Fractal geometry, based on recursive mathematical schemas, provides a means for modeling a great number of natural phenomena. For this reason, it is of increasing interest to physicists, chemists, biologists, and geographers, among others. A major quality of fractality is that it not only unifies phenomena previously thought to be anomalous or disparate in a single theoretical framework, but it also promotes a return to graphical treatment, which had been almost completely banished from scientific thought in favor of analysis. This book casts a new, lively light on scientific territories still not fully explored. It is designed for research workers, engineers, and experimentalists faced with problems of measure and action in heterogenous materials and environments. Several color plates illustrate the implications and consequences of this theory for most of the questions raised by the taking into consideration of time in a fractal space.

The 52 Illustration Prime Number series is a new chapter in the ongoing Math-Art collection exploring the world of mathematics and art. Inspired by the research of mathematicians from yesterday and today, this project aims to explore the visual aspect of numbers and highlight the unexpected connections between the challenging world of calculus, geometry, and art. Some will find references to ethnomathematics or a reflection on the universal cross-cultural appeal of mathematics; others will find a relation with the world we’re mapping for tomorrow, and hopefully, all will enjoy this unexpected interpretation of numbers from an artistic standpoint.

The link between mathematics and art remains as strong today as it was in the earliest instances of decorative and ritual art. Arts, architecture, music and painting have for a long time been sources of new developments in mathematics, and vice versa. Many great painters have seen no contradiction between artistic and mathematical endeavors, contributing to the progress of both, using mathematical principles to guide their visual creativity, enriching their visual environment with the new objects created by the mathematical science. Owing to the recent development of the so nice techniques for visualization, while mathematicians can better explore these new mathematical objects, artists can use them to emphasize their intrinsic beauty, and create quite new sceneries. This volume, the content of the first conference of the European Society for Mathematics and the Arts (ESMA), held in Paris in 2010, gives an overview on some significant and beautiful recent works where maths and art, including architecture and music, are interwoven. The book includes a wealth of mathematical illustrations from several basic mathematical fields including classical geometry, topology, differential geometry, dynamical systems. Here, artists and mathematicians alike elucidate the thought processes and the tools used to create their work

Volume 12 of the Math-Art series. This 3-part book is a visual exploration of knot geometry and ethnomathematics to celebrate the similarities between abstract geometry and unique cultures worldwide. Starting at latitude 0º, longitude 0º, the author set sail (virtually) westward at an average of 400 (nautical) knots a week to fully cover its circumference and explore 1 new knot each week for an entire year. Part I is the art portfolio extracted from the geometry models, part II is a detailed record of the original geometry used to create the artwork, and part III is the weekly wind map log showing the project’s positioning, actual winds, and currents in real-time. Each book includes 52 illustrations, notes, and references.

Volume 12 of the Math-Art series. This 3-part book is a visual exploration of knot geometry and ethnomathematics to celebrate the similarities between abstract geometry and unique cultures worldwide. Starting at latitude 0º, longitude 0º, the author set sail (virtually) westward at an average of 400 (nautical) knots a week to fully cover its circumference and explore 1 new knot each week for an entire year. Part I is the art portfolio extracted from the geometry models, part II is a detailed record of the original geometry used to create the artwork, and part III is the weekly wind map log showing the project’s positioning, actual winds, and currents in real-time. Each book includes 52 illustrations, notes, and references.

Volume 12 of the Math-Art series. This 3-part book is a visual exploration of knot geometry and ethnomathematics to celebrate the similarities between abstract geometry and unique cultures worldwide. Starting at latitude 0º, longitude 0º, the author set sail (virtually) westward at an average of 400 (nautical) knots a week to fully cover its circumference and explore 1 new knot each week for an entire year. Part I is the art portfolio extracted from the geometry models, part II is a detailed record of the original geometry used to create the artwork, and part III is the weekly wind map log showing the project’s positioning, actual winds, and currents in real-time. Each book includes 52 illustrations, notes, and references.

Based on a course given to talented high-school students at Ohio University in 1988, this book is essentially an advanced undergraduate textbook about the mathematics of fractal geometry. It nicely bridges the gap between traditional books on topology/analysis and more specialized treatises on fractal geometry. The book treats such topics as metric spaces, measure theory, dimension theory, and even some algebraic topology. It takes into account developments in the subject matter since 1990. Sections are clear and focused. The book contains plenty of examples, exercises, and good illustrations of fractals, including 16 color plates.