On Memorial Day 1933, Stanford executive David Lamson found his wife, Allene, dead in their Palo Alto home. The only suspect, he became the face of California's most sensational murder trial of the century. After a judge sentenced him to hang at San Quentin, a team of Stanford colleagues stepped in to form the Lamson Defense Committee. The group included poets Yvor Winters and Janet Lewis, as well as the "Sherlock Holmes of Berkeley," criminologist E.O. Heinrich. They managed to overturn the verdict and incite a series of heated retrials that gripped and divided the community. Was Lamson the victim of aggressive prosecutors, or was he a master of deception whose connections helped him get away with murder? Author and Stanford alum Tom Zaniello meticulously examines the details of a notorious case with a lingering legacy.

As the first woman to win two Best Documentary Oscars and the recipient of numerous lifetime achievement awards, Barbara Kopple deserves scholarly attention. Two of her early documentaries, Harlan County USA and American Dream, not only won Academy Awards but are foundational within the study of documentary as a whole. In ReFocus: The Films of Barbara Kopple, a range of international scholars trace Kopple's career to date, analysing her contributions in the contexts of funding, style, production and reception, and examining her films' interrogations of social class using the lenses of gender, sexuality and race. In a shifting digital media landscape, Kopple's critical reputation is also assessed, alongside her enduring influence on contemporary filmmakers.

The Routledge International Handbook of Working-Class Studies is a timely volume that provides an overview of this interdisciplinary field that emerged in the 1990s in the context of deindustrialization, the rise of the service economy, and economic and cultural globalization. The Handbook brings together scholars, teachers, activists, and organizers from across three continents to focus on the study of working-class peoples, cultures, and politics in all their complexity and diversity. The Handbook maps the current state of the field and presents a visionary agenda for future research by mingling the voices and perspectives of founding and emerging scholars. In addition to a framing Introduction and Conclusion written by the co-editors, the volume is divided into six sections: Methods and principles of research in working-class studies; Class and education; Work and community; Working-class cultures; Representations; and Activism and collective action. Each of the six sections opens with an overview that synthesizes research in the area and briefly summarizes each of the chapters in the section. Throughout the volume, contributors from various disciplines explore the ways in which experiences and understandings of class have shifted rapidly as a result of economic and cultural globalization, social and political changes, and global financial crises of the past two decades. Written in a clear and accessible style, the Handbook is a comprehensive interdisciplinary anthology for this young but maturing field, foregrounding transnational and intersectional perspectives on working-class people and issues and focusing on teaching and activism in addition to scholarly research. It is a valuable resource for activists, as well as working-class studies researchers and teachers across the social sciences, arts, and humanities, and it can also be used as a textbook for advanced undergraduate or graduate courses.

On Memorial Day 1933, Stanford executive David Lamson found his wife, Allene, dead in their Palo Alto home. The only suspect, he became the face of California s most sensational murder trial of the century. After a judge sentenced him to hang at San Quentin, a team of Stanford colleagues stepped in to form the Lamson Defense Committee. The group included poets Yvor Winters and Janet Lewis, as well as the Sherlock Holmes of Berkeley, criminologist E.O. Heinrich. They managed to overturn the verdict and incite a series of heated retrials that gripped and divided the community. Was Lamson the victim of aggressive prosecutors, or was he a master of deception whose connections helped him get away with murder? Author and Stanford alum Tom Zaniello meticulously examines the details of a notorious case with a lingering legacy."

' Kate Winkler Dawson is an unbelievable crime historian and such a talented storyteller. ' Karen Kilgariff, cohost of the My Favorite Murder podcast 'Heinrich changed criminal investigations forever, and anyone fascinated by the myriad detective series and TV shows about forensics will want to read [this].' The Washington Post 'An entertaining, absorbing combination of biography and true crime.' Kirkus ' Kate Winkler Dawson has researched both her subject and his cases so meticulously that her reconstructions and descriptions made me feel part of the action rather than just a reader and bystander. She has brought to life Edward Oscar Heinrich's character, determination, and skill so vividly that one is left bemused that this man is so little known to most of us. ' Patricia Wiltshire, author of Traces and The Nature of Life and Death Berkeley, California, 1933. In a lab filled with curiosities – beakers, microscopes, Bunsen burners and hundreds of books – sat an investigator who would go on to crack at least 2,000 cases in his 40-year career. Known as the 'American Sherlock Holmes', Edward Oscar Heinrich was one of the greatest – and first – forensic scientists, with an uncanny knack for finding clues, establishing evidence and deducing answers with a skill that seemed almost supernatural. Based on years of research and thousands of never-before-published primary source materials, American Sherlock is a true-crime account capturing the life of the man who spearheaded the invention of a myriad of new forensic tools, including blood-spatter analysis, ballistics, lie-detector tests and the use of fingerprints as courtroom evidence.

The revised and expanded edition of Working Stiffs, Union Maids, Reds, and Riffraff offers 350 titles compared to the original edition's 150. The new book is global in scope, with examples of labor films from around the world. Viewers can turn to this comprehensive, annotated guide for films about unions or labor organizations; labor history; working-class life where an economic factor is significant; political movements if they are tied closely to organized labor; production or the struggle between labor and capital from a "top-down"—either entrepreneurial or managerial—perspective. Each entry includes a critical commentary, production data, cast list, MPAA rating (if any), suggested related films, annotated references to books and websites for further reading, and information about availability of films for rental and/or purchase. This edition addresses both historical and contemporary films and features many more documentaries and hard-to-find information about agitprop and union-financed films.Working Stiffs, Union Maids, Reds, and Riffraff: An Expanded Guide to Films about Labor features fifty-eight production stills and frame enlargements. It also includes a greatly expanded Thematic Index of Films. Two new sections will help the reader discover labor films in chronological order or by nationality or affiliation with certain cinematic movements. To read Tom Zaniello's blog on the cinema of labor and globalization, featuring even more reviews, visit http://tzaniello.wordpress.com.Praise for the earlier edition—"Zaniello has created a useful and far-reaching guide with abundant information.... These are the sorts of films that prove what James Agee wrote in these pages nearly fifty years ago: 'The only movies whose temper could possibly be described as heroic, or tragic, or both, have been made by leftists.'"—The Nation"Zaniello has done a monumental job identifying the films that should be included in this genre.... Working Stiffs, Union Maids, Reds, and Riffraff is sorely needed and long overdue."—Cineaste"An engaging and opinionated book.... Even though mining, trucking, Jimmy Hoffa, and class warfare are the book's major themes, what holds the project together is Zaniello's sense of fun and wit. [Zaniello is] a better writer than most major film critics."—Village Voice Literary Supplement

Offers readers and viewers the opportunity to both discover new films and see well-known works in a new way.

This chronicle of ten controversial mid-Victorian trials features brother versus brother, aristocrats fighting commoners, an imposter to a family's fortune, and an ex-priest suing his ex-wife, a nun. Most of these trials--never before analyzed in depth--assailed a culture that frowned upon public displays of bad taste, revealing fault lines in what is traditionally seen as a moral and regimented society. The author examines religious scandals, embarrassments about shaky family trees, and even arguments about which architecture is most likely to convert people from one faith to another.