The euphoric idealism of grassroots reform and the tragic reality of revolutionary failure are at the center of this speculative novel that opens with a real historical event. On October 2, 1968, 10 days before the Summer Olympics in Mexico, the Mexican government responds to a student demonstration in Tlatelolco by firing into the crowd, killing more than 200 students and civilians and wounding hundreds more. The Tlatelolco massacre was erased from the official record as easily as authorities washing the blood from the streets, and no one was ever held accountable. It is two years later and Nestor, a journalist and participant in the fateful events, lies recovering in the hospital from a knife wound. His fevered imagination leads him in the collection of facts and memories of the movement and its assassination in the company of figures from his childhood. Nestor calls on the heroes of his youth—Sherlock Holmes, Doc Holliday, Wyatt Earp, and D’Artagnan among them—to join him in launching a new reform movement conceived by his intensely active imagination.

Owlette, Catboy, and Gekko show young fans what being a hero is all about in this board book! This book is based on PJ Masks, the hit preschool series airing on Disney Junior! Being a hero isn’t about having superpowers. It’s about being kind, helping others, and doing your best. Catboy, Owlette, and Gekko are heroes. You can be a hero, too! PJ Masks © Frog Box / Entertainment One UK Limited / Walt Disney EMEA Productions Limited 2014

Owlette, Catboy, and Gekko show young fans what being a hero is all about in this board book with fabric wings on the cover! This book is based on PJ Masks, the hit preschool series airing on Disney Junior! Being a hero isn’t about having superpowers. It’s about being kind, helping others, and doing your best. Catboy, Owlette, and Gekko are heroes. You can be a hero, too! PJ Masks © Frog Box / Entertainment One UK Limited / Walt Disney EMEA Productions Limited 2014

Calling All Superheroes highlights the enormous potential of superhero play in supporting learning and development in early childhood. Using examples from practice, it provides guidance on how to effectively manage and implement superhero play and set appropriate boundaries in early years settings and schools. Illustrated with engaging photographs and case studies, the book gives ideas about how superhero play can be used to promote positive values and teach children essential life skills. Offering practical strategies and questions for reflection designed to facilitate further development, chapters address important topics and challenges such as: Child development, the characteristics of effective learning and the benefits of superhero play, including making sense of right and wrong and increasing moral awareness How to broach difficult themes like death, killing, weapons, aggressive play and gender-related issues Supporting children to recognise everyday heroes and how to find heroic abilities within themselves The role of the adults in managing superhero play, engaging parents and creating effective learning environments Written by a leading expert with 20 years’ experience in the early years sector, this book is an essential resource for early years teachers, practitioners and anyone with a key interest in young children’s education and learning.

Calling All Cars shows how radio played a key role in an emerging form of policing during the turbulent years of the Depression. Until this time popular culture had characterized the gangster as hero, but radio crime dramas worked against this attitude and were ultimately successful in making heroes out of law enforcement officers.Through close analysis of radio programming of the era and the production of true crime docudramas, Kathleen Battles argues that radio was a significant site for overhauling the dismal public image of policing. However, it was not simply the elevation of the perception of police that was at stake. Using radio, reformers sought to control the symbolic terrain through which citizens encountered the police, and it became a medium to promote a positive meaning and purpose for policing. For example, Battles connects the apprehension of criminals by a dragnet with the idea of using the radio network to both publicize this activity and make it popular with citizens.The first book to systematically address the development of crime dramas during the golden age of radio, Calling All Cars explores an important irony: the intimacy of the newest technology of the time helped create an intimate authority—the police as the appropriate force for control—over the citizenry.

Ruby, Dana, Brazil, and Jessie--choose the extraordinary when they join the Minneapolis Fire Department. Prepared to fight literal fires, none of them anticipates the threats lurking in the dark corners of the firehouse. Is it better to secure her own place in a flawed system or fight for a better system for everyone?

Most men have the ability to become biological fathers. But parenting takes time, hard work, money, and love. It takes a real hero to be a real dad. Even if you’re divorced or abandoned your child, it is never too late to make amends. While teenagers and young adults may not be overjoyed to have dad back in their life—or to meet him for the first time—they still need a hero. In this book, Evelyn Cross examines what it takes for men to be heroes. She considers questions such as: How can you exercise your rights and fulfill your obligations as a dad? If you don’t have children, how can you be a hero? Can prayer help you hone your skills as a hero? What are the main characteristics of a hero? The author also explores how to build a strong marriage, which she says is a vocation that requires a lifetime of devotion. A marriage is like a career and family business rolled into one— and you must always work on it. Take steps to be a hero to the ones you care about the most with the insights and lessons in this handbook for men.

A man and woman find their genders and sexualities brought radically into question when their bodies sprout new parts, seemingly out of thin air…. A man travels from Japan to Latin America in search of revolutionary purpose and finds much more than he bargains for…. A journalist investigates a poisoning at an elementary school and gets lost in an underworld of buried crimes, secret societies, and haunted forests…. Two young killers, exiled from Japan, find a new beginning as resistance fighters in Peru…. These are but a few of the stories told in We, the Children of Cats, a new collection of provocative early works by Tomoyuki Hoshino, winner of the 2011 Kenzaburo Oe Award in Literature and author of the powerhouse novel Lonely Hearts Killer (PM Press, 2009). Drawing on sources as diverse as Borges, Nabokov, Garcia-Marquez, Kenji Nakagami and traditional Japanese folklore, Hoshino creates a challenging, slyly subversive literary world all his own. By turns teasing and terrifying, laconic and luminous, the stories in this anthology demonstrate Hoshino’s view of literature as “an art that wavers, like a heat shimmer, between joy at the prospect of becoming something else and despair at knowing that such a transformation is ultimately impossible…a novel’s words trace the pattern of scars left by the struggle between these two feelings.” Blending an uncompromising ethical vision with exuberant, freewheeling imagery and bracing formal experimentation, the five short stories and three novellas included in We, the Children of Cats show the full range and force of Hoshino’s imagination; the anthology also includes an afterword by translator and editor Brian Bergstrom and a new preface by Hoshino himself.

Cazzarola! is a gripping, epic, political, historical, and romantic novel spanning 130 years in the life of the Discordias, a fictional family of Italian anarchists. It details the family’s heroic, multigenerational resistance to fascism in Italy and their ongoing involvement in the anarchist movement. From early 20th-century factory strikes and occupations, armed anarchist militias, and attempts on Mussolini’s life, to postwar student and labor protest, and confronting the newest wave of contemporary neofascist violence sweeping Europe, the Discordias navigate the decades of political, economic, and social turmoil. Against this historical backdrop, Antonio falls in love with Cinka, a proud but poverty-stricken Romani refugee from the “unwanted people,” without a country or home, forced to flee again and again searching for peace. Theirs becomes a life-changing and forbidden relationship. Both are forced to reevaluate their lives and contend with cultural taboos, xenophobia, and the violent persecution of Romani refugees in Italy today.

Carol is a small-time cocaine dealer in 1987 London. She’s on her own with a young daughter, a good mother who is especially careful in her working life. For some punters, this involves being Simone. One of these customers is Phil, a financial analyst in the City who, with his longtime pal and fellow analyst Jack, fantasizes a cocaine futures market while on a coke binge. They look at it as they would look at any other commodity. At the top of the wholesale business are Gordon Murray and his brothers, who have an “in” with the Drug Squad and are prepared to shop anyone to keep it that way, on top of the violence they use as and when needed. When the cocaine futures market becomes a reality, Carol has an opportunity to go for the big deal that could get her out of the business altogether. Meanwhile, a stock market crash creates havoc, and a once-in-a lifetime hurricane sweeps across London, ripping down trees and the communication systems of the stock market itself. Carol must make her choice, as three very different worlds are about to collide.