Unlike many cities farther north, Kansas City, Missouri-along with its sister city in Kansas-had a significant African American population by the midnineteenth century and also served as a way station for those migrating north or west. "Take Up the Black Man's Burden" focuses on the people and institutions that shaped the city's black communities from the end of the Civil War until the outbreak of World War II, blending rich historical research with first-person accounts that allow participants in this historical drama to tell their own stories of struggle and accomplishment. Charles E. Coulter opens up the world of the African American community in its formative years, making creative use of such sources as census data, black newspapers, and Urban League records. His account covers social interaction, employment, cultural institutions, housing, and everyday lives within the context of Kansas City's overall development, placing a special emphasis on the years 1919 to 1939 to probe the harsh reality of the Depression for Kansas City blacks-a time when many of the community's major players also rose to prominence. "Take Up the Black Man's Burden" is a rich testament not only of high-profile individuals such as publisher Chester A. Franklin, activists Ida M. Becks and Josephine Silone Yates, and state legislator L. Amasa Knox but also of ordinary laborers in the stockyards, domestics in white homes, and railroad porters. It tells how various elements of the population worked together to build schools, churches, social clubs, hospitals, the Paseo YMCA/YWCA, and other institutions that made African American life richer. It also documents the place of jazz and baseball, for which the community was so well known, as well as movie houses, amusement parks, and other forms of leisure. While recognizing that segregation and discrimination shaped their reality, Coulter moves beyond race relations to emphasize the enabling aspects of African Americans' lives and show how people defined and created their world. As the first extensive treatment of black history in Kansas City, "Take Up the Black Man's Burden" is an exceptional account of minority achievement in America's crossroads. By showing how African Americans saw themselves in their own world, it gives readers a genuine feel for the richness of black life during the interwar years of the twentieth century.

Vampires are not sexy or sensitive. Hungry, bloody and stinking of the grave, they hunt the dry Kansas plains, taking what they want until they cross rancher Keith Harris. Keith is a damaged man who's always made the hard decisions others couldn't. As the two forces battle for survival, the lines between man and monster begin to blur. How much of a community's burden of sin can one man take on before becoming a monster himself? With Burden Kansas, Alan Ryker provides a contemporary novella of vampire horror written in the minimal voice of the western. Burden Kansas is more entertaining, disturbing and thought-provoking than you thought a vampire western could be.

A City Divided traces the development of white Kansas Citians’ perceptions of race and examines the ways in which those perceptions shaped both the physical landscape of the city and the manner in which Kansas City was policed and governed. Because of rapid changes in land use and difficulties in suppressing crime and vice in Kansas City, the control of urban spaces became an acute concern, particularly for the white middle class, before race became a problematic issue in Kansas City. As the African American population grew in size and assertiveness, whites increasingly identified blacks with those factors that most deprived a given space of its middle-class character. Consequently, African Americans came to represent the antithesis of middle-class values, and the white middle class established its identity by excluding blacks from the urban spaces it occupied. By 1930, racial discrimination rested firmly on gender and family values as well as class. Inequitable law enforcement in the ghetto increased criminal activity, both real and perceived, within the African American community. White Kansas Citians maintained this system of racial exclusion and denigration in part by “misdirection,” either by denying that exclusion existed or by claiming that segregation was necessary to prevent racial violence. Consequently, African American organizations sought to counter misdirection tactics. The most effective of these efforts followed World War II, when local black activists devised demonstration strategies that targeted misdirection specifically. At the same time, a new perception emerged among white liberals about the role of race in shaping society. Whites in the local civil rights movement acted upon the belief that integration would produce a better society by transforming human character. Successful in laying the foundation for desegregating public accommodations in Kansas City, black and white activists nonetheless failed to dismantle the systems of spatial exclusion and inequitable law enforcement or to eradicate the racial ideologies that underlay those systems. These racial perceptions continue to shape race relations in Kansas City and elsewhere. This study demystifies these perceptions by exploring their historical context. While there have been many studies of the emergence of ghettos in northern and border cities, and others of race, gender, segregation, and the origins of white ideologies, A City Divided is the first to address these topics in the context of a dynamic, urban society in the Midwest.

Edgar Snow (1905--1972) was one of the most notable Western journalists to report on China in both the revolutionary and postrevolutionary periods. He first became famous in the mid-1930s when he broke through a Nationalist blockade and reached the Communists in northwest China. For nearly a decade, no foreign reporter had seen the Communists, who were widely regarded as a ragtag bandit army. Snow took them seriously as a national movement. His reporting in the now-famous book Red Star over China was major news, even to the Chinese, thousands of whom joined the Communists after reading it. It has remained a seminal reference on the early Chinese Communist movement. In this award-winning biography, journalist John Maxwell Hamilton follows Snow from his birth in Kansas City to his rise as a celebrated foreign correspondent for the Saturday Evening Post, his ostracism during the cold war, and his role as a singular journalistic bridge between Communist China and the United States. With a new preface by the author, this revealing portrait of the widely misunderstood Snow firmly establishes him as a model for the kind of committed reporting that is crucial to understanding our interdependent world.