Captain Harry Wheeler was a Captain of the Arizona Rangers, Sheriff of Cochise County, Cavalry sergeant and World War I army captain. Intensely dedicated to duty and service, Harry Wheeler carved out a notable career as a Western lawman and soldier. His turbulent life was punctuated with fatal shootouts and personal tragedy. After Wheeler's beloved Ranger company was discontinued in 1909, this nemesis of lawbreakers repeatedly won election as sheriff, operating out of historic Tombstone and conduction the controversial Bisbee Deportation. Although in his forties when the United States entered World War I, the patriotic Wheeler eagerly traded his badge for an army commission. In this first biography of Harry Wheeler, the author provides never before published details about a remarkable Westerner from America's final frontier.

“Are you an American, or are you not?” This was the question Harry Wheeler, sheriff of Cochise County, Arizona, used to choose his targets in one of the most remarkable vigilante actions ever carried out on U.S. soil. And this is the question at the heart of Katherine Benton-Cohen’s provocative history, which ties that seemingly remote corner of the country to one of America’s central concerns: the historical creation of racial boundaries. It was in Cochise County that the Earps and Clantons fought, Geronimo surrendered, and Wheeler led the infamous Bisbee Deportation, and it is where private militias patrol for undocumented migrants today. These dramatic events animate the rich story of the Arizona borderlands, where people of nearly every nationality—drawn by “free” land or by jobs in the copper mines—grappled with questions of race and national identity. Benton-Cohen explores the daily lives and shifting racial boundaries between groups as disparate as Apache resistance fighters, Chinese merchants, Mexican-American homesteaders, Midwestern dry farmers, Mormon polygamists, Serbian miners, New York mine managers, and Anglo women reformers. Racial categories once blurry grew sharper as industrial mining dominated the region. Ideas about home, family, work and wages, manhood and womanhood all shaped how people thought about race. Mexicans were legally white, but were they suitable marriage partners for “Americans”? Why were Italian miners described as living “as no white man can”? By showing the multiple possibilities for racial meanings in America, Benton-Cohen’s insightful and informative work challenges our assumptions about race and national identity.

"Both noted and new scholars reweave the fabric of collective, family, and individual history with a legacy of agency and activism in the borderlands in these twenty-one original selections. Contributors explore themes of homeland, sexuality, language, violence, colonialism, and political resistance within the most recent frameworks of Chicana/Chicano inquiry. Art as social critique, culture as a human right, labor activism, racial plurality, Indigenous knowledge, and strategies of decolonization all vitalize these selections edited by one of the country's most respected historians of the borderlands, Antonia Castaneda.

Bisbee, Arizona, queen of the western copper camps, 1917. The protagonists in a bitter strike: the Wobblies (the IWW), the toughest union in the history of the West; and Harry Wheeler, the last of the two-gun sheriffs. In this class-war western, they face each other down in the streets of Bisbee, pitting a general strike against the largest posse ever assembled. Based on a true story, Bisbee '17 vividly re-creates a West of miners and copper magnates, bindlestiffs and scissorbills, army officers, private detectives, and determined revolutionaries. Against this backdrop runs the story of Elizabeth Gurley Flynn, strike organizer from the East, caught between the worlds of her ex-husband—the Bisbee strike leader—and her new lover, an Italian anarchist from New York. As the tumultuous weeks of the strike unfold, she struggles to sort out what she really feels about both of them, and about the West itself.

Even after WWI had ended, the region of Arizona, New Mexico, and West Texas stubbornly refused to be tamed. It was still a place where frontier gunfights still broke out at an alarming rate. Utilizing official records, newspaper accounts, and oral histories, Cowboys and Gangsters tells the story of the untamed “Wild West” of the Prohibition-era of the 1920s and early 1930s and introduces a rogues’ gallery of sixgun-packing western gunfighters and lawmen. Told through the lens of the accounts of a handful of Texas Rangers and Federal Agents, this book covers a unique and action-packed era in American history. It’s a story that connects the horse and saddle days of the Old West, with the high-octane decade of the Roaring Twenties.

Wyatt Earp, Billy the Kid, Doc Holliday—such are the legendary names that spring to mind when we think of the western gunfighter. But in the American West of the late nineteenth and early twentieth centuries, thousands of grassroots gunfighters straddled both sides of the law without hesitation. Deadly Dozen tells the story of twelve infamous gunfighters, feared in their own times but almost forgotten today. Now, noted historian Robert K. DeArment has compiled the stories of these obscure men. DeArment, a life-long student of law and lawlessness in the West, has combed court records, frontier newspapers, and other references to craft twelve complete biographical portraits. The combined stories of Deadly Dozen offer an intensive look into the lives of imposing figures who in their own ways shaped the legendary Old West. More than a collective biography of dangerous gunfighters, Deadly Dozen also functions as a social history of the gunfighter culture of the post-Civil War frontier West. As Walter Noble Burns did for Billy the Kid in 1926 and Stuart N. Lake for Wyatt Earp in 1931, DeArment—himself a talented writer—brings these figures from the Old West to life. John Bull, Pat Desmond, Mart Duggan, Milt Yarberry, Dan Tucker, George Goodell, Bill Standifer, Charley Perry, Barney Riggs, Dan Bogan, Dave Kemp, and Jeff Kidder are the twelve dangerous men that Robert K. DeArment studies in Deadly Dozen: Twelve Forgotten Gunfighters of the Old West.

On a cold winter morning, Jeff Power was lighting a fire in his remote Arizona cabin when he heard a noise, grabbed his rifle, and walked out the front door. Someone in the dark shouted, “Throw up your hands!” Shots rang out from inside and outside the cabin, and when it was all over, Jeff’s sons, Tom and John, emerged to find the sheriff and his two deputies dead, and their father mortally wounded. Arizona’s deadliest shoot-out happened not in 1881, but in 1918 as the United States plunged into World War I, and not in Tombstone, but in a remote canyon in the Galiuro Mountains northeast of Tucson. Whereas previous accounts have portrayed the gun battle as a quintessential western feud, historian Heidi J. Osselaer explodes that myth and demonstrates how the national debate over U.S. entry into the First World War divided society at its farthest edges, creating the political and social climate that lead to this tragedy. A vivid, thoroughly researched account, Arizona’s Deadliest Gunfight describes an impoverished family that wanted nothing to do with modern civilization. Jeff Power had built his cabin miles from the nearest settlement, yet he could not escape the federal government’s expanding reach. The Power men were far from violent criminals, but Jeff had openly criticized the Great War, and his sons had failed to register for the draft. To separate fact from dozens of false leads and conspiracy theories, Osselaer traced the Power family’s roots back several generations, interviewed descendants of the shoot-out’s participants, and uncovered previously unknown records. What happened to Tom and John Power afterward is as stirring and tragic a story as the gunfight itself. Weaving together a family-based local history with national themes of wartime social discord, rural poverty, and dissent, Arizona’s Deadliest Gunfight will be the authoritative account of the 1918 incident and the memorable events that unfolded in its wake.

Based on a rich array of sources that capture the voices of both political leaders and ordinary Americans, Uncle Sam Wants You offers a vivid and provocative new interpretation of American political history, revealing how the tensions of mass mobilization during World War I led to a significant increase in power for the federal government. Christopher Capozzola shows how, when the war began, Americans at first mobilized society by stressing duty, obligation, and responsibility over rights and freedoms. But the heated temper of war quickly unleashed coercion on an unprecedented scale, making wartime America the scene of some of the nation's most serious political violence, including notorious episodes of outright mob violence. To solve this problem, Americans turned over increasing amounts of power to the federal government. In the end, whether they were some of the four million men drafted under the Selective Service Act or the tens of millions of home-front volunteers, Americans of the World War I era created a new American state, and new ways of being American citizens.

"In any U. S. army unit of nine soldiers, one could find an Italian from New Jersey, a Jew from the Bronx, an Irishman from New York, a Swede from Minnesota, a good old boy from Georgia, a swaggering Texan, a smooth-faced Californian, a Bible reader from Tennessee, and a hayseed from North Dakota." Together they discover that serving their country during World War II was not just a duty, but also an honor and a privilege. Filled with warmth and humor, sadness and extraordinary horror, this is a real soldier's unforgettable story, having been a witness to and a participant in an event as monumental as any in history.