J.D. Lewis-Williams, one of the leading South African archaeologists and ethnographers, uses ethnographic, archival, and archaeological lines of research to understand San-Bushman mythological stories. From this, he establishes a more nuanced theory of the role of myths in cultures worldwide.

These beautiful and timeless stories from the African Bush were gathered more than a century ago and have touched thousands of readers ever since. The South African-born author, Sir Laurens van der Post, revered them and helped to make them known throughout the world. For this special new edition, Gregory McNamee has adapted the original nineteenth-century English translations to create modern versions of the stories for readers without a prior knowledge of the Bushman ways of life. The stories in this book carry universal observations and truths and, with their historical and ethnographic roots in the African Bushman culture, they are fascinating and educational for readers and listeners of all ages. They bear powerful testimony to a desert people living at one with Nature.

These beautiful and timeless stories from the African Bush were gathered more than a century ago and have touched thousands of readers ever since. The South African-born author, Sir Laurens van der Post, revered them and helped to make them known throughout the world. For this special new edition, Gregory McNamee has adapted the original nineteenth-century English translations to create modern versions of the stories for readers without a prior knowledge of the Bushman ways of life. The stories in this book carry universal observations and truths and, with their historical and ethnographic roots in the African Bushman culture, they are fascinating and educational for readers and listeners of all ages. They bear powerful testimony to a desert people living at one with Nature.

What is the essence of story? How does the storyteller convey meaning? Leading scholar Harold Scheub tackles these questions and more, demonstrating that the power of story lies in emotion. While others have focused on the importance of structure in the art of story, Scheub emphasizes emotion. He shows how an expert storyteller uses structural elements—image, rhythm, and narrative—to shape a story's fundamental emotional content. The storyteller uses traditional images, repetition, and linear narrative to move the audience past the story’s surface of morals and ideas, and make connections to their past, present, and future. To guide the audience on this emotional journey is the storyteller’s art. The traditional stories from South African, Xhosa, and San cultures included in the book lend persuasive support to Scheub’s. These stories speak for themselves, demonstrating that a skilled performer can stir emotions despite the obstacles of space, time, and culture.

This is a true story of exodus, the inevitable journey of the last of the First People, as they leave the Great Sand Face and head for the modern world and cultural oblivion. Paul John Myburgh spent seven years with the 'People of the Great Sand Face', a group of /Gwikwe Bushmen in the Kalahari Desert. They were years of physical and spiritual immersion into a way of life of which only an echo remains in living memory. But all does not end there. In The Bushman Winter Has Come, the author imagines a continuing journey towards a place where we may, once again, know who we are in the context of our life on this earth ... towards a time when we may answer the /Gwikwe's morning greeting, Tsamkwa/tge? (Are your eyes nicely open?) with a confident Yes.

Peter Stark is the legendary white Bushman who writes about his experiences in the former German South West Africa.

A reissue of Van der Post's classic account of his rediscovery of the Bushmen of the Kalahari desert, outcast survivors from Stone Age Africa. His attempt to capture their way of life and the secrets of their ancient heritage provide captivating reading and an insight into a forgotten culture.

ISSN: 2397-9607 Issue 46 In Issue 46 of the Baba Indaba Children's Stories, Baba Indaba narrates two legends from the bushmen of the Namib Desert. The stories are ?How the Coming of a Snake Announces a Death in the Family? and ?The Resurrection of the Ostrich.? Both legends are a mix of Bushmen folklore and customs and show how intertwined everyday life in the Namib is with the bush-lore by which the bushmen live. This issue also has a "Where in the World - Look it Up" section, where young readers are challenged to look up a place on a map somewhere in the world. The place, town or city is relevant to the story, on map. HINT - use Google maps. Baba Indaba is a fictitious Zulu storyteller who narrates children's stories from around the world. Baba Indaba translates as "Father of Stories". It is believed that folklore and tales are believed to have originated in India and made their way overland along the Silk and Spice routes and through Central Asia before arriving in Europe. Even so, this does not cover all folklore from all four corners of the world. Indeed folklore, legends and myths from Africa, Australia, Polynesia, and some from Asia too, are altogether quite different and seem to have originated on the whole from separate reservoirs of lore, legend and culture.