This book examines British invasion and spy literature and the political, social, and cultural attitudes that it expresses. This form of literature began to appear towards the end of the nineteenth century and developed into a clearly recognised form during the Edwardian period (1901-1914). By looking at the origins and evolution of invasion literature, and to a lesser extent detective literature, up to the end of World War I, Danny Laurie-Fletcher utilises fiction as a window into the mind-set of British society. There is a focus on the political arguments embedded within the texts, which mirrored debates in wider British society that took place before and during World War I – debates about military conscription, immigration, spy scares, the fear of British imperial decline, and the rise of Germany. These debates and topics are examined to show what influence they had on the creation of the intelligence services, MI5 and MI6, and how foreigners were perceived in society.

This book examines British invasion and spy literature and the political, social, and cultural attitudes that it expresses. This form of literature began to appear towards the end of the nineteenth century and developed into a clearly recognised form during the Edwardian period (1901-1914). By looking at the origins and evolution of invasion literature, and to a lesser extent detective literature, up to the end of World War I Danny Laurie-Fletcher utilises fiction as a window into the mind-set of British society. There is a focus on the political arguments embedded within the texts, which mirrored debates in wider British society that took place before and during World War I - debates about military conscription, immigration, spy scares, the fear of British imperial decline, and the rise of Germany. These debates and topics are examined to show what influence they had on the creation of the intelligence services, MI5 and MI6, and how foreigners were perceived in society.

The history of Europe is marked not only by violence and division but also by efforts to reduce the destructiveness of war. In this volume, the authors explore the meaning of ‘Europe’ within war and peace discourses from the eighteenth to the twentieth centuries. They examine imagined wars, the post-1815 security order, the portrayal of Russian and Muslim 'Others,' double standards in international law, pacifist rhetoric, and the role of ‘Europe’ in war propaganda and resistance movements. The authors demonstrate how both war and peace practices have shaped the concept of ‘Europe’ over time.

There can be few statesmen whose lives and careers have received as much investigation and literary attention as Winston Churchill. Relatively little however has appeared which deals specifically or holistically with his first senior ministerial role; that of Secretary of State for the Home Office. This may be due to the fact that, of the three Great Offices of State which he was to occupy over the course of his long political life, his tenure as Home Secretary was the briefest. The Liberal Government, of which he was a senior figure, had been elected in 1906 to put in place social and political reform. Though Churchill was at the forefront of these matters, his responsibility for domestic affairs led to him facing other, major, challenges departmentally; this was a time of substantial commotion on the social front, with widespread industrial and civil strife. Even given that ‘Home Secretaries never do have an easy time’, his period in office was thus marked by a huge degree of political and social turbulence. The terms ‘Tonypandy’ and ‘Peter the Painter’ perhaps spring most readily to mind. Rather less known is his involvement in one of the burning issues of the time, female suffrage, and his portrayal as ‘the prisoners’ friend’ in terms of penal reform. Aged 33 on appointment, and the youngest Home Secretary since 1830, he became empowered to wield the considerable executive authority inherent in the role of one of His Majesty's Principal Secretaries of State, and he certainly did not shrink from doing so. There were of course commensurate responsibilities, and how he shouldered them is worth examination.

This book explores the rise of Shanghai-based popular magazines produced by the “Mandarin Ducks and Butterflies School” in early twentieth-century China. It examines the national, gender, family, and social imaginaries constructed and negotiated through a complex network of relationships between popular writers, magazine editors, and their intended readers, which were represented in various forms of popular narratives, including patriotic stories, war/military stories, family narratives, domestic fiction, utopian writings, and industrial-business stories. The author argues that the national imagination, social ideals, and the notions of ideal womanhood and the new family, were intrinsically linked and integral to the search for cultural identity of the emerging Chinese “middle society” and an expression of their collective sensibilities, experiences, and aspirations. This book suggests that the cultural imaginaries configurated in these magazine stories articulated a shared quest for modernity, one that emphasized sentiment, quotidian experience, the pursuit of the modern family and individual success, strengthening of the nation, and the reinvention of cultural tradition. Popular magazines and fiction, therefore, became uniquely instrumental in catalyzing the process of Chinese modernity, which emerged and developed along the symbiotic interrelations between the private and the public, the traditional and the modern, and the real and the imaginary.

Given the popular and scholarly interest in the First World War it is surprising how little contemporary literary work is available. This five-volume reset edition aims to redress this balance, making available an extensive collection of newly-edited short stories, novels and plays from 1914–19.

Spies of the Kaiser examines the scope and objectives of German covert operations in Great Britain before and during the First World War. It assesses the effect of German espionage on Anglo-German relations and discusses the extent to which the fear of German espionage in the United Kingdom shaped the British intelligence community in the early Twentieth-century. The study is based on original archival material, including hitherto unexploited German records and recently declassified British documents.

“Spies and Secret Service” is a 1915 work by Hamil Grant that explores the world of spying and espionage, examining its history and inner workings with a particular focus on nineteenth century Europe. Offering a fascinating insight into the secretive organisations of various countries, this volume is not to be missed by those with a keen interest in the exciting field of espionage and its most notable historical figures. Contents include: “The Ethos of the Spy”, “The Spy Through the Ages”, “Le Caron”, “Schulmeister”, “Nathan Hale”, “Mack and the Molly Maguires”, “Major André”, “British Secret Service”, “French Secret Service”, “German Secret Service”, “German Secret Service—Continued”, etc. Read & Co. History is proudly republishing this classic work now in a brand new edition complete with a specially-commissioned new introduction on espionage in the First World War.

The First World War had a profound impact on British society and on British relations with continental Europe, the Dominions, the United States and the emerging Soviet Union. The pre-war world was transformed, and the world that we recognize today began to take shape. That is why, 100 years after the outbreak, the time is right for this collection of thought-provoking chapters that reassesses why Britain went to war and the preparations made by the armed forces, the government and the nation at large for the unprecedented conflict that ensued.A group of distinguished historians looks back, with the clarity of a modern perspective, at the issues that were critical to Britain's war effort as the nation embarked on the most intense and damaging struggle in its history. In a series of penetrating chapters they explore the reasons for Britain going to war, the official preparations, the public reaction, the readiness of the armed forces, internment, the impact of the opening campaign, the experience of the soldiers, recruitment, training, weaponry, the political implications, and the care of the wounded.

The Battle of Dorking: Reminiscences of a Volunteer is an 1871 novella by George Tomkyns Chesney, starting the genre of invasion literature and an important precursor of science fiction. Written just after the Prussian victory in the Franco-Prussian War, it describes an invasion of Britain by a German-speaking country referred to in oblique terms as The Other Power or The Enemy. Excerpt: "You ask me to tell you, my grandchildren, something about my share in the great events that happened fifty years ago. 'Tis sad work turning back to that bitter page in our history, but you may perhaps take profit in your new homes from the lesson it teaches. For us, in England, it came too late. And yet we had plenty of warnings if we had only made use of them."