This anthology's 118 contemporary poems meld the outer and interior landscapes of Cape Cod and the islands of Nantucket and Martha's Vineyard so that the reader discovers, as if for the first time, the spirit of a place that calls us home. Not only do these poems converse with one another, they could not have been written about anywhere else. The anthology includes the work of both local and internationally recognized poets, all of whom were inspired to write about the region.

The TRP Southern Poetry Breakthrough Series: Georgia The Waiting Girl explores the exterior and interior landscapes as they apply to identity, specifically celebrating the Appalachian South and Cape Cod. The poems in this collection carry readers from the cracked red earth of Georgia to the cobblestone streets of Nantucket. Through these bold environments, Ganaway delves into the nuances of mania and melancholia, illuminating the bittersweet nature of bipolar disorder, and raising awareness of this still largely misunderstood state of being.

A Place Apart features essays and firsthand accounts of notable experiences throughout Cape Cod, including native Wampanoag creation myths; eyewitness accounts of the landing of the Pilgrims in 1620; candid stories of early life in the Old Colony; fascinating and often-harrowing accounts of the whaling and fishing industries; and so much more. The collection includes famous passages by and about such writers as Melville, Thoreau, Helen Keller, Edmund Wilson, and Kurt Vonnegut, among others.

This modern summer romance set on Cape Cod features two young adult poets divided by centuries. Michaela Dunn, living on present day Cape Cod, dreams of getting into an art school, something her family just doesn't understand. When her stepfather refuses to fund a trip for a poetry workshop, Michaela finds the answer in a local contest searching for a poet to write the dedication plaque for a statue honoring Captain Benjamin Churchill, a whaler who died at sea 100 years ago. She struggles to understand why her town venerates Churchill, an almost mythical figure whose name adorns the school team and various tourist traps. When she discovers the 1862 diary of Leta Townsend, however, she gets a glimpse of Churchill that she didn't quite anticipate. In 1862, Leta Townsend writes poetry under the name Benjamin Churchill, a boy who left for sea to hunt whales. Leta is astonished when Captain Churchill returns after his rumored death. She quickly falls for him. But is she falling for the actual captain or the boy she constructed in her imagination?

The poems in Gregory LeStage s new book, Hope Is A Small Barn, refuse to accept easy answers to the all-important issues with which they deal. Nevertheless, they explore the human condition's most shared mysteries with an essential optimism that finds and reveals beauty in people and place. Hope is a lantern lit with words. As Fred Marchant notes, "Hope for this poet includes a deep commitment to assay both joy and sorrow, especially as these are met in family life unfolding over time. Underneath these is the hope that the shaping of words to express intense feeling is in itself worth our while and meaning-full. If, as LeStage tells us, hope is a small barn with a 'roof half open to the sky, ' here are poems that are crafted like sturdy beams, weight-bearing, reliable, and true." Richard Hoffman adds this: "In Hope Is a Small Barn, Gregg LeStage returns our poetry to sonic elegance. Each of these poems is an embodiment, a shapely figure for the poet's concerns, which are those of maturity: love and its responsibilities, mortality and its abiding questions. There is great nourishment to be found in these beautifully crafted poems. Ant this praise from Michael Ansara: "Each word in this intelligent collection of poems is precisely placed, each carefully crafted for sound, associations, beats, even, once, to form a visual image on the page. This fine new book takes us deep into the mind of an accomplished poet as he struggles to 'make my peace with all / that I could never understand / by reckoning through the archive of the inexplicable.' We are all the wiser for this poet's struggle and for the beautiful, thoughtful poems that have flowed from it."

Long recognized as a classic of American nature writing. This chronicle of a solitary year spent on a Cape Cod beach was written in longhand at the kitchen table, in a little room overlooking the North Atlantic and the dunes. In 1964, the Cape Cod house was officially proclaimed a National Literary Landmark. In 1978, a massive winter storm swept it off its foundation and out to sea.

Collection of poems by one author.

Poetry. Fiction. In days before selfies and social media, postcards were a ubiquitous feature of travel, providing both means of communication with friends and family while away, and souvenirs of journeys once back home. Even if not quite gone, they seem more than a little nostalgic now, as do many of the poems in Jeanne Griggs' new collection, POSTCARD POEMS. By choosing to present her poems as short notes that could fit on a postcard, she has opted for a formal brevity; and the conceit of holiday communication allows her to write both about place (so that her poems are often both ekphrastic and epistolary--a neat trick) and about the people in her life. Travel, of course, is always a journey through both exterior and interior spaces, physical and mental, and we witness both in these often wistful poems. A visit on Cape Cod with friends, women of a certain age, affords an opportunity to live like in the books, / without any of the fuss / of having to sustain anything / except ourselves. Children grow up over the span of these travels, despite her wishing she had caged them, holding onto the past. A third visit to Niagara Falls is the first without her son--the first time / you were too young to remember / and the second too old to want / to come along--who is now far off in Siberia on travels of his own. Iowa is a place equally exotic, known only from watching a baseball movie / ...until we left our daughter / there, and they drive long out of the way to visit the Field of Dreams site, And it was there, / just like we'd seen it, / in real life. Stopping South of the Border she buys picture postcards of this place on the way / to where we're actually going. That's a good description of the mosaic of life that is constructed out of these brief notes, a chronicle of stops along the way until, in the final poem, all future plans suspended... / we are / still saving up from our last trip.