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Traces the development of Catholic worship from the apostolic Church to the present.

The "Handbook for Liturgical Studies" provides a complete course of liturgical studies in five volumes. It is offered as a model, source, and reference for students of liturgy and liturgical ministry. Through the study of these five volumes, readers are led to an active and spiritually fruitful participation in the ecclesial celebration of Christ's mystery desired by the Second Vatican Council.

The ordinary episcopal visitation of parishes, treated in canons 396-398 of the 1983 Code of Canon Law, is studied here from its origins to the present. The dissertation’s first chapter traces the historical development of this ancient canonical institute, particularly with a view to showing its usefulness for Church reform. The second examines the canons of the 1917 and 1983 codes and provides a detailed commentary on the latter. A final chapter studies the visitation of parishes in Canada. Three methods are used, corresponding to the three chapters. In the first chapter, a primarily historical review draws on Scripture, the Fathers, papal legislation, the decrees of provincial and ecumenical councils (particularly the Council of Trent), and other sources. The second chapter takes an exegetical approach, interpreting the 1983 canons on the visitation in light of the former law, the Second Vatican Council, and contemporary papal and curial documents. The visitation is related to the diocesan bishop’s power of governance. The third chapter presents the results of the author’s survey of Canadian bishops, carried out according to the methods of social science research. Without arguing that the visitation is a panacea for all the Church’s ills, the author concludes that it is a highly effective way for bishops to address some present difficulties and avoid future ones.

The reform of liturgical rites ordered by the Second Vatican Council necessitated a revision of the Caeremoniale Episcoporum, published in 1886. The objective of this ceremonial is to provide a liturgy for bishops that will stand as a model for all other celebrations. The eight divisions of the book cover everything from the Mass through liturgical celebrations in connection with the government of a diocese. This is a valued reference for bishops, masters of ceremonies, diocesan liturgical offices, seminary libraries, etc. Two-color printing to separate text from rubrics.

This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.

Ten years after completing his work The Last Communion of Saint Jerome, Bolognese painter Domenichino was accused by his rival Giovanni Lanfranco of stealing the idea for the painting from an altarpiece crafted by Lanfranco’s teacher, Agostino Carracci. The resulting scandal reverberated through the centuries, drawing responses by artists and critics from Poussin and Malvasia to Fuseli and Delacroix.Why was Domenichino attacked in this way when other related paintings--including Raphael’s Marriage of the Virgin and Perugino’s painting of the same subject--aroused no such negative response? In this fast-paced book, Elizabeth Cropper investigates the Domenichino affair and addresses the perennial debate regarding the precise nature of originality and of imitation. She offers close readings of the paintings involved in the story, detailed analysis of attitudes toward imitation, emulation, and plagiarism, and a fascinating discussion of what Domenichino’s plight signifies in art history.

Volume I consists of three parts: Preliminary Notions," "Historical Overview of the Liturgy," and "Liturgical Sources." Articles and their contributors include "A Definition of Liturgy," by Anscar J. Chupungco, OSB; "Liturgical Families in the East," by Ephrem Carr, OSB; "Liturgical Families in the West," by Gabriel Ramis; "Bible and Liturgy," by Renato De Zan; "Liturgy and the Fathers," by Basil Studer, OSB; "Liturgy and Ecumenism," by Patrick Lyons, OSB; "History of the Liturgy Until the Fourth Century," by Anscar J. Chupungco, OSB; "History of the Eastern Liturgies," by Manel Nin, OSB; "History of the Roman Liturgy Until the Fifteenth Century," by Anscar J. Chupungco, OSB; "History of the Roman Liturgy from the Sixteenth Until the Twentieth Centuries," by Keith F. Pecklers, SJ; "History of the Liturgies in the Non-Roman West," by Jordi Pinell I Pons, OSB; "Liturgical Documents of the First Four Centuries," by Basil Studer, OSB; "Byzantine Liturgical Books," by Elena Velkova Velkovska; "Other Liturgical Books in the East," by Manel Nin, OSB; "Liturgical Books of the Roman Rite," by Cassian Folsom, OSB; "Liturgical Books of the Non-Roman West," by Gabriel Ramis; "Liturgical Textual Criticism," by Renato De Zan; "Criticism and Interpretation of Liturgical Texts," by Renato De Zan; "Translation of Liturgical Texts," by Anscar J. Chupungco, OSB; and "Liturgical Law," by Frederick R. McManus. More than forty authors from Asia, Africa, Latin America, North America, and Eastern and Western Europe have contributed to the Handbook. Many are professors and graduates of the Pontifical Liturgical Institute in Rome. Each author, while drawing material from liturgical tradition and from ancient, medieval, and modern sources, writes also from a particular research and personal interest in a subject. Although diverse in style, the authors collectively express a spirit of fidelity to the Church, to its doctrine and tradition, and to its mission. The result is a cohesive view of the meaning, purpose, and celebration of Christian worship.