Pilot Mark Martin must flee his home world of Yale when the Erethizon theocracy overwhelms the defenses. His father, an influential senator, is captured. Now Mark must find a way to save his dad before the resistance is crushed, and with it, all hope of ending the occupation. A chance encounter with a smuggler captain may be his only hope. Will they help, or will the crew sell him to the alien invaders?

It seemed the case of the notorious Yorkshire Ripper was finally closed when Peter Sutcliffe was sentenced to life imprisonment in 1981. But in the early 1980s Gordon Burn spent three years living in Sutcliffe's home town of Bingley, researching his life. A modern classic, Somebody's Husband, Somebody's Son offers one of the most penetrating and provocative insights into the mind of a murderer ever written. 'A book which will, with some justice, be compared to In Cold Blood and The Executioner's Song. It's as if Thomas Hardy were also present at the writing of this account of the Yorkshire Ripper.' Norman Mailer

In Dreams of the Burning Child, David Lee Miller explores the uncanny persistence of filial sacrifice as a motif in English literature and its classical and biblical antecedents. He combines strikingly original reinterpretations of the Aeneid, Hamlet, The Winter's Tale, and Dombey and Son with perceptive accounts of dreams found in memoirs, poems, and psychoanalytic texts. Miller looks closely at the grisly fantasy of the sacrifice of sons as it is depicted in classical epic, early modern drama, the nineteenth-century novel, the postcolonial novel, the lyric, the funeral elegy, sacred scriptures, and psychoanalytic theory. He also draws examples from painting, sculpture, photography, and architecture into a witty and engaging discussion that ranges from the binding of Isaac to Chinua Achebe's Things Fall Apart, and from questions of literary history to the dilemmas of patriarchal masculinity.

Jake Weathers' older brother Aaron returns home a hero from WWII. As their father celebrates his favored son, quiet-voiced Jake is content to work in the background on their west Texas ranch. Hampered by a lame leg, Jake figures his life has nothing else to offer. His brother's charms and good looks fill the spotlight, but Jake grows suspicious Aaron wasn't as heroic as he claims. Their father turns a blind eye to Aaron's misbehavior, announcing his intention to hand the ranch over to him someday. After the arrival of the captivating and mysterious Ellie Peri inspires Jake to imagine a different future, he realizes he yearns for a partnership in the ranch. Even more, he wants Ellie to stay and share it with him. But high risk followed by devastating loss stand in the way to Jake's desires, and he is forced to choose a rocky path to save the ranch he loves and the woman who set his heart on fire.

Blackness Is Burning critiques the way the politics of recognition and representation appear in popular culture as attempts to "humanize" black identity through stories of suffering and triumph or tales of destruction and survival. Blackness Is Burning is one of the first books to examine the ways race and psychological rhetoric collided in the public and popular culture of the civil rights era. In analyzing a range of media forms, including Sidney Poitier's popular films, black mother and daughter family melodramas, Bill Cosby's comedy routine and cartoon Fat Albert, pulpy black pimp narratives, and several aspects of post–civil rights black/American culture, TreaAndrea M. Russworm identifies and problematizes the many ways in which psychoanalytic culture has functioned as a governing racial ideology that is built around a flawed understanding of trying to "recognize" the racial other as human. The main argument of Blackness Is Burning is that humanizing, or trying to represent in narrative and popular culture that #BlackLivesMatter, has long been barely attainable and impossible to sustain cultural agenda. But Blackness Is Burningmakes two additional interdisciplinary interventions: the book makes a historical and temporal intervention because Russworm is committed to showing the relationship between civil rights discourses on theories of recognition and how we continue to represent and talk about race today. The book also makes a formal intervention since the chapter-length case studies take seemingly banal popular forms seriously. She argues that the popular forms and disreputable works are integral parts of our shared cultural knowledge. Blackness Is Burning's interdisciplinary reach is what makes it a vital component to nearly any scholar's library, particularly those with an interest in African American popular culture, film and media studies, or psychoanalytic theory.

A READ WITH JENNA BOOK CLUB PICK AS FEATURED ON TODAY * A PEOPLE MAGAZINE PICK * AN INDIE NEXT PICK * A LIBRARYREADS PICK *AN AMAZON EDITORS PICK “On every page there are little shimmering bombs. Like Room, where parenthood is at once your jail and your salvation, it is almost claustrophobic—but in the most glorious way.”—Lisa Taddeo, #1 New York Times bestselling author of Three Women and Animal A rising international literary star makes her American debut with this visceral, tender, and brave portrait of addiction, recovery, and motherhood, as harrowing and intense as Shuggie Bain. Sonya used to perform on stage. She used to attend glamorous parties, date handsome men, ride in fast cars. But somewhere along the way, the stage lights Sonya lived for dimmed for good. In their absence, came darkness—blackouts, empty cupboards, hazy nights she can't remember. What keeps Sonya from losing herself completely is Tommy, her son. But her immense love for Tommy is in fierce conflict with her immense love of the bottle. Addiction amplifies her fear of losing her child; every maternal misstep compels her to drink. Tommy’s precious life is in her shaky hands. Eventually Sonya is forced to make a choice. Give up drinking or lose Tommy—forever. Bright Burning Things is an emotional tour-de-force—a devastating, nuanced, and ultimately hopeful look at an addict’s journey towards rehabilitation and redemption. A MOST ANTICIPATED BOOK FROM: Washington Post, The Millions, PopSugar, Shondaland, Good Morning America, Nylon, Good Housekeeping, Town & Country

Jack Reacher finds trouble in Texas in the fifth novel in Lee Child’s #1 New York Times bestselling series. DON'T MISS REACHER ON PRIME VIDEO! Thumbing across the scorched Texas desert, Jack Reacher has nowhere to go and all the time in the world to get there. Cruising the same stretch of two-lane blacktop is Carmen Greer. For Reacher, the lift comes with a hitch. Carmen’s got a wild story to tell—all about her husband, her family secrets, and a hometown that’s purely gothic. She’s also got a plan. Reacher’s part of it. And before the sun sets, this ride could cost them both their lives.

Starting out in life as a young wife and mother, you never imagine the ways your hopes and dreams might be completely shattered. For Jessica and her husband Jason, a series of unrelenting heartbreaks struck, beginning with their baby's diagnosis with a life-changing disability. Just a few short years later, thirty-three-year old Jason lay in a hospital bed, battling a Glioblastoma brain tumor. And within the span of six years of marriage, Jessica became a widow left alone to care for their four young children, including one with special needs. But the story doesn't end there. In the midst of storm after storm, Jessica stubbornly clung to God, and she found him to be faithful. Enter Ryan Ronne, a young widower and father of three. Ryan had also lost his spouse to brain cancer-in fact, around the same time Jessica's husband, Jason, had succumbed to the disease. Just as the idea of sunlight burning at midnight sounds impossible, so it seemed unlikely anything beautiful could arise from their devastation. But a new love story emerged, along with a combined family that now numbers eight children. As featured on the Today Show, theirs is an inspiring and encouraging story of faith. Here, Jessica Ronne tells her riveting story of finding hope amid havoc, and of the surprising ways that pain often commingles with joy.

On a mission to save her people from extinction, Sabrine pretends she has no memory in order to gain access to her enemies: the Donegal clan. A raven shifter, she is determined to retrieve the sacred stone that rightfully belongs to her people. But soon she'll be engulfed in her burning desire and growing love for the Donegal laird who believes he saved her-and the dangerous and inescapable secrets destined to keep them apart.

For a thousand years across the length and breadth of China and beyond, people have burned paper replicas of valuable things—most often money—for the spirits of deceased family members, ancestors, and myriads of demons and divinities. Although frequently denigrated as wasteful and vulgar and at times prohibited by governing elites, today this venerable custom is as popular as ever. Burning Money explores the cultural logic of this common practice while addressing larger anthropological questions concerning the nature of value. The heart of the work integrates Chinese and Western thought and analytics to develop a theoretical framework that the author calls a “materialist aesthetics.” This includes consideration of how the burning of paper money meshes with other customs in China and around the world. The work examines the custom in contemporary everyday life, its origins in folklore and history, as well as its role in common rituals, in the social formations of dynastic and modern times, and as a “sacrifice” in the act of consecrating the paper money before burning it. Here the author suggests a great divide between the modern means of cultural reproduction through ideology and reification, with its emphasis on nature and realism, and previous pre-capitalist means through ritual and mystification, with its emphasis on authenticity. The final chapters consider how the burning money custom has survived its encounter with the modern global system and internet technology. Innovative and original in its interpretation of a common ritual in Chinese popular religion, Burning Money will be welcomed by scholars and students of Chinese religion as well as comparative religion specialists and anthropologists interested in contemporary social theory.