In this charming and concise book, Nicholas Brown looks beyond the clichés to illuminate the colourful history of Australia's capital.

The relationship between culture and urbanism has been the focus of much discussion and debate in recent years. While globalisation tends towards a homogeneity, successful 'global cities' have a strong individual - and particularly cultural - identity. The economic value of the culture of cities lies not only in the arts taking place there but also in the city’s fabric, its architecture, and in its cultural heritage. This volume brings together a team of leading specialists to examine the policies of image and city marketing which have developed over the past 15 years and whether these are a continuity of earlier strategies. Featuring case studies which illustrate diverse perspectives on linking culture, urbanism and history, the book reviews heritage and planning culture, looking at the experience of urbanism in the 'Old Historic City'. The book also assesses the increasingly important issue of urban images and their influence on planning strategies.

A pictorial history of Canberra, and a timely resource for those interested in discovering the origins of our federal capital. This book covers the Aboriginal history, the establishment of early settlement in the district, the birth of the city and the growth and development of Australia's centre of national government.

Drawing the Future: Chicago Architecture on the International Stage, 1900–1925 is an illustrated catalog with companion essays for an exhibition of the same name at the Mary and Leigh Block Museum of Art at Northwestern University. Drawing the Future explores the creative ferment among Chicago architects in the early twentieth century, coinciding with similar visions around the world. The essays focus on the highlights of the exhibition. David Van Zanten profiles Walter Burley Griffin and Marion Mahony Griffin, Chicago architects who created an influential, prize-winning plan for Canberra, the new capital of Australia. Ashley Dunn looks at the two exhibits at the Musée des Arts Décoratifs in Paris, one devoted to the Griffins in 1914 and the other to the French architect Tony Garnier in 1925, demonstrating the impact of World War I on city planning and architecture. Leslie Coburn examines Chicago’s Neighborhood Center Competition of 1914–15, which sought to redress gaps in Daniel Burnham’s plan of 1909. The ambition and reach of Chicago architecture in this epoch would have lasting influence on cities of the future.

Provides the first national account of the historical impact of urban planning and design on the Australian landscape. It defines and documents hundreds of places - parks, public spaces, redeveloped precincts, neighbourhoods, suburbs up to whole towns - that contribute to the character of urban and suburban Australia.

The Garden of Ideas tells an inspiring and engaging story of Australian garden design. From the imaginings of emigrant garden-makers of the late eighteenth century to the concerns of twenty-first-century gardeners, this book charts its way across four centuries through a handsome and satisfying fusion of images and text. The Garden of Ideas is embellished with an unparalleled array of images - paintings, drawings, prints, plans, and photographs - each richly evocative of their time and most never previously published. Unearthed from around Australia, and many from overseas, these images carry the story of Australian garden style down the years, in the process criss-crossing social and cultural history across the wide extremes of our continent. Richard Aitken, whose book Botanical Riches was published in 2006 to popular and critical acclaim, brings a lifetime of experience to The Garden of Ideas. He achieves fresh insights and presents our passion for garden-making with wit and flair. The Garden of Ideas is a valuable source book for the sophisticated gardener and an indispensable companion for the garden lover.

'The Complex City: Social and Built Approaches and Methods' explores different ways of understanding the city. The social city approach proceeds from the ground-up, it focuses on human interactions shaped by economic and environmental processes. The built city method looks through a top-down lens, examining policy and planning for buildings and infrastructure, including utilities and energy networks. This volume is different from other city anthologies in that it explores them through their differences, by presenting each chapter in one of the two categories. While there is invariably an overlap between the two areas, they are distinct positions. In doing so the book identifies how, despite their often adversarial approaches, they both belong to the same city. As essential components of the city they should not necessarily be resolved, as it is in this friction where creativity and innovation happens. 'The Complex City: Social and Built Approaches and Methods' is concerned about the ideas and solutions that they both offer. The book’s originality stems from this duality, and from its recognition that cities are living, organic, protean places of opportunity, crisis, conflict and challenge. The chapters demonstrate the complexity of cities as a set of ideas concerning what they engender, how they function and why they continue to act as a catalyst for different kinds of human activity. They explore issues of socio-political import and questions of the city as a physically constructed space. The themes are diverse and include the inception of the city as a place of competition to centres of regeneration and urban withdrawal. They cover a range of city and urban regions from Athens to Wellington from site specific singular perspectives to comparative assessments. The questions they raise include how do we inhabit urban areas, how do we make plans for them, and how do we, at times, ignore them entirely.

The Routledge Companion to Twentieth and Early Twenty-First Century Urban Design is a fully illustrated descriptive and explanatory history of the development of urban design ideas and paradigms of the past 150 years. The ideas and projects, hypothetical and built, range in scale from the city to the urban block level. The focus is on where the generic ideas originated, the projects that were designed following their precepts, the functions they address and/or afford, and what we can learn from them. The morphology of a city—its built environment—evolves unselfconsciously as private and governmental investors self-consciously erect buildings and infrastructure in a pragmatic, piecemeal manner to meet their own ends. Philosophers, novelists, architects, and social scientists have produced myriad ideas about the nature of the built environment that they consider to be superior to those forms resulting from a laissez-faire attitude to urban development. Rationalist theorists dream of ideal futures based on assumptions about what is good; empiricists draw inspirations from what they perceive to be working well in existing situations. Both groups have presented their advocacies in manifestoes and often in the form of generic solutions or illustrative designs. This book traces the history of these ideas and will become a standard reference for scholars and students interested in the history of urban spaces, including architects, planners, urban historians, urban geographers, and urban morphologists.

Lion & Kangaroo is one of Australia’s great works of history, a rich chronicle of the nation’s coming-of-age. With intelligence, wisdom and wit, acclaimed historian Gavin Souter captures all the milestones of Australia’s first decades, from the constitutional conventions of the nineteenth century to the turbulent years that followed World War I. Painting unforgettable portraits of scores of the most fascinating participants, he traces a national character in evolution. First published in 1976 and rereleased digitally by Xoum for the first time, Lion & Kangaroo is both profound and insightful. It is impossible to comprehend contemporary Australia without first reading it. Reviews of Lion & Kangaroo ‘Souter is a writer of great distinction … This book is the work of a man who can impose on the chaos of the past an order that lifts the work into the realms of art without doing violence to the events or sacrificing the standards of scholarship as defined by the academics. It is a great achievement.’ Manning Clark ‘A superb evocation of Australian life in the years between federation and the First World War, showing how imperial sentiment dominated our lives and left a vacuum in Australia’s national identity … Souter’s book is beautifully written, lucid, witty and compelling.’ Gough Whitlam ‘Souter has written a masterpiece … The book, assiduously researched for its making, is materially explosive … Souter lets the material do its own erupting, then shapes it to his magnificent control. A mighty work of history.’ The Courier-Mail

The Australian Metropolis splendidly fills a huge gap in the literature on Australian cities. It is the definitive account of the history of Australian cities and the crucial role which planning has played in their genesis and growth. Spanning two centuries from the very beginning until the present day, it will instantly become a standard work ' Professor Sir Peter Hall, author of Cities in Civilisation.. The Australian Metropolis provides a single-volume introduction to the development of urban planning. It fills the need for a convenient, initial resource for anyone interested in the broad evolutionary sweep of modern planning. By setting the evolution of Australian planning within its broader societal context, The Australian Metropolis presents a balanced appraisal of the positive, negative and ambivalent legacies resulting from attempts to plan Australia's major cities. This book is the winner of two Royal Australian Planning Institute Awards for Planning Excellence in 2000/2001, including the New South Wales' Division Prize for Planning Scholarship in February 2001.