Tells the story of Don Chapman and his work on behalf of Canadians fighting for citizenship rights, equality and identity.

Navigating through two languages and cultures, Ladouceur studies translation strategies in the world of theatre.

TORONTO STAR #1 BESTSELLER GLOBE AND MAIL AND AMAZON BESTSELLER WE Charity had changed the game. In its 25 years, the international development charity and youth empowerment movement impacted lives the world over. Innovation was at its core: while most charities focus on making the world a better place for our children, WE Charity focused on making better children for our world. Founded by the ubiquitous Kielburger brothers, WE Charity operated more like a Silicon Valley start-up than a traditional NGO. From creating stadium-filling events with A-list celebrity ambassadors to building schools, infrastructure, a hospital and even a university at lightning speed, the organization was always full-throttle. Its for-profit partner, ME to WE, filled shelves with socially-conscious products that allowed consumers to track the impact of their spending, invited young people and families to visit and work in communities WE Charity supported, and channelled proceeds back into the charity to make it self-sustaining. Unique and disruptive, WE generated energy, engagement, and accolades. But it also bred misunderstanding and, in some quarters, resentment. With a long history of propelling youth to act in support of myriad causes—making ”doing good doable,” the slogan went—WE Charity was the ideal candidate to administer the Canada Student Services Grant (CSSG) program. The program, if it had happened, involved matching students within non-profits in a summer in which Covid had stolen most job opportunities. And then, WE Charity in Canada was gone. It didn’t crumble. It crashed. Unwittingly caught in the crosshairs of a partisan fight that reflects the increasing ”Americanization” of Canadian politics, WE Charity was forced to shutter its doors in Canada. Once a media darling with politicians of all stripes clamouring to appear at its events, the charity was suddenly a pariah accused (falsely) of a litany of wrongdoings: political cronyism; governance failures; heavy-handed decision-making by executives; lining the pockets of the founders; manipulating children; mistreating donors; racism and international corruption. Many were shocked. Detractors were delighted. Led by fringe commentators, the media quickly piled on. Allies who spoke out were castigated and forced to take cover. But while most Canadians have heard of the so-called ”WE Charity Scandal”—at times forming strong views—few are able to recount the true facts. Misperceptions and confusion have ruled the day. And many of the most important voices—including those of educators and young people—have gone unreported and unheard. In this book, former WE board member and lawyer Tawfiq Rangwala unpacks the evidence and provides the critical context around the headline-grabbing controversies that have shaped the narrative. Drawing on the factual record, his personal experiences inside the organization, and extensive interviews with supporters and critics, Rangwala cuts through the fog and explains what really happened, why it happened, and who should be held to account. The author goes even deeper with insightful, compassionate and heartbreaking interviews with WE supporters, benefactors and the politicians that used the awarding of the contract during the global pandemic crisis to paint a picture of conflicts of interest and special favours by the Prime Minister. Along the way, we learn what has been lost and the personal cost to Canadians and people around the world. More than just a story of the rise and fall of an iconic global charity, this is a cautionary tale of the collateral damage that can be levelled by unchecked partisan politics, social media pundits, and sensationalist headlines. In the end, Canadians are left to ponder whether the real ”scandal” is the demise of WE Charity and the values of fair play and due process that most of us hold dear.

The Public Broadcasting Service (PBS) and the WGBH Educational Foundation provide an online supplement to the "Frontline" television program entitled "Innocence Lost the Plea." The program originally aired on May 27, 1997. The supplement and program focused on the case of the Little Rascals Day Care in Edenton, North Carolina. The owners and staff members were charged with 400 counts child sexual abuse against 29 children. Profiles of the defendants, a timeline of the case, and other materials are available online.

Gregory Doran's account of his quest to re-discover Cardenio, the lost play written by Shakespeare and John Fletcher. A thrilling act of literary detection that takes him from the Bodleian Library in Oxford, via Cervantes' Spain to the stage of the Royal Shakespeare Company in Stratford. Fully illustrated throughout, Shakespeare's Lost Play tells a fascinating story, which, like the play itself, will engross Shakespeare buffs and theatregoers alike. Doran's much-praised production of Cardenio for the Royal Shakespeare Company marked the culmination of years spent searching for a famously 'lost' play co-authored by William Shakespeare. In this book, Doran takes us with him on his quest to unearth every extant clue and then into the rehearsal room as he pieces together a play unseen since its first performance in 1613. The result, as the Guardian attested, is 'an extraordinary and theatrically powerful piece, one that should both please audiences and keep academic scholars in work for years'.

A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.

Canadian comic actor Mike Myers writes from the heart about his native land, Canada, and what it means to be a Canadian.

In no other region of the United States has the notion of authenticity played such an important yet elusive role as it has in the West. Though pervasive in literature,øpopular culture, and history, assumptions about western authenticity have not received adequate critical attention. Given the ongoing economic and social transformations in this vast region, the persistent nostalgia and desire for the ?real? authentic West suggest regional and national identities at odds with themselves. True West explores the concept of authenticity as it is used to invent, test, advertise, and read the West. The fifteen essays collected here apply contemporary critical and cultural theory to western literary history, Native American literature and identities, the visual West, and the imagining of place. Ranging geographically from the Canadian Prairies to Buena Park?s Entertainment Corridor in Southern California, and chronologically from early tourist narratives to contemporary environmental writing, True West challenges many assumptions we make about western writing and opens the door to an important new chapter in western literary history and cultural criticism.