This book focuses on the images of Oman in British travel writing from 1800 to 1970. In texts that vary from travel accounts to sailors' memoirs, complete travelogues, autobiographies, and letters, it looks at British representations of Oman as a place, people, and culture. The study discusses the current Orientalist debate suggesting alternatives to the dilemma of Orientalism. It also outlines the historical Omani-British relations, and examines the travel accounts written by several British merchants and sailors who stopped in Muscat and other Omani coastal cities in the nineteenth century. Another focus is with the works of travellers who penetrated the Interior of Oman such as James Wellsted and Samuel Miles, and the travellers who explored the southern Oman and the Empty Quarter. Finally the book looks at the last generation of British travellers who were in Oman from 1950 to 1970 employed either by oil companies or the Sultan Said bin Taimur. The gap of knowledge that this book undertakes to fill is that most of the texts under discussion have not been studied in any context.

Broadly this book is about the Arabian desert as the locus of exploration by a long tradition of British travellers that includes T. E. Lawrence and Wilfred Thesiger; more specifically, it is about those who, since 1950, have followed in their literary footsteps. In analysing modern works covering a land greater than the sum of its geographical parts, the discussion identifies outmoded tropes that continue to impinge upon the perception of the Middle East today while recognising that the laboured binaries of “East and West”, “desert and sown”, “noble and savage” have outrun their course. Where, however, only a barren legacy of latent Orientalism may have been expected, the author finds instead a rich seam of writing that exhibits diversity of purpose and insight contributing to contemporary discussions on travel and tourism, intercultural representation, and environmental awareness. By addressing a lack of scholarly attention towards recent additions to the genre, this study illustrates for the benefit of students of travel literature, or indeed anyone interested in “Arabia”, how desert writing, under the emerging configurations of globalisation, postcolonialism, and ecocriticism, acts as a microcosm of the kinds of ethical and emotional dilemmas confronting today’s travel writers in the world’s most extreme regions.

An account of the first crossing of the Omani desert by motorcar, as Jan Morris accompanied the Sultan on his royal progress, with the winds of change - oil and revolution - in the background.

Historians have often assumed that the lives of the poor and illiterate can never be known because they have left little record of their existence. This book, however, will establish some of the main themes of a new field of historical study: that of 'ordinary writings' - the improvised writings of the poor and the young.

This book is a cultural history, offering an historical account of the formation of a distinctive Omani culture; arguing that it is in this unique culture that a specific conception and practice of diplomacy has been developed.

Cultivating the Past, Living the Modern explores how and why heritage has emerged as a prevalent force in building the modern nation state of Oman. Amal Sachedina analyses the relations with the past that undergird the shift in Oman from an Ibadi shari'a Imamate (1913–1958) to a modern nation state from 1970 onwards. Since its inception as a nation state, material forms in the Sultanate of Oman—such as old mosques and shari'a manuscripts, restored forts, national symbols such as the coffee pot or the dagger (khanjar), and archaeological sites—have saturated the landscape, becoming increasingly ubiquitous as part of a standardized public and visual memorialization of the past. Oman's expanding heritage industry, exemplified by the boom in museums, exhibitions, street montages, and cultural festivals, shapes a distinctly national geography and territorialized narrative. But Cultivating the Past, Living the Modern demonstrates there are consequences to this celebration of heritage. As the national narrative conditions the way people ethically work on themselves through evoking forms of heritage, it also generates anxieties and emotional sensibilities that seek to address the erasures and occlusions of the past.

Desert exploration, like climbing Everest or polar expeditions, is not for the faint-hearted, and many of the vivid tales within this fascinating biographical history end in tragedy. However, the informative and absorbing descriptions of the extraordinary journeys, challenges and achievements of these intrepid figures, are captivating. They risked their lives variously for good old fashioned epic adventure, solitude, fame, the answer to mythical questions and some were even spies. They experienced fear, excitement and hardship in their journeys into the unknown. There are many books on exploration but remarkably few on desert exploration. Moreover, some of the great desert explorers of the last three hundred years are now very little remembered or appreciated in comparison, say, with those who ventured to the poles, climbed Everest, or sought the source of the Nile. Yet, crossing unknown deserts is no less challenging. This volume finally brings these Great Desert Explorers into the limelight, with short, illustrated biographies of around 60 of the most interesting, intrepid and important explorers of the world’s greatest deserts. There is also a brief introduction to each desert region. The many original quotations, illustrations and maps, contemporary figures, as well as plates of a range of desert landscapes make this a colourful, lively and informative read.

Strangers in Yemen is a study of travel to Yemen in the nineteenth century by Jews, Christians and Muslims. The travelers include a missionary, artist, scientist, rabbi, merchant, adventurer and soldier. The focus is on the encounter between people of different cultures, and the chapters analyze the travelers’ accounts to elucidate how strangers and locals perceived each other, and how the experiences shaped their perceptions of themselves. Cultural encounter is among the most important challenges of our time, a time of global migration and instant communication. Today, as in the past, history provides a valuable tool for illuminating the human experience, and this scholarly work stimulates us to contemplate the challenge of cultural encounter, for it affects us all.

From Sunday Times Top Ten bestselling author, Katherine Webb, The English Girl is perfect for fans of Dinah Jefferies, Kate Morton and Santa Montefiore. In a land full of secrets, you can make your own rules. Joan Seabrook has fulfilled her lifelong dream to travel to Arabia and has arrived in the ancient city of Muscat with her fiancé, Rory. Desperate to escape the pain of a personal tragedy, she longs to explore the desert fort of Jabrin and unearth the wonders held within. But Oman is a land lost in time, and gaining permission to explore could prove impossible. Joan's disappointment is only eased by the thrill of meeting her childhood heroine, pioneering explorer Maude Vickery, and hearing the stories that captured her imagination as a child. The friendship that forms between the two women will change everything. Both have desires to fulfil and secrets to keep. As their bond grows, Joan is inspired by the thrill of her new friend's past and finds herself swept up in a bold and dangerous adventure of Maude's making. Only too late does she begin to question her actions - actions that will spark a wild, and potentially devastating, chain of events. 'A compelling and beautifully written tale of adventure, mystery and love, The English Girl enthralled me from the first page. Set against the exotic backdrop of Arabia, Webb brings her world to life with skill and passion.' Santa Montefiore 'I've loved all Katherine Webb's books and this is a wonderful addition to my collection. After I finished, I found myself missing the searing heat and huge blue skies of the Omani desert.' Kate Riordan Your favourite authors love Katherine Webb's sweeping novels: 'An enormously talented writer' Santa Montefiore 'Webb has a true gift for uncovering the mysteries of the human heart and exploring the truth of love' Kate Williams 'Katherine Webb's writing is beautiful' Elizabeth Fremantle 'A truly gifted writer of historical fiction' Lucinda Riley 'Katherine's writing is rich, vivid and evocative' Iona Grey

In The Wahhabis seen through European Eyes (1772-1830) Giovanni Bonacina offers an account of the early reactions in Europe to the rise of the Wahhabi movement in Arabia. Commonly pictured nowadays as a form of Muslim fundamentalism, the Wahhabis appeared to many European witnesses as the creators of a deistic revolution with serious political consequences for the Ottoman ancien regime. They were seen either in the light of contemporary events in France, or as Islamic theological reformers in the mould of Calvin, opposing an established church and devotional traditions. These audacious but fascinating attempts to interpret the unknown by way of the better known are illustrated in Bonacina’s book.