When they strip us naked like frying baboons over industrial-chemo nitrate bonfires in the back of gutted factories, asphyxiating from scrutiny and laws- we will always have our memories, and those mothers can't do anything about it. -M. R. E. 1993

“Implacable destiny is no match for courage, sisterhood, stubbornness, and a good working knowledge of fairy tales.” —Katherine Arden, bestselling author of the Winternight trilogy, on A Spindle Splintered Follow professional fairy tale fixer, Zinnia Gray, as she helps women get the endings they deserve! First, Sleeping Beauty in A Spindle Splintered, featuring Arthur Rackham's original illustrations for The Sleeping Beauty, fractured and reimagined. And then, Snow White's Evil Queen in A Mirror Mended! In A Spindle Splintered, it's Zinnia Gray's twenty-first birthday. When she was young, an industrial accident left her with a rare condition and no one who has it has lived to twenty-two. Her best friend is intent on making Zin's last birthday special with a full sleeping beauty experience, complete with a tower and a spinning wheel. But when Zinnia pricks her finger, she finds herself cast into another world, with another sleeping beauty, just as desperate to escape her fate. Then, in A Mirror Mended, Zinnia discovers there’s more than one person trapped in a story they didn’t choose. Snow White's Evil Queen has found out how her story ends and she's desperate for a rewrite. Will Zinnia accept the queen's poisonous request for a rewrite and save them both from the hot iron shoes that wait for them? Or will she try another path? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

USA Today bestselling author Alix E. Harrow's A Spindle Splintered brings her patented charm to a new version of a classic story. Featuring Arthur Rackham's original illustrations for The Sleeping Beauty, fractured and reimagined. “A vivid, subversive and feminist reimagining of Sleeping Beauty, where implacable destiny is no match for courage, sisterhood, stubbornness and a good working knowledge of fairy tales.” —Katherine Arden It's Zinnia Gray's twenty-first birthday, which is extra-special because it's the last birthday she'll ever have. When she was young, an industrial accident left Zinnia with a rare condition. Not much is known about her illness, just that no-one has lived past twenty-one. Her best friend Charm is intent on making Zinnia's last birthday special with a full sleeping beauty experience, complete with a tower and a spinning wheel. But when Zinnia pricks her finger, something strange and unexpected happens, and she finds herself falling through worlds, with another sleeping beauty, just as desperate to escape her fate. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Alaya has the unique creative capacity to teach using the hands and feet of our ordinary human experience to understand and come closer to secrets of the universe. Martha Harrell, M.S.N., Ph.D., Licensed Training Jungian Psychoanalyst, Biodynamic Cranio-sacral Therapist, and contributing author in Transforming Terror: Reclaiming the World Soul Alayas Fables takes us into the world of make-believe to discover how problems are solved from the heart. Meredith Young-Sowers, D.Div., Founder & Director, Stillpoint Foundation and School of Integrative Life Healing, Author: of The Angelic Messenger Cards These unique fables engage both right and left hemispheres, and truly invite us to reach our potential. Thank you from an inspired heart! Joyce Buckner, Ph.D. Author of Making Real Love Happen, Master Imago Therapist, and guest on the Oprah Show Alayas Fables offers a welcoming trail into ones heart and soul. Enjoy and use these lovely fables as a way to explore, grow, and play with all that you are. Dee LaCrosse, Psy.D., Licensed Clinical Psychologist ONE need not be the lonely number its name implies. Alaya Chadwick takes us to the land where dreams live to find intimacy with our inner selves. Mark W Shulkin MD, Distinguished Life Fellow of the American Psychiatric Association and Clinical Assistant Professor or of Psychiatry at Drexel University College of Medicine (retired) Sunny L Shulkin LCSW, BCD, Master Trainer of Imago Relationship Therapy

Simple versions of more than sixty fables use animals to teach lessons about wise and foolish human behavior.

A newborns death occurs in secret; coupled with a mothers regret and guilt, it serves as the origins of hatred that lead to the murder of the nurse who witnessed the death. Sam Steele, a thirty-three-year veteran agent of the Georgia Bureau of Investigation and a devout Christian, answers the call to assist Sheriff Charles Roper of Creek County in looking into the nurses murder. Investigating the murder of a reclusive young woman whose passions were running and finding peace with natures God, Sam processes a crime scene that produces scant evidence, and examining the body reveals little except the horrible manner of the young womans death. As those in the know close ranks and refuse to give Sam any information that might explain the murder, the case begins to grow colduntil a murder in another county suddenly reveals an unexpected connection. In this mystery novel, an agent for the Georgia Bureau of investigation hunts the murderer of a young woman, unaware of the strange sequence of events that he will bring to light.

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The Aesop's Fable Paradigm is a collection of essays that explore the cutting-edge intersection of Folklore and Science. From moralizing fables to fantastic folktales, humans have been telling stories about animals—animals who can talk, feel, think, and make moral judgments just as we do—for a very long time. In contrast, scientific studies of the mental lives of animals have professed to be investigating the nature of animal minds slowly, cautiously, objectively, with no room for fanciful tales, fables, or myths. But recently, these folkloric and scientific traditions have merged in an unexpected and shocking way: scientists have attempted to prove that at least some animal fables are actually true. These interdisciplinary chapters examine how science has targeted the well-known Aesop's fable "The Crow and the Pitcher" as their starting point. They explore the ever-growing set of experimental studies which purport to prove that crows possess an understanding of higher-order concepts like weight, mass, and even Archimedes' insight about the physics of water displacement. The Aesop's Fable Paradigm explores how these scientific studies are doomed to accomplish little more than to mirror anthropomorphic representations of animals in human folklore and reveal that the problem of folkloric projection extends far beyond the "Aesop's Fable Paradigm" into every nook and cranny of research on animal cognition.

This book by one of our most admired and influential medievalists offers a fundamental reconception of the person generally assumed to be the first woman writer in French, the author known as Marie de France. The Anonymous Marie de France is the first work to consider all of the writing ascribed to Marie, including her famous Lais, her 103 animal fables, and the earliest vernacular Saint Patrick's Purgatory. Evidence about Marie de France's life is so meager that we know next to nothing about her-not where she was born and to what rank, who her parents were, whether she was married or single, where she lived and might have traveled, whether she dwelled in cloister or at court, nor whether in England or France. In the face of this great writer's near anonymity, scholars have assumed her to be a simple, naive, and modest Christian figure. Bloch's claim, in contrast, is that Marie is among the most self-conscious, sophisticated, complicated, and disturbing figures of her time-the Joyce of the twelfth century. At a moment of great historical turning, the so-called Renaissance of the twelfth century, Marie was both a disrupter of prevailing cultural values and a founder of new ones. Her works, Bloch argues, reveal an author obsessed by writing, by memory, and by translation, and acutely aware not only of her role in the preservation of cultural memory, but of the transforming psychological, social, and political effects of writing within an oral tradition. Marie's intervention lies in her obsession with the performative capacities of literature and in her acute awareness of the role of the subject in interpreting his or her own world. According to Bloch, Marie develops a theology of language in the Lais, which emphasize the impossibility of living in the flesh along with a social vision of feudalism in decline. She elaborates an ethics of language in the Fables, which, within the context of the court of Henry II, frame and form the urban values and legal institutions of the Anglo-Norman world. And in her Espurgatoire, she produces a startling examination of the afterlife which Bloch links to the English conquest and occupation of medieval Ireland. With a penetrating glimpse into works such as these, The Anonymous Marie de France recovers the central achievements of one of the most pivotal figures in French literature. It is a study that will be of enormous value to medievalists, literary scholars, historians of France, and anyone interested in the advent of female authorship.