enterprise. This book not only articulates a rhetoric of protest about the misrepresentation and underrepresentation of the humanity of African and black people in white theological imagination; it also enunciates a positive image of black humanity and congruently promulgates a constructive representation of blackness. The paramount goal of Africana theological anthropology and ethics is the preservation of life and promotion of human dignity and the sheer acknowledgement that the African people and people of African descent are bearers of the image of God.

A moving essay collection promoting freedom, self-love, and divine wholeness for Black women and opening new levels of understanding and ideological transformation for non-Black women and allies “Candice Marie Benbow is a once-in-a-generation theologian, the kind who, having ground dogma into dust with the fine point of a stiletto, leads us into the wide-open spaces of faith.”—Brittney Cooper, author of Eloquent Rage and co-editor of The Crunk Feminist Collection Blurring the boundaries of righteous and irreverent, Red Lip Theology invites us to discover freedom in a progressive Christian faith that incorporates activism, feminism, and radical authenticity. Essayist and theologian Candice Marie Benbow’s essays explore universal themes like heartache, loss, forgiveness, and sexuality, and she unflinchingly empowers women who struggle with feeling loved and nurtured by church culture. Benbow writes powerfully about experiences at the heart of her Black womanhood. In honoring her single mother’s love and triumphs—and mourning her unexpected passing—she finds herself forced to shed restrictions she’d been taught to place on her faith practice. And by embracing alternative spirituality and womanist theology, and confronting staid attitudes on body positivity and LGBTQ+ rights, Benbow challenges religious institutions, faith leaders, and communities to reimagine how faith can be a tool of liberation and transformation for women and girls.