"Third machine gun gangster dies!" came the newsboy's cry through the window of Judge Mackaye's stately residence in Deptford. A group of men were gathered there -- powers in the life of the city, and before sundown two of them lay dead on the broad lawns of Deptford Manor, another was on the point of death, and Captain Hugh North of Army Intelligence was to take control. Murder stalked the quiet New England city -- murder whose roots lay in a strange, bizarre tangle. Murder dogged Judge Mackaye's footsteps, hounded his lovely daughter. And murder uncovered another, more terrible tragedy before it was finally checked!

"A bibliography of some works relating to the Huguenot refugees, whence they came, where they settled": v. 1, pp. [130-149].

This is the true story behind General Alexander Orlov, the man who never was, now revealed in full for the first time: Stalinist henchman, Soviet spy, celebrated defector to the West, and central character in the greatest KGB deception ever.

The editors, William J. Devlin and Shai Biderman, have compiled an impressive list of contributors to explore the philosophy at the core of David Lynch's work. Lynch is examined as a postmodern artist and the themes of darkness, logic and time are discussed in depth.

James Joyce's near blindness, his peculiar gait, and his death from perforated ulcers are commonplace knowledge to most of his readers. But until now, most Joyce scholars have not recognized that these symptoms point to a diagnosis of syphilis. Kathleen Ferris traces Joyce's medical history as described in his correspondence, in the diaries of his brother Stanislaus, and in the memoirs of his acquaintances, to show that many of his symptoms match those of tabes dorsalis, a form of neurosyphilis which, untreated, eventually leads to paralysis. Combining literary analysis and medical detection, Ferris builds a convincing case that this dread disease is the subject of much of Joyce's autobiographical writing. Many of this characters, most notably Stephen Dedalus and Leopold Bloom, exhibit the same symptoms as their creator: stiffness of gait, digestive problems, hallucinations, and impaired vision. Ferris also demonstrates that the themes of sin, guilt, and retribution so prevalent in Joyce's works are almost certainly a consequence of his having contracted venereal disease as a young man while frequenting the brothels of Dublin and Paris. By tracing the images, puns, and metaphors in Ulysses and Finnegans Wake, and by demonstrating their relationship to Joyce's experiences, Ferris shows the extent to which, for Joyce, art did indeed mirror life.