Almost every Canadian can hum the original Hockey Night in Canada theme - even those who don't think of themselves as hockey fans. For more than a century, Canadians have seen something of themselves in the sport of hockey. Canada's Game explores the critical aspects of this relationship. Contributors address a broad range of themes in hockey, past and present, including spectacle and spectatorship, the multiple meanings of hockey in Canadian fiction, and the shaping influences of violence, anti-Americanism, and regional rivalry. From the Gardens to the Forum, from the 1936 Olympics to the 1972 Summit Series, from the imagined depictions in Canadian fiction to the fan's-eye view, Canada's Game looks at hockey's ability to reflect Canadian identity.

Contributors include Julian Ammirante (Laurentian University at Georgian), Jason Blake (University of Ljubljana, Slovenia), Robert Dennis (Queen's University), Jamie Dopp (University of Victoria), Russell Field (University of Manitoba), Greg Gillespie (Brock University), Richard Harrison (Mount Royal College), Craig Hyatt (Brock University), Brian Kennedy (Pasadena City College), Karen E.H. Skinazi (University of Alberta), and Julie Stevens (Brock University).

In October 1983 Ken Dryden gave us what was called the best non-fiction book ever written about hockey: The Game. In that same month Roy MacGregor published what was hailed as the best novel ever written about hockey: The Last Season. These two writers teamed up to write another extraordinary book. Inspired by Ken Dryden’s major CBC-TV series on hockey, Home Game delves into hockey in all its incarnations, from life in a small hockey community and the dreams of amateurs determined to reach the NHL to the reminiscences of players involved in the 1972 Canada-Soviet series. By exploring hockey’s significance to our nation, Dryden and MacGregor help to define what it means to be Canadian. On publication, Home Game shot to the top of the bestseller lists, establishing itself as a must-read for every hockey fan. The lavish book, with nearly 100 full-colour photographs, continues to win over Canadians.

Opening at the 2004 Olympic baseball tournament, where the unheralded Canadian team came within an errant throw of the gold medal game, the author recounts Canada's rich baseball history, from 1838 to 2004, when the top rookie in both major leagues hailed form the Great White North.

Record numbers of Canadian youths are taking up basketball, but the sport languishes in the shadow of hockey. From the sport's beginning to the era of Steve Nash, this book chronicles basketball's struggle to overcome its history as the poor cousin of Canadian sports.

The first book written about ice hockey. Arthur "Art" Farrell (February 8, 1877 - February 7, 1909) was a Canadian ice hockey player, author and businessman. Farrell played for St. Mary's College in the 1890s and later the Montreal Shamrocks in the Amateur Hockey Association of Canada (AHAC) and Canadian Amateur Hockey League (CAHL). Born in Montreal, Quebec, Farrell helped lead the Shamrocks to Stanley Cup victories in 1899 and 1900. He wrote the first ever book on ice hockey, Hockey: Canada's Royal Winter Game, published in 1899 and of which only four remaining copies are known to exist in the world. He went on to write two "how-to" books on hockey: Ice hockey and ice polo guide of 1901-1904 and How to play Ice Hockey, published in 1907.

For Canadians, hockey is the game. Shared experiences and memories—lacing up for the first time, shinny on an outdoor rink, Sidney Crosby’s historic goal, or the one scored by Maurice Richard—make hockey more than just a game. While the relationship between hockey and national identity has been studied, where does the game fit into our understanding of multiple, diverse Canadian identities today? This interdisciplinary book considers hockey, both as professional and amateur sport, and both in historical and contemporary context, in relation to larger themes in Canadian Studies, including gender, race/ethnicity, ability, sexuality, geography, and reflects upon all aspects of hockey in Canadian life: play, fandom, sports broadcasting, and community activism. This interdisciplinary scholarly collection is an extension of the “Hockey in Canada: More Than Just a Game” exhibition presented by the Canadian Museum of History. This book is published in English. Includes one chapter in French. - Le hockey est le sport des Canadiens Les expériences et les souvenirs que nous partageons – lacer ses patins pour la toute première fois, jouer une partie de hockey de rue, le but historique marqué par Sidney Crosby, ou celui de Maurice Richard – font du hockey bien plus qu’un sport. Bien que le lien entre hockey et identité nationale ait été étudié, il faut s’interroger sur la place qu’occupe ce sport dans notre compréhension des identités canadiennes diverses et multiples d’aujourd’hui. Cet ouvrage interdisciplinaire explore le hockey tant comme sport professionnel qu’amateur, depuis une approche tantôt historique, tantôt actuelle, en lien avec des problématiques en Études canadiennes, dont le genre, la race et l’ethnicité, la compétence, la sexualité, la géographique, et lance une réflexion sur les divers aspects du hockey dans la vie des Canadiens : le jeu, les supporters, la radiodiffusion, l’activisme communautaire. Cet ouvrage complète l’exposition de « Hockey : Plus qu’un simple jeu », présentée par le Musée canadien de l’histoire. Ce livre est publié en anglais. Comprend un chapitre en français.

The African Canadian Legal Odyssey explores the history of African Canadians and the law from the era of slavery until the early twenty-first century. This collection demonstrates that the social history of Blacks in Canada has always been inextricably bound to questions of law, and that the role of the law in shaping Black life was often ambiguous and shifted over time. Comprised of eleven engaging chapters, organized both thematically and chronologically, it includes a substantive introduction that provides a synthesis and overview of this complex history. This outstanding collection will appeal to both advanced specialists and undergraduate students and makes an important contribution to an emerging field of scholarly inquiry.

Creative Industries in Canada is a foundational text that encourages students to think critically about creative industries within a Canadian context and interrogate the current state and future possibilities of the industry. While much of current creative industries literature concerns the United Kingdom, the United States, and Asia, this text captures the breadth of how Canadian industries are organized and experienced, and how they operate. This ambitious collection aims to guide students through the current landscape of Canadian creative industries through three thematic sections. “Production” collects chapters focused on how national discourses and identities are produced through creative industries and the tensions that exist between policy and media. “Participation” explores how we engage with these industries in different roles: as consumer, creator, policy-maker, and more. “Pedagogies” explores how education impacts inclusion and visibility in creative industries. Truly intersectional, Creative Industries in Canada provides students with practical industry knowledge and frameworks to explore the current state of the field and its future. With a broad application to many undergraduate programs, this text is a must-read resource for those pursuing media studies, arts management, creative and cultural industries studies, communications, and arts and humanities.

In the second edition of this groundbreaking social history, M. Ann Hall begins with an important new chapter on Aboriginal women and early sport and ends with a new chapter tying today's trends and issues in Canadian women's sport to their origins in the past. Students will appreciate the more descriptive chapter titles and the restructuring of the book into easily digestible sections. Fifty-two images complement Hall's lively narrative.