An NPR "Books We Love" 2022 “Age of Cage might be the closest we will get to understanding the singular beauty of each of Nic Cage’s always electric performances. You are holding the Rosetta Stone for Cage. Enjoy it.” —Paul Scheer, actor, writer and host of the How Did This Get Made? and Unspooled podcasts Icon. Celebrity. Artist. Madman. Genius. Nicolas Cage is many things, but love him, or laugh at him, there's no denying two things: you’ve seen one of his many films, and you certainly know his name. But who is he, really, and why has his career endured for over forty years, with more than a hundred films, and birthed a million memes? Age of Cage is a smart, beguiling book about the films of Nicolas Cage and the actor himself, as well as a sharp-eyed examination of the changes that have taken place in Hollywood over the course of his career. Critic and journalist Keith Phipps draws a portrait of the enigmatic icon by looking at—what else?—Cage’s expansive filmography. As Phipps delights in charting Cage’s films, Age of Cage also chronicles the transformation of film, as Cage’s journey takes him through the world of 1980s comedies (Valley Girl, Peggy Sue Got Married, Moonstruck), to the indie films and blockbuster juggernauts of the 1990s (Wild at Heart, Leaving Las Vegas, Face/Off, Con Air), through the wild and unpredictable video-on-demand world of today. Sweeping in scope and intimate in its profile of a fiercely passionate artist, Age of Cage is, like the man himself, surprising, insightful, funny, and one of a kind. So, snap out of it, and enjoy this appreciation of Nicolas Cage, national treasure.

Kit never means to steal the bracelet; it is just a dumb mistake. But when she is caught Kit is sentenced to twenty hours of volunteer work at the humane society. Kit knows how it feels to be stuck in a cage like those animals and soon she begins to learn that the key to her own cage is right in front of her. "Readers will relate to [Kit's] anguish and her spirit and courage." -Booklist

John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: “Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant.” “He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It’s what’s happening now.” –The American Record Guide “There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away.”

First published in 1975, The Cage was a graphic novel before there was a name for the genre. Considered an early masterpiece of the genre, the Canadian cult comic has been out of print for decades. The new edition includes an introduction by Canadian comics master and Lemony Snicket collaborator Seth (Palookaville; It's a Good Life, If You Don't Weaken). Cryptic and disturbing, like Dave Gibbons (Watchmen) illustrating a film by Ozu, The Cage spurns narrative for atmosphere, guiding us through a series of disarrayed rooms and desolate landscapes, tracking a stuttering and circling time and a sequence of objects: headphones, inky stains, bedsheets. It's not about where we're going but how – if – we get there.

“A delicious thrill-ride of breakneck twists and turns. . . . Evoking Grisham and Highsmith, Bonnie Kistler is a masterful plate-spinner of plot, deftly weaving together the worlds of fashion, high finance and white-shoe law to reveal their seamiest secrets and shared underbellies, all via characters who live, breathe, and scare the hell out of us on every page.”—Cassidy Lucas, author of Santa Monica “An absolutely spellbinding thriller. . . . An utterly engrossing and thoroughly entertaining story.”—Booklist (starred review) Combining the propulsive narrative drive of The Firm with the psychological complexity of The Silent Patient, a gripping and original thriller about two professional women—colleagues at an international fashion conglomerate—who enter an elevator together . . . but only one is alive when they reach the ground floor. On a cold, misty Sunday night, two women are alone in the offices of fashion conglomerate Claudine de Martineau International. One is the company’s human resources director. Impeccably dressed and perfectly coiffed, she sits at her desk and stares somberly out the window. Down the hall, her colleague, one of the company’s lawyers, is buried under a pile of paperwork, frantically rushing to finish. Leaving at the same time, the two women, each preoccupied by her own thoughts, enter the elevator that will take them down from the 30th floor. When they arrive at the lobby, one of the women is dead. Was it murder or suicide? An incredibly original novel that turns the office thriller on its head, The Cage is a wild ride that begins with a bang and picks up speed as it races to its dramatic end.

John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: "Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant." "He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It's what's happening now." –The American Record Guide "There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away."

Spurred by ideals of individual liberty that took hold in the Western world in the late nineteenth century, psychiatrists and public officials sought to reinvent asylums as large-scale, totally designed institutions that offered a level of freedom and normality impossible in the outside world. This volume explores the “caged freedom” that this new psychiatric ethos represented by analyzing seven such buildings established in the Austro-Hungarian monarchy between the late 1890s and World War I. In the last two decades of the Habsburg Empire, architects of asylums began to abandon traditional corridor-based plans in favor of looser formations of connected villas, echoing through design the urban- and freedom-oriented impulse of the progressive architecture of the time. Leslie Topp considers the paradoxical position of designs that promoted an illusion of freedom even as they exercised careful social and spatial control over patients. In addition to discussing the physical and social aspects of these institutions, Topp shows how the commissioned buildings were symptomatic of larger cultural changes and of the modern asylum’s straining against its ideological anchorage in a premodern past of “unenlightened” restraint on human liberty. Working at the intersection of the history of architecture and the history of psychiatry, Freedom and the Cage broadens our understanding of the complexity and fluidity of modern architecture’s engagement with the state, with social and medical projects, and with mental health, psychiatry, and psychology.

Kiva trades one cage for another when she leaves behind a deadly prison for a deceptive palace in this dark and dangerous sequel to The Prison Healer, which Sarah J. Maas called "a must-read." Kiva Meridan is a survivor. She survived not only Zalindov prison, but also the deadly Trial by Ordeal. Now Kiva's purpose goes beyond survival to vengeance. For the past ten years, her only goal was to reunite with her family and destroy the people responsible for ruining their lives. But now that she has escaped Zalindov, her mission has become more complicated than ever. As Kiva settles into her new life in the capital, she discovers she wasn't the only one who suffered while she was in Zalindov--her siblings and their beliefs have changed too. Soon it's not just her enemies she's keeping secrets from, but her own family as well. Outside the city walls, tensions are brewing from the rebels, along with whispers of a growing threat from the northern kingdoms. Kiva's allegiances are more important than ever, but she's beginning to question where they truly lie. To survive this time, she'll have to navigate a complicated web of lies before both sides of the battle turn against her and she loses everything.

CollectsÿCage! #1-4. The award-winning animator behind Dexter's Laboratory, Samurai Jack and Hotel Transylvania brings his visionary talents to Marvel! On the mean streets of Harlem, shoes are big, shirts are large, bottoms are belled and crime is rampant! But in the heart of the city, the world's hardest-working, smack-talking, chain-wearing super hero is on the streets and on the case! And his rates are reasonable! He's Cage! Dig it! But what happens when he's out of his element, trapped in a jungle a thousand miles from home, and hunted by savage beasts that walk like men?

A teenage girl recounts the suffering and persecution of her family under the Nazis, in a Polish ghetto, during deportation, and in a concentration camp.