Chloe Neill’s bold, seafaring heroine Captain Kit Brightling sets sail for the high seas and high sorcery in this swashbuckling fantasy series. Captain Kit Brightling is Aligned to the magic of the sea, which makes her an invaluable asset to the Saxon Isles and its monarch, Queen Charlotte. The Isles and its allies will need every advantage they can get: Gerard Rousseau, the former Gallic emperor and scourge of the Continent, has escaped his island prison to renew his quest for control of the Continent. Gerard has no qualms about using dangerous magic to support his ambitions, so Kit and the crew of her ship, the Diana, are the natural choice to find him—and help stop him. But then Kit’s path unexpectedly crosses with that of the dashing and handsome Rian Grant, Viscount Queenscliffe, who’s working undercover on the Continent in his own efforts to stop Gerard. And he’s not the only person Kit is surprised to see. An old enemy has arisen, and the power he’ll wield on Gerard’s behalf is beautiful and terrible. Sparks will fly and sails will flutter as Kit and crew are cast into the seas of adventure to fight for queen and country.

"What sort of combination of hypocrite and paradox is John Kerry?" asks this heated critique of the Democratic presidential candidate’s Vietnam–era military service and antiwar activism. O’Neill, a lawyer and swift boat veteran, and Corsi, an expert on Vietnam antiwar movements, show how Kerry misrepresented his wartime exploits and is therefore incompetent to serve as commander in chief. Buttressed by interviews with Navy veterans who patrolled Vietnam’s waters, some along with Kerry, readers will discover how he exaggerated minor injuries, self-inflicted others, wrote fictitious diary entries and filed "phony" reports of his heroism under fire—all in a calculated quest to secure career-enhancing combat medals.

The author shows how Swift's poetry reveals a structural unity when it is examined as a coherent whole. The structure that emerges is a dynamic relationship between the effort to order--the poem's principle of unity--and an opposing principle of expansion.