The two-volume study Byzantine Poetry from Pisides to Geometres. Texts and Contexts, constitutes a survey of Byzantine poems written between ca. 600 and 1000, with particular emphasis on the historical contexts that generated these texts. It is a study of literary genres set against the background of historical developments that changed Byzantine culture fundamentally. In this first volume the author deals with contextual and textual problems of Byzantine poetry (chapters 1-3) and treats various kinds of the Byzantine epigram (chapters 4-9). The book concludes with 10 appendices that present the material evidence: manuscripts and verse inscriptions. \nThe book is of interest to historians, art historians and philologists; as all the texts are translated, it can also be read by scholars with little or no knowledge of Byzantine Greek.

This book offers the first complete overview of Byzantine poetry from the 4th to the 15th century. By bringing together 22 scholars, it explores the development of poetic trends and the interaction between poetry and society throughout the Byzantine millennium; it addresses a wide range of issues concerning the writing and reading of poetry (such as style, language, metrics, function, and circulation); and it surveys a large number of texts by looking closely at their place within the social and cultural milieus of their authors. Overall, the volume aims to enhance our understanding of Byzantine poetry and shed light on its important place in Byzantine literary culture. Contributors are Eirini Afentoulidou, Gianfranco Agosti, Roderick Beaton, Floris Bernard, Carolina Cupane, Kristoffel Demoen, Ivan Drpic, Jürgen Fuchsbauer, Antonia Giannouli, Martin Hinterberger, Wolfram Hörandner, Elizabeth Jeffreys, Michael Jeffreys, Marc Lauxtermann, Ingela Nilsson, Emilie van Opstall, Andreas Rhoby, Kurt Smolak, Foteini Spingou, Maria Tomadaki, Ioannis Vassis, Nikos Zagklas.

This book is a revisionist account of Samuel’s State and the legendary struggle between Samuel Cometopoulos and Basil II (10th-11th century). It goes beyond the standard approach to the study of state formation, presenting an entirely new analytical framework which interrogates how contemporaries in the Balkans at different times, ranging from the Byzantine and Balkan elites of the medieval centuries to later voices in the early modern and modern periods, have represented Samuel’s polity in the service of their own political agendas and territorial aspirations towards Macedonia. The wide-ranging relationship between culture, identity and power are addressed, making use not just of Balkan literary and artistic traditions but on writings from across the Slavic world and western political and intellectual contexts. Demonstrating the conflicted legacy of the Samuel’s State in the Balkans, Mitko B. Panov questions established scholarly opinion and offers new interpretations that reconsider its place in Byzantine and Balkan history and imagination.

A delightful look at the epic literary history of the short, poetic genre of the epigram From Nestor’s inscribed cup to tombstones, bathroom walls, and Twitter tweets, the ability to express oneself concisely and elegantly, continues to be an important part of literary history unlike any other. This book examines the entire history of the epigram, from its beginnings as a purely epigraphic phenomenon in the Greek world, where it moved from being just a note attached to physical objects to an actual literary form of expression, to its zenith in late 1st century Rome, and further through a period of stagnation up to its last blooming, just before the beginning of the Dark Ages. A Companion to Ancient Epigram offers the first ever full-scale treatment of the genre from a broad international perspective. The book is divided into six parts, the first of which covers certain typical characteristics of the genre, examines aspects that are central to our understanding of epigram, and discusses its relation to other literary genres. The subsequent four parts present a diachronic history of epigram, from archaic Greece, Hellenistic Greece, and Latin and Greek epigrams at Rome, all the way up to late antiquity, with a concluding section looking at the heritage of ancient epigram from the Middle Ages up to modern times. Provides a comprehensive overview of the history of the epigram The first single-volume book to examine the entire history of the genre Scholarly interest in Greek and Roman epigram has steadily increased over the past fifty years Looks at not only the origins of the epigram but at the later literary tradition A Companion to Ancient Epigram will be of great interest to scholars and students of literature, world literature, and ancient and general history. It will also be an excellent addition to the shelf of any public and university library.

This volume represents the first discussion of rewriting in Byzantium. It brings together a rich variety of articles treating hagiographical rewriting from various angles. The contributors discuss and comment on different kinds of texts from late antiquity to late Byzantium.

This volume explores various forms, functions and meanings of satirical texts written in the Middle Byzantine period.

For an entire millennium, Byzantine hagiography, inspired by the veneration of many saints, exhibited literary dynamism and a capacity to vary its basic forms. The subgenres into which it branched out after its remarkable start in the fourth century underwent alternating phases of development and decline that were intertwined with changes in the political, social and literary spheres. The selection of saintly heroes, an interest in depicting social landscapes, and the modulation of linguistic and stylistic registers captured the voice of homo byzantinus down to the end of the empire in the fifteenth century. The seventeen chapters in this companion form the sequel to those in volume I which dealt with the periods and regions of Byzantine hagiography, and complete the first comprehensive survey ever produced in this field. The book is the work of an international group of experts in the field and is addressed to both a broader public and the scholarly community of Byzantinists, medievalists, historians of religion and theorists of narrative. It highlights the literary dimension and the research potential of a representative number of texts, not only those appreciated by the Byzantines themselves but those which modern readers rank high due to their literary quality or historical relevance.

The Letters of Psellos is the first detailed study of the correspondence of Michael Psellos, a preeminent Byzantine intellectual, politician, and writer. Structured in two parts, it juxtaposes five essays offering detailed historical and literary analyses of selected letters with annotated summaries of the entirety of Psellos' correspondence.

The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire’s final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times. Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.

It is only in recent years that Byzantine poetry - a long-neglected aspect of Byzantine literature - has attracted the attention of philologists, literary and cultural historians. This holds true especially for the poetry written in middle and late Byzantium. Though many collections of poems are available in modern critical editions, a considerable amount of texts still remains completely unedited or accessible only in outdated and unreliable editions. Moreover, many works of this period have never been studied thoroughly with regard to their cultural impact on society. Issues of authorship and patronage, function, literary motives, generic qualities, and manuscripts still await further study. This volume aims to take a step to fill this gap. Although it includes studies on poetry from the early tenth to the fifteenth centuries, the main focus is placed on the Komnenian and Palaeologan times. It presents editions of completely unknown texts, such as a twelfth-century cycle of epigrams on John Klimax. It includes studies on various types of poetry, including didactic, occasional, and even poetry written for liturgical purposes. By analysing these works and placing them within their literary and socio-cultural context, we can draw conclusions about the cultural tastes of the Byzantines and acquire a more nuanced picture of middle and late Byzantine poetry.