Can you forget the place you once called home? What does it take to make you recapture it? In this moving memoir, Susan Rubin Suleiman describes her returns to the city of her birth — where she speaks the language like a native but with an accent. Suleiman left Budapest in 1949 as a young child with her parents, fleeing communism; thirty-five years later, she returned with her two sons for a brief vacation and began to remember her childhood. Her earliest memories, of Nazi persecution in the final year of World War II, came back to her in fragments, as did memories of her first school years after the war and of the stormy marriage between her father, a brilliant Talmudic scholar, and her mother, a cosmopolitan woman from a more secular Jewish family. In 1993, after the fall of communism and the death of her mother, Suleiman returned to Budapest for a six-month stay. She recounts her ongoing quest for personal history, interweaving it with the stories of present-day Hungarians struggling to make sense of the changes in their individual and collective lives. Suleiman's search for documents relating to her childhood, the lives of her parents and their families, and the Jewish communities of Hungary and Poland takes her on a series of fascinating journeys within and outside Budapest. Emerging from this eloquent, often suspenseful diary is the portrait of an intellectual who recaptures her past and comes into contact with the vital, troubling world of contemporary Eastern Europe. Suleiman's vivid descriptions of her encounters with a proud, old city and its people in a time of historical change remind us that every life story is at once unique and part of a larger history. "I recommend this autobiographical narrative because it is grave and beautiful. Better still, it is shatteringly truthful." — Elie Wiesel "Susan Rubin was a little girl when her parents fled through darkened fields to escape the Communist regime in Hungary in 1949... [This] is a poignant piece of self-revelation, sprinkled with some trenchant observations on the way the dead hand of history has weighed down the former Warsaw Pact countries." — Kirkus "[A] fascinating, revealing journal... brutally honest." — Publishers Weekly "This pensive, forthright journal records Suleiman's efforts to reconnect with a long-forgotten homeland." — Booklist "Suleiman lyrically describes her quest and the complex interaction of the Eastern Europe of the past and present." — Boston Globe "A tale of survival, adaptation and pure luck, whose darker side reveals the linguistic and emotional cost of emigration and exile, the feeling of permanent displacement, of being nowhere at home." — Forward "This story must speak to all those who have fled and who have ever dreamed of a return." — Independent Jewish Women's Magazine "[A] thoughtful and sophisticated memoir... You don't have to be Hungarian or Jewish to appreciate writing like this." — Montreal Gazette

In 1993, after the fall of communism and the death of her mother, Suleiman returned to Budapest for a six-month stay. She recounts her ongoing quest for personal history, interweaving it with the stories of present-day Hungarians struggling to make sense of the changes in their individual and collective lives. Suleiman's search for documents relating to her childhood, the lives of her parents and their families, and the Jewish communities of Hungary and Poland takes her on a series of fascinating journeys within and outside Budapest.

Looking Back is the unusual memoir of a senior figure in the international psychoanalytic community. Dr. Paul Ornstein was one of the small and distinguished group of Holocaust survivors/physicians who came to the U.S. after the second world war and became prominent in American psychoanalysis. His memoir traces his route from a small town in Hungary, to Budapest’s Neolog Rabbinical Seminary, to a Hungarian forced labor battalion, through medical school in post-war Heidelberg to the Chicago Institute for Psychoanalysis, to Cincinnati, Ohio, where he became a prominent professor of psychiatry and a leader of the psychoanalytic Self Psychology movement. “How does one begin to identify and evaluate a well-lived life? I thought again of this question as I read Paul Ornstein’s lovely and surprisingly profound memoir titled simply Looking Back: Memoir of a Psychoanalyst. If you want to know what a life well lived looks like, read this book... Ornstein, all of his personal and professional accomplishments and contributions notwithstanding, possesses an endearing humility. Its tone colors the memoir... For entrée into a life history that spans the great events of the last century, that charts the growth and development of psychoanalysis into a humanistic and humane endeavor, and that depicts a life very well lived, I commendLooking Back: Memoir of a Psychoanalyst.” — Joye Weisel-Barth, International Journal of Psychoanalytic Self Psychology “Paul Ornstein's remarkable life has taken him from a cheder in a Hungarian town, to the Budapest Rabbinical Seminary through the Holocaust, to the summit of his psychoanalytic profession. This memoir tells this story in vivid and often moving fashion, including his dazed, postwar search for surviving family members, the tenderness of his romance and reunion with his beloved wife and collaborator Anna, their improbable postwar study of medicine among former Nazis at Heidelberg, his use of hypnosis to cure a paralyzed aide to a legendary congressman, to his development, along with Anna, into a towering figure in self-psychology. Paul, who has been fortunate to have Helen Epstein as his co-author, enriches the book by using his penetrating insight to analyze his own motivations and foibles, and those of colleagues and teachers. The reader comes away astonished by how Paul was able to transcend trauma and retain a spirited delight in living and a lifelong sense of optimism.” —Joseph Berger, veteran reporter, The New York Times and author, Displaced Persons: Growing Up American After the Holocaust. “In this memoir, Paul Ornstein describes his remarkable and moving personal, historical and professional life journey, losing many family members, his community, and his country in the Shoah, yet being blessed from the beginning with a resilient optimism and clear-eyed certainty about what he can accomplish and who and what matters to him: family first and foremost, friends, community and identity, and being a psychoanalyst. Looking Back, including photos and accounts of Ornstein’s close relationship with his long-lived survivor father, with Michael Balint, and with Hans Kohut, could be called ‘My Father’s Culture’. It serves as companion volume to his beloved Anna’s My Mother’s Eyes.” — Dr. Nancy J. Chodorow, Author, The Power of Feelings, Individualizing Gender and Sexuality and other works; Professor of Sociology Emerita, University of California, Berkeley; Lecturer on Psychiatry, Harvard Medical School; Training and Supervising Analyst, Boston Psychoanalytic Society and Institute. “Paul Ornstein was one of the psychoanalysts who came to the U.S. from Europe after the second world war and became a central figure in American psychoanalysis. He and his wife Anna have made an essential contribution to establishing Heinz Kohut’s self psychology as an important part of our pluralistic psychoanalytic world. The book is a portrait of a fine psychoanalyst and a fine human being.” — Dr. Arnold Richards, Editor InternationalPsychoanalysis.net, Publisher ipbooks.net, Former editor JAPA. “It is rare for a psychoanalyst of Paul Ornstein’s generation and stature to share his personal and professional history. Dr. Ornstein’s story is unique and, fluently written with journalist Helen Epstein, provides a way for mental health professionals and lay people alike to learn how one can overcome apocalyptic trauma. Students of psychoanalytic history will get a window onto the Hungarian tradition that stretches from Ferenczi to Balint to Ornstein as well as the politics of the American psychoanalytic community, chiefly in Cincinnati and Chicago. Dr. Ornstein’s story demonstrates how determination, perseverance and love can conquer all.” — Dr. Eva Fogelman, author of Conscience and Courage: Rescuers of Jews during the Holocaustand co-producer of Breaking the Silence: The Generation After the Holocaust. “Looking Back is, like its author, direct, without frills, but leaves the reader thinking about some of the Big Questions. And like the story of Passover, Paul Ornstein's story is one that demands telling and retelling.” — Lester Lenoff, MSW, LCSW, Consulting Editor, Psychoanalytic Inquiry; Editorial Board, The International Journal of Psychoanalytic Psychotherapy. “As a survivor, Paul Ornstein is a model of resilience, turning his Shoah experience into a lesson in living. As a psychoanalyst, he was able to distance himself from ‘ego psychology’ and to acknowledge, under the influence of Kohut, the clinical importance of empathy, an evolution that had numerous equivalents in other countries, and especially in France. The result is an important book, both moving and intellectually challenging.” — Dr. Rachel Rosenblum, Paris Psychoanalytic Society, Recipient of the 2013 Hayman Award. “This memoir conveys one man's experience of the Holocaust and how he was able to reconstruct a life after the war. Uniquely, it also gives us a feel for what was a seismic event in analytic circles in the 20th century, the birth and growth of Self Psychology. From horror to empathy, not a bad journey to read about in a short, succinct book.” —Dr. Michael Rosenbluth, FRCPC Chief, Department of Psychiatry, Toronto East General Hospital, Associate Professor, University of Toronto. “This memoir is a gem, rich and deeply personal as well as a chronicle of a remarkable life lived during a remarkable time. And those photos! They are stunning.” — Dr. James Fisch, Editorial Board, International Journal of Psychoanalytic Self Psychology.

Janet Burstein argues that American Jewish writers since the 1980s have created a significant literature by wrestling with the troubled legacy of trauma, loss, and exile. Their ranks include Cynthia Ozick, Todd Gitlin, Art Spiegelman, Pearl Abraham, Aryeh Lev Stollman, Jonathan Rosen, and Gerda Lerner. Whether confronting the massive losses of the Holocaust, the sense of “home” in exile, or the continuing power of Jewish memory, these Jewish writers search for understanding within “the little secrets” of their dark, complicated, and richly furnished past.

An essential companion piece to Stefan Zweig's classic The World of Yesterday, this memoir addresses many of the questions that this internationally celebrated author raised but did not answer. A professional journalist and researcher in her own right who first encountered Zweig in 1908, Friderike threads her story between what Zweig called the Scylla of "exaggerated candor" and the Charybdis of self-love. She paints a detailed portrait of her famous husband from his birth into a wealthy Jewish family in late 19th century Vienna to his suicide (with his second wife) in Brazil in 1942. Married to Stefan Zweig, first published in 1946 under the title Stefan Zweig, provides a thorough overview of the writer's poems, plays, stories, biographies, essays and articles, his work habits, and his relations with editors, publishers, friends, mentors and protégés. Friderike also illuminates facets of the tumultuous context of political and social upheaval in which Zweig worked during his years in Salzburg and London. Married to Stefan Zweig is among the very small number of women’s memoirs from 20th century Central Europe and an unusual portrait of a marriage anywhere, anytime.

Writing otherwise is a collection of essays by established feminist and cultural critics interested in experimenting with new styles of expression. Leading figures in their field, such as Marianne Hirsch, Lynne Pearce, Griselda Pollock, Carol Smart, Jackie Stacey and Janet Wolff, all risk new ways of writing about themselves and their subjects. Aimed at both general and academic readers interested in how scholarly writing might be more innovative and creative, this collection introduces the personal, the poetic and the experimental into the frame of cultural criticism. This collection of essays is highly interdisciplinary and contributes to debates in sociology, history, anthropology, art history, cultural and media studies and gender studies.

Encounters in the Arts, Literature, and Philosophy focuses on chance and scripted encounters as sites of tensions and alliances where new forms, ideas, meanings, interpretations, and theories can emerge. By moving beyond the realm of traditional hermeneutics, Jérôme Brillaud and Virginie Greene have compiled a volume that vitally illustrates how reading encounters represented in artefacts, texts, and films is a vibrant and dynamic mode of encountering and interpreting. With contributions from esteemed academics such as Christie McDonald, Pierre Saint-Amand, Susan Suleiman, and Jean-Jacques Nattiez, this book is a multidisciplinary collaboration between scholars from a range of disciplines including philosophy, literature, musicology, and film studies. It uses examples chiefly from French culture and covers the Early Modern era to the twentieth century, while providing a thorough and representative array of theoretical and hermeneutical approaches.

Karen Horney (1885-1952) is one of the great figures in psychoanalysis, an independent thinker who dared to take issue with Freud's views on women. One of the first female medical students in Germany, and one of the first doctors in Berlin to undergo psychoanalytic training, she emigrated to the United States in 1932 and became a leading figure in American psychoanalysis. She wrote several important books, including Neurosis and Human Growth and Our Inner Conflicts. Horney was a brilliant psychologist of women, whose work anticipated current interest in the narcissistic personality. "An excellent book, sophisticated in its judgments, and with a candor that does justice to [Quinn's] courageous subject." — Phyllis Grosskurth, The New York Review of Books "A richly contexted, thoroughly informed, and admirably forthright account of Horney's development and contribution." — Justin Kaplan "Excellent, sympathetic but not adulatory, clear about the theories and factions... rich in anecdotes." — Rosemary Dinnage, The New York Times Book Review "The whole book is wonderfully balanced. A terrific achievement." — Anton O. Kris, Boston Psychoanalytic Institute

A personal account of a mother’s sudden and unexpected hospitalization, and how her adult children negotiated end-of-life decisions. This essay appeared as a New York Magazine cover story on November 27, 1989 as "A Death in the Family 1989."