The third edition in the Celestial Gallery series, Buddhas of the Celestial Gallery collects Romio Shrestha's rarest and previously unpublished t’angkas, surveying the many incarnations of the Buddha. In the tradition of Celestial Gallery and Goddesses of the Celestial Gallery, Romio Shrestha’s latest art book gathers striking Tibetan-style mandala paintings featuring the Buddha. These hauntingly powerful paintings depict the life of the deity in eloquent detail and render postmodern interpretations of an age-old Tibetan artistic tradition in which images are painstakingly created using malachite, lapis, and marigolds, and painted at times with three hairs of a cat’s tail. These exquisite portrayals of the celestial spheres, known as mandalas, invite viewers to meditate on the Buddha’s message of love, completion, and connectedness. Also available in a lavishly illustrated oversize edition.

Opening the oversized pages of Celestial Gallery is akin to entering a grand museum. This impressive, high-quality production features White Tara, Green Tara, the Medicine Buddha, and many other celestials, while lending new meaning to the terms full-size and full-color. Four color printing with spot varnish throughout.

This remarkable collection of postcards features beautiful depictions of the Buddha by master Himalayan artist Romio Shrestha in Tibetan-style thangkas, or spiritual paintings, offering visual manifestations of the divine. Produced by Shrestha and his team of artisan monks, Buddhas of the Celestial Gallery Postcard Book depicts the life of the deity in eloquent detail and renders postmodern interpretations of an age-old Tibetan artistic tradition in which images are painstakingly created using malachite, lapis, and marigolds, and painted at times with three hairs of a cat’s tail. Gathered from Romio Shrestha’s best-selling Buddhas of the Celestial Gallery, these exquisite portrayals of the celestial spheres, known as mandalas, invite viewers to meditate on the Buddha’s message of love, completion, and connectedness.

In the tradition of Celestial Gallery, this unique collection of striking Tibetan-style thangka paintings of the Goddesses of the Celestial Gallery are presented together for the first time, in this book-shelf sized format. Reproduced from the master painter Romio Shrestha and his team of artisan monks, who render postmodern interpretations of an age-old Tibetan artistic tradition. Made from malachite, lapis and marigolds and painted at times with just three hairs of a cat's tail, these paintings are produced in hauntingly powerful detail. Goddesses depicted include: "the goddesses of the arts" Saraswati; "the Divine Mother" White Tara a protector and preserver; "the Protectress " Green Tara : "the Dark Goddesses" Palden Lhamo, guardian of the lineage of the Dalai Lamas; and Kali, a wild and uncontrollable consort of Shiva, a devotee of time and keeper of the shadows within ourselves.

The thangka is a way for Tibetan Buddhist monks to bring the life and teachings of the Buddha to the people through the visual medium of paint. These paintings were rolled up and taken on journeys, used as traveling altars, or hung when certain deitieswere honored. Meulenbeld takes us through 37 thangkas that present a pictorial journey of the life of Buddha, Siddhartha Guatama, and the evolution of Tibetan Buddhism. 37 color plates. Glossary. Bibliography. Index.

Following the bestselling "Celestial Gallery," comes a portable alter and beautifully oversized meditation cards which include new and inspired insights, prayers and blessings from the wisdom journals of visionary Nepali thangka artisan Romio Shrestha. Never before rendered in this prayerful format, keys to the offerings of the divine deities--including Buddha Sakyamuni, Green Tara, White Tara, Amitabha and more--honored in these magnificent scroll paintings can be discovered through guided practice and meditation.

A presentation on the Tibetan Buddhist path to enlightenment, through the lens of an artist's eye and experience. The sacred arts play an essential, intrinsic role in Tibetan Buddhist practice. Here, one of the great practitioners and master artists of our time presents a guide to the Tibetan Buddhist path, from preliminary practices through enlightenment, from the artist's perspective. With profound wisdom, he shows how visual representations of the sacred in paintings, sculptures, mandalas, and stupas can be an essential support to practice throughout the path. This work, based on the author's landmark Tibetan text, The Path to Liberation, includes basic Buddhist teachings and practices, clearly pointing out the relevance of these for both the sacred artist and the practitioner, along with an overview of the history and iconography of Buddhist art.

An extraordinary encyclopedia of Buddhist icons. Illustrating the Rin 'byung brgya rtsa, the Nar thang brgya rtsa, and the Vajravali, the book is based on a collection of over five hundred images of Tibetan deities. The images, presented in the book at full scale, were originally created by a master artist in the early nineteenth century to serve as initiation cards (tsakli). The original tsakli were woodblock prints, hand colored at the request of a Ch'ing Dynasty nobleman who had received the initiations. Such cards are used in ceremonies to introduce the practitioner to the deity and his or her practice. The paintings are housed in the Ethnographic Museum of the University of Zurich. Deities of Tibetan Buddhism is also an indispensable reference tool for Tibetologists, students of Mahayana Buddhism, and museum curators. Its extensive supplementary materials include English translations of the basic invocation texts; the associated visualization with descriptions of the deities' postures, attributes, and colors; and the dharanis and mantras used in their invocation. Co-editor Martin Willson spent more than a decade translating and documenting this work. He has provided detailed explanations of technical terms, enlightening explanatory notes, and glossaries documenting the discrepancies in the depictions. The extensive pictorial index, featuring drawings and text by Robert Beer, explains the symbolic meaning behind the deities' implements and adornments. The cross-referenced indices for Tibetan, Sanskrit, Mongolian, and English names and terms provide quick access to vast amounts of information. Co-editor Martin Brauen and the technical staff of the Ethnographic Museum of the University of Zurich have documented the relationship between this and other sets of initiation cards that exist elsewhere, as well as detailing the construction materials and methods involved in producing this set. Deities of Tibetan Buddhism is a reference book without peer, essential for any serious student of Tibetan and East Asian art and religion.

A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.