Spans much of the modern history of the mystery genre and, along with it, many of the political and social changes from the classical detective story, the World War II spy story, and the Cold War thriller to postmodern detective and spy adventures and the politics of terrorism and confrontation of the twenty-first century.

100 British Crime Writers explores a history of British crime writing between 1855 and 2015 through 100 writers, detailing their lives and significant writing and exploring their contributions to the genre. Divided into four sections: 'The Victorians, Edwardians, and World War One, 1855-1918; 'The Golden Age and World War Two, 1919-1945; 'Post-War and Cold War, 1946-1989; and 'To the Millennium and Beyond, 1990-2015, each section offers an introduction to the significant features of these eras in crime fiction and discusses trends in publication, readership, and critical response. With entries spanning the earliest authors of crime fiction to a selection of innovative contemporary novelists, this book considers the development and progression of the genre in the light of historical and social events.

Essays on British writers of fantasy and science fiction discuss the changing attitudes towards this genre, including serious consideration by critics. Covers the publication of science fiction in comic books, limited productions of publications by fan presses, the difference between British and American science fiction, the birth of the New Wave, and the revival of horror fiction as a distinct genre.

Many aspects of British detective fiction are intriguingly different from the American detective fiction. And, confusingly, many of the British women detectives who have made it to American television are far from typical of the latest women detectives. This work is a study of British detective fiction with female protagonists written by women. Authors included are P.D. James, Jennie Melville, Liza Cody, Val McDermid, Joan Smith and Susan Moody. Special attention is paid to the evolution of the British female sleuth from the 1960s to the year 2000, particularly the 1980s, and how this shaped and altered detective fiction. Also discussed is the effect of the British judicial system and gun laws on detective fiction and real life, the types of crimes women detectives usually investigate, why certain directions have been taken and which ones may be taken in the future, issues being raised by the authors, and new women authors of detective fiction with female protagonists.

The Historical Dictionary of British Spy Fiction is a detailed overview of the rich history and achievements of the British espionage story in literature, cinema and television. It provides detailed yet accessible information on numerous individual authors, novels, films, filmmakers, television dramas and significant themes within the broader field of the British spy story. It contains a wealth of facts, insights and perspectives, and represents the best single source for the study and appreciation of British spy fiction. British spy fiction is widely regarded as the most significant and accomplished in the world and this book is the first attempt to bring together an informed survey of the achievements in the British spy story in literature, cinema and television. The Historical Dictionary of British Spy Fiction contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on individual authors, stories, films, filmmakers, television shows and the various sub-genres of the British spy story. This book is an excellent access point for students, researchers, and anyone wanting to know more about British spy fiction.

Essays on authors whose works range from the traditional or reactionary, to the experimental. During this time, the "problem novel" gained ground. Competition from other media, such as the television, influenced the juvenile-book market. During this period a publishers' group was formed to give serious thought to the direction in which juvenile books should go.

On a cold and rainy Stockholm night, nine bus riders are gunned down by an unknown assassin. The press, anxious for an explanation for the seemingly random crime, quickly dubs him a madman. But Superintendent Martin Beck of the Stockholm Homicide Squad suspects otherwise. This apparently motiveless killer has managed to target one of Beck2s best detectives--and he, surely, would not have been riding that lethal bus without a reason, Beck retraces his steps and chases year-old clues to a crime long thought unsolvable.

An impressively detailed but also unusually wide-ranging analysis of post-war Britain from 1970 to the end of Mrs Thatcher's term as prime minister in 1990, covering everything from international relations to family life, the countryside to manufacturing, religion to race, cultural life to political structures.

This collection of essays examines how college professors teach the genre of detective fiction and provides insight into how the reader may apply such strategies to his or her own courses. Multi-disciplinary in scope, the essays cover teaching in the areas of literature, law, history, sociology, anthropology, architecture, gender studies, cultural studies, and literary theory. Also included are sample syllabi, writing assignments, questions for further discussion, reading lists, and further aids for course instruction.

A high-ranking scientist has been kidnapped, and a secret British intelligence agency has just recruited Deighton’s iconic unnamed protagonist—later christened Harry Palmer—to find out why. His search begins in a grimy Soho club and brings him to the other side of the world. When he ends up amongst the Soviets in Beirut, what seemed a straightforward mission turns into something far more sinister. With its sardonic, cool, working-class hero, Len Deighton’s sensational debut and first bestseller The IPCRESS File broke the mold of thriller writing and became the defining novel of 1960s London.