Growing up in a mob family had scarred Mary Graham. She'd thought running away would ensure her son didn't face the same horrors. But after three years on the lam, the single mom couldn't live that way anymore. So she'd come back home to Broken Bones, Arizona—and found herself at the center of a baby brokering scandal. To prove her innocence and help a grieving mother, Mary had to turn to her family's nemesis—a cop. And not just any cop…a cop named Mitch Williams. He'd been after her family for years, so could she trust him to have her best interests at heart?

As you journey along the path of life, the air heavy with mist surrounding you like a damp cold shawl, your footsteps rhythmically beating upon the ground to the sound of your heart, you realize this path has known obstacles and pain. It is covered in mystery and uncertainty leading you to places unknown. Yet, it also possesses great beauty and wonderment in its ability to shift, alter, and change, guiding your spirit in directions you never dreamed existed. There is magic and awe wrapped within its strange enigma. The path carries the soul through winter, remaining dormant under ice and snow, only to experience the warming thaw and blossoming of the emerging spring. Everyones path is perfectly unique and each individual will experience something different as they traverse upon it, for the path leads the soul that journeys along its course with absolute precision. It is a road that twists, turns, and intersects between fate and choice, while always remaining an open field of possibility. When you stand upon the path, where will it take you?

Born in Winchester, Indiana, Robert Wise spent much of his youth sitting in darkened movie theaters enthralled by the swashbuckling heroics of screen legend Douglas Fairbanks Sr. Through these viewings, Wise developed a passion for film—a passion he followed for the rest of his life, making movies in Hollywood. Nationally known film historian Wes D. Gehring explores Wise’s life from his days in the Hoosier State to the beginning of his movie career at RKO studios working as the editor of Orson Welles’s classic movie Citizen Kane. Wise is best known for producing and directing two of the most memorable movie musicals in cinema history, West Side Story (co-director Jerome Robbins) and The Sound of Music, for which he won four Academy Awards—two Best Picture and Best Directors Oscars. But, as Gehring notes, other than Howard Hawks, Wise was arguably Hollywood’s most versatile director of various celebrated genre films.

Analyses the social imaginary of undoing, repair and return underpinning the international norm of restitution-makingApproaches restitution not just as a legal norm of property return, but as a social imaginary and a cultural-psychoanalytic 'scene' of undoing, repair and returnBrings together philosophic-political, socio-legal and cultural-psychoanalytic approaches to the study of restitutionOutlines a heterogeneous and multifaceted idea of restitution emergent in modernity, and looks at the peripheries of the modern restitutive tradition in the search for alternatives and counter-traditionsThis book takes a unique approach grounded in political and cultural discourse to develop a political theory of restitution. Challenging assumptions about restitution in the Western legal and political tradition, where it has become nearly synonymous with reacquisition and where legal studies focus on material objects and claims to their ownership, Zolkos argues that the development of restitutive norms has been auxiliary to the emergence of modern state sovereignty, and excavates the restitutive tradition's mythical-religious substrate. Bringing together texts from within and outwith the Western canon of political theory and philosophy, including the writings of Grotius, Durkheim, Freud, and Klein, as well as Mary Shelley's Frankenstein, the book undertakes a dual task: reading literary texts as a political theorising of restitution, and reading political or sociological texts as literary narratives with distinctive 'restitutive tropes' of repair, undoing and return.

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This title was first published in 2003. The sixth edition of this compendium of film and television adaptations of books and plays includes several thousand new listings that cover the period from 1992 to December 2001. There are 8000 main entries, covering 70 years of film history, including some foreign language material.

"... containing the names and the disposition made of more than 20,000 pictures, from ... May 15th, 1915, up to the end of the year 1917. This list will be supplemented by further lists presented at the end of each half yearly period."--Pennsylvania. State Board of Censors of Moving Pictures. Report, 1918, p. 7.

Whether looking back to a troubled past or welcoming a hopeful future, the powerful voices of Indigenous women across North America resound in this book. In the same style as the best-selling Dreaming in Indian, #Not Your Princess presents an eclectic collection of poems, essays, interviews, and art that combine to express the experience of being a Native woman. Stories of abuse, humiliation, and stereotyping are countered by the voices of passionate women making themselves heard and demanding change. Sometimes angry, often reflective, but always strong, the women in this book will give teen readers insight into the lives of women who, for so long, have been virtually invisible.