Looking to add a little bit of sophistication to your projects? Take your mixed-media art to the next level with Canvas Remix. In this funky yet whimsical book, Alisa Burke shows you how to work with canvas in ways that go beyond the stretcher bar. Create a tote bag, placemat or even beads for jewelry by using any of the forty-five techniques that Alisa demonstrates. Whether it's collage art or urban graffiti that fits your style, Canvas Remix has it covered.

AphroChic bloggers and designers Jeanine Hays and Bryan Mason along with Lonny co-founder and photographer Patrick Cline take you into homes where cultural, global décor breathes beauty and soul into contemporary interiors. Whether you love to source pieces from your travels or simply wish to evoke the destination of your dreams, Remix shows how bold color, unique patterns like ikats and suzanis, original art, and handcrafted furnishings and accessories can help you express your cultural experiences in stylish, unforgettable rooms. With a foreword by HGTV Design Star Danielle Colding, Remix is both a striking object for your shelf and a book that restores meaning to the idea of “eclectic” decorating with genuine, personal style.

A model of contemporary remixing and a groundbreaking reflection on digital media

Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists—such as Sandra de la Loza, Judy Baca, and David Botello, among others—but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the “errata exhibit,” or the staging of exhibits that critically question mainstream art museums, and the “remix,” or the act of bringing new narratives and forgotten histories from the background and into the foreground. These concepts, which emerge out of art practice itself, drive her analysis and reinforce the rejection of familiar narratives that evaluate Chicana/o art in simplistic, traditional terms, such as political versus commercial, or realist versus conceptual. Throughout Chicana/o Remix, Davalos explores undocumented or previously ignored information about artists, their cultural production, and the exhibitions and collections that feature their work. Each chapter exposes and challenges conventions in art history and Chicana/o studies, documenting how Chicana artists were the first to critically challenge exhibitions of Chicana/o art, tracing the origins of the first Chicano arts organizations, and highlighting the influence of Europe and Asia on Chicana/o artists who traveled abroad. As a leading scholar in the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this re-examination of fifty years of Chicana/o art production.

The creative practice of remix is essential to contemporary culture, as the proliferation of song mashups, political remix videos, memes, and even streaming television shows like Stranger Things demonstrates. Yet remix is not an exclusively digital practice, nor is it even a new one, as there is evidence of remix in the speeches of classical Greek and Roman orators. Turntables and Tropes is the first book to address remix from a communicative perspective, examining its persuasive dimensions by locating its parallels with classical rhetoric. Through identifying, recontextualizing, mashing up, and applying rhetorical tropes to contemporary digital texts and practices, this groundbreaking book presents a new critical vocabulary that scholars and students can use to analyze remix. Building upon scholarship from classical thinkers such as Isocrates, Quintilian, Nāgārjuna, and Cicero and contemporary luminaries like Kenneth Burke, Richard Lanham, and Eduardo Navas, Scott Haden Church shows that an understanding of rhetoric offers innovative ways to make sense of remix culture.

remixthecontext is a cunning and satirical collection of "theoretical fictions" composed by artist, novelist and media theorist Mark Amerika. A compelling riff on the classic Platonic dialogue, Amerika's remixthecontext features Walt Whitman Benjamin, a Professor of Creative Urgency who intellectually jams with an assemblage of characters that resemble the actual artists, poets, and scholars who populate the university café culture depicted in the book. Each chapter is enlivened by Amerika's provocative mash-up of literary metafiction, new media rhetoric and witty repartee setting the stage for a series of freewheeling exchanges that playfully investigate a multitude of themes including remix culture, psychic automatism, gender fluidity, social media dystopia, MOOCs as performance art, and the challenges presented by cutting-edge digital arts and humanities curricula within a sclerotic academic environment.

Mark Sturdy traces the unlikely saga of Jarvis Cocker and his ever-changing band in meticulous detail, from schoolboy promise to semi-retirement. If Cocker's career was launched by a precocious session on John Peel's show, his stated ambition was always to be on Top Of The Pops... and despite his edgy lyrics and dour manner, he has often seemed more at home as media jester than serious pop performer. Illustrated and including a comprehensive discography.

CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.

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